Fire at Xuankong TempleThere was a fire in Xuan Kong Temple. There were two fires related to Xuan Kong Temple. On December 2, 2002, a fire broke out in a Xuankong Temple in Ningwu County, Shanxi Province, which was built in the Tang Dynasty. The Xuankong Temple was reduced to ashes. In addition, the most recent fire occurred in Hengshan, Shanxi Province. The exact date was unknown. The fire was caused by someone, and the suspect was under control. After the fire broke out, the Xuankong Temple scenic area was temporarily closed. However, the search results provided did not provide detailed information about the fire, such as the specific cause of the fire, the impact of the fire on Xuankong Temple, and whether there were any casualties. Therefore, he was unable to provide more information about the fire at Xuan Kong Temple.
Fire in Xuankong TempleThe fire in Xuan Kong Temple was caused by humans. It was reported that a resident of Yongan Town, Hunyuan County, Shanxi Province, had ignited a fire at the back of Mount Heng, causing a mountain fire. After the mountain fire broke out, after all efforts were put out, the open fire was put out on June 4. There were no casualties or damage to facilities. The Xuankong Temple scenic area was also temporarily closed.
Is the scenery of the temple the same as the song of the temple?The scenery in the temple was different from the songs in the temple.
The landscape of the temple was mainly reflected in its architecture, natural environment, and cultural atmosphere. From an architectural point of view, different temples had their own architectural styles. For example, the Flying Rainbow Pagoda in Guangsheng Temple in Hongdong, Shanxi Province, was 13 stories high. Its exterior was inlaid with various artistic images and decorated with different colored glazes. It was gorgeous. Beijing's Tanzhe Temple had a strange and gorgeous "Two Qiao" Magnolia in front of the Vairocana Pavilion. In terms of natural environment, some temples were built against mountains, surrounded by lush trees, such as Guangzhou's Xinxing Guoen Temple against mountains, surrounded by lush trees, with thousand-year-old trees hanging full of blessing bags; Hainan Nanshan Temple was located on the mountain facing the sea, with lush mountains, surrounded by hills, surrounded by auspicious clouds, facing the South China Sea, presenting the atmosphere of a Buddhist land on the sea. These sceneries often gave people an intuitive visual enjoyment, and they could also make people feel the tranquility and simplicity of the atmosphere.
And the songs of the temple were a form of auditory art. For example, the music of the temple in She County was simple and elegant, melodious and solemn, which attracted people to be kind. When it was played in the temple, it blended with the solemn atmosphere of the temple and had a strong appeal. A song like "I Order High Incense to Respect the Gods" might echo the religious atmosphere of the temple in terms of expressing respect for the gods.
Although both were related to the temple and could create a unique religious and cultural atmosphere in the temple, one was a physical landscape that focused on visual feelings, while the other was an artistic creation that focused on hearing. There was an essential difference.
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