aang attacks sandbenders

He might start by observing. Aang is a curious person, so he'd likely watch how people live, how they interact with technology. He may also try to find other benders to learn about any new developments in bending. And he'd probably use his kind heart to make friends easily in this new future environment.

Aang could be friends with Neville. Neville is often underestimated but has a lot of courage, just like Aang. They could bond over their shared experiences of being different. Also, Luna Lovegood might be interested in Aang's unique abilities and his different world view, so she could be a potential friend too.

In non - lemon fanfiction, Aang is often portrayed as his kind - hearted self, trying to bring peace and balance. He might be shown using his airbending skills in creative ways to solve problems or face challenges. Azula, on the other hand, is usually depicted as a complex character. Her intelligence and powerful firebending are emphasized, and she may be in a journey of self - discovery, either trying to redeem herself or continue her pursuit of power in a more nuanced way.

I don't think so. Aang's character seems consistent with what we know from the original series in the comic.

Aang's age in the comics varies depending on the specific storyline, but generally, he is depicted as a bit older than in the original animated series.

In most of the comic series featuring Aang, he is around 12 to 14 years old. This age range is maintained to continue his adventures and growth as a character.

Aang's age in the comics varies depending on the specific storyline, but he's typically around 12 to 13 years old.

In reality, preventing the 9/11 attacks would have required a combination of effective intelligence, security measures, and international cooperation. A fictional novel wouldn't have had the power to do so. It's more of a fictional concept than a practical possibility.

Novel attacks usually refer to new or unique ways of attacking, like never-before-seen strategies or tactics in a particular context, such as in warfare or cybersecurity.

This type of novel is often called imprisonment or sadomasochism because the protagonist is usually controlled by a powerful force or emotion, imprisoned or otherwise harmed. This kind of plot usually brought about intense emotional conflict and pain, allowing the reader to feel the struggle and despair in the protagonist's heart.