It's raining, don't worry about lesson plansThe following is a reflection on the lesson plan of "Don't Worry When It Rains":
** 1. Achievement of the goal **
1. ** Knowledge and Skill Target **
- In the singing activity, the goal of learning to sing a song was basically achieved if the child could follow the teacher's guidance and gradually learn to sing the song. For example, through many steps of listening and interacting with the song (such as the first, second, third, and other stages of listening and interacting with the song) and learning to sing (such as the teacher-child operating the big-headed puppet to learn to sing the song), the child could sing the song more accurately. However, if the child had more problems with pitch and rhythm during singing, or if the lyrics were not firmly memorized, it meant that the teaching method or the repetition of the practice might need to be adjusted.
- The goal of increasing the understanding of traditional China children's songs was relatively difficult to measure. If the teacher simply let the child learn to sing the song during the teaching process, without properly explaining or expanding the cultural background of the song (such as the characteristics of a traditional children's song, the meaning of inheritance, etc.), then the goal may not be achieved.
2. ** Emotions, attitudes, goals **
- Experience the joy of imagination and try to express Bighead's joy in the rain. If the teacher created a rich situation (such as through finger games, with the help of orange props, etc.) in the teaching process, the child could actively participate and show a certain degree of imagination, such as using body movements to express the joy of the big head in the rain when performing the song situation, then this goal would be achieved to a certain extent. However, if the child's performance is more mechanical and lacks creativity, it may be that the teacher's incentive measures to guide the child's imagination are not enough.
- The goal was to feel the humor and wit of the song and experience the optimistic attitude of the main character of the song. If the child could understand the lyrics (such as "Big head, big head, don't worry about the rain" and other interesting lyrics) during the process of learning to sing the song, and express the humorous feelings of the song through expressions and actions, then this goal was basically achieved. Otherwise, teachers might need to dig deeper into the song's content in order to help children better understand it.
3. ** Course, Method, and Target **
- In the activity introduction stage, if the child can effectively enter the learning state through the rhythm game (such as using Cantonese and Mandarin to alternate greetings and feel the three-beat rhythm of the song), then this introduction stage is successful in attracting the child's attention and feeling the rhythm. However, if the child was not interested in or could not understand this method of introduction, he would need to adjust the introduction method.
- In the creation of the situation, the teacher narrated the story while drawing to arouse the interest of the children in the "big head". If the child could be attracted by the story and painting and successfully enter the song learning, then the situation creation was effective. On the other hand, if the child's attention was not attracted, it might be because the story content was not vivid enough or the painting was not expressive enough.
- In the multiple steps of feeling the song, such as using different props (fingers, oranges, etc.) to help the child understand the song, if the child can gradually deepen the understanding of the song through these props, this teaching method is feasible. However, if children had difficulty understanding or participation in a certain segment, they needed to re-examine the teaching methods and the use of teaching aids in this segment.
** 2. Teaching methods **
1. ** Strengths **
- Using a variety of teaching methods, such as the introduction of rhythm games, the creation of situations, and the use of a variety of props (fingers, oranges, big-headed puppets, etc.) to guide children to feel and learn to sing songs, these methods help to attract children's attention and stimulate children's interest in learning. For example, finger games could not only let children feel the rhythm of the song, but also train the delicate movements of the children's hands. The use of orange props increased the fun of learning.
- The step-by-step teaching steps were well designed. From the initial feeling of the song to learning to sing the song, to the performance of the song situation, it was in line with the law of cognitive development of the child. Children could gradually learn songs in depth, and at each stage, they would have different experiences and gains.
2. ** Not enough **
- For some complex concepts (such as the cultural background of the song), the teaching method may not be deep enough. For example, in terms of increasing children's understanding of traditional China children's songs, if it was just a simple mention without in-depth explanation through more stories and comparisons, children might not be able to truly understand the uniqueness of traditional children's songs.
- In terms of guiding children's creative performance, the teaching method may be a little monotonous. Although there were steps such as creating a situation, if more diverse methods could be provided (such as letting the children create different movements to express the happiness of the big head in the rain, etc.), it might better stimulate the creativity of the children.
** 3. Child participation **
1. ** Positive aspects **
- If the child actively participated in rhythmic games, answering questions, and performing songs with body movements during the entire teaching process, it meant that the child was more interested in the teaching content and teaching methods of the lesson plan, and the participation rate was higher. For example, in the learning to sing segment, children actively participated in making plasticine heads and singing, which showed that they were more invested in this segment.
2. ** Negative aspects **
- If some children did not participate in a certain segment (such as understanding the lyrics in the song segment, or performing the actions in the performance of the song), it might be because the teaching content was too difficult or the teaching method was not suitable for these children. For example, if a child did not perform actively when singing with the help of an orange prop, it might be because the guidance method for this segment was not clear enough or too complicated for the child.
** 4. In terms of classroom management **
1. ** Strengths **
- If the child's classroom order was good throughout the entire teaching process, and the child could follow the teacher's guidance and carry out all the activities in an orderly manner (such as not being chaotic when making the plasticine head, being able to listen to the teacher's guidance when performing the song situation, etc.), it meant that the teacher had done a good job in classroom management and could create an orderly learning environment.
2. ** Not enough **
- If there was chaos in a certain segment (such as the game segment or the children's free performance segment), it might be a problem with the teacher's rule-making or guidance. For example, if the child was too excited to perform a song with his body movements, the teacher might need to formulate more clear rules and guide him in time.
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