She might be devastated. Bella could go into a state of shock initially. Then, she might feel a deep sense of loss and loneliness. She could also be filled with anger towards the cause of her father's death.
Kickass isn't a Marvel comic. Marvel has its own distinct roster of characters and storylines, and Kickass doesn't fall into that category. It has its own unique creators and publishing history.
Kickass was not initially a comic. It might have started as an online concept or perhaps a story in a different medium before being adapted into a comic, if at all.
Kickass had a mix. Certain key elements were in line with the comics, but there were also additions and alterations. It's a matter of personal perception whether it was truly close.
One great magazine is 'Bustle'. It often features a variety of women - centered stories including kickass women's fiction. It covers different genres within that scope, from contemporary tales to some with a touch of fantasy. Another is 'Cosmopolitan'. While it's known for many things, it also showcases some amazing fictional works with strong female characters. And 'Marie Claire' can't be overlooked. It has a section that sometimes includes really engaging women's fiction that empowers and entertains at the same time.
Honestly, there's no definite count. Different people might have different opinions on what constitutes a kickass comic. It can vary based on personal preferences and the criteria used to evaluate.
It could be that the situation around his death had some ironic elements. Like he was always so careful about one thing, say not getting wet in the rain, but on his last day, he ended up in a big puddle and it just makes for a strange and funny story to tell later. It's not making light of his death, but finding the odd and humorous moments in the events leading up to it.
One characteristic is that they can cover a wide range of themes. Whether it's love, adventure, mystery, or social issues, they can delve deep into these areas. They also tend to have a strong narrative voice. This could be a first - person narrator who is very opinionated or a third - person omniscient narrator who can give a broad view of the story. And the language used is often vivid and descriptive, painting pictures in the reader's mind. For instance, in 'The Lord of the Rings', Tolkien's detailed descriptions of Middle - earth make it seem so real. Moreover, they can break the boundaries of traditional storytelling, experiment with different structures and time - lines.