film theoryFilm theory was a branch of film studies. It mainly studied the nature, basic principles, and general and local laws of film creation. It delved into the ideology, cultural background, subject matter, form of expression, and artistic style of the film, and tried to summarize a complete system of speculation.
Ordinary Music Theory Books" Virtual Intelligence Network " was a novel about urban life written by Ordinary Night Rain. It talked about how otakus learned to enter meditation and develop their brain regions. They entered the network from computer nerds, and there were battles between hackers and the appearance of intelligent software.
" Entertainment First " was an urban entertainment novel by The Forgotten Ring. Although it was a bit outdated, it was still not bad. It was a pure entertainment industry fantasy novel. It was a story about a parallel world. Some people were immersed in the book and commented that the plot was reasonable and the writing was good. However, the main character's description of how to treat people was said to be pretentious.
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" Le Zun " was a fantasy novel by Immortal Master Gui Gu. Xiao Yun cultivated in the world of music and cultivated the way of the seven tones. She was very good at using modern songs in ancient times, but the novel had few fighting scenes and the choice of songs did not match the foundation.
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What is the music theory of a song?The music theory of a song was the embodiment of the basic theory of music in the song.
In terms of key numbers, 1 = C represented a song in C key, which was the basic key. There were also 12 major keys and 12 minor keys. The major keys were passionate and bright, while the minor keys were lyrical and tactful. The key signature was used to determine the basic pitch relationship of the song.
The time number was also very important. For example, 2/4 represented a quarter note as a beat, with two beats per bar. For example, 4/2, 4/3, and 4/4 beats were all quarter notes as a beat, with two beats, three beats, four beats, and 8/3 beats, 8/6 beats, and other different types of time numbers.
In the score section, the simplified score was composed of the numbers 1 - 7,"do, re, mi, fa, sol, la, si". The upper and lower points of the numbers represented the high and low tones. For example, the lower part of the number was added, and the upper part of the number was added. The increase or decrease of the time line after the number affected the length of the note.
There were various types of rhythms in the song, such as the 28-meter rhythm, the four sixteen-note rhythm, the first eight and the last sixteen rhythms, the first sixteen and the last eight rhythms, etc. Rhythm was the soul of a song to a certain extent.
At the same time, the song score would also reflect the mood, speed, and other information of the song. For example,"happily and proudly" represented the mood, and "= 100" represented the beat speed of 100 beats per minute. These elements of music theory formed the content of the song.
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A rapper without music theoryIn the field of rap, there were some singers who were thought to have no knowledge of music theory. Some rap enthusiasts mentioned that from the process of making their own songs, although some people thought that rap didn't require too much music theory knowledge, musicians who completed the steps of writing songs, recording, post-mixing, making covers, uploading lyrics, and so on might lack music theory knowledge. Li Yuanjie, for example, showed no knowledge of music theory on the show. He called rap pop, but he couldn't do it when he was asked to show his chord ability. This lack of knowledge of music theory was also reflected in his works. He was criticized for not meeting the requirements of his mentor. However, although there was such a lack of music theory knowledge, in fact, if you wanted to make rap music well, you needed to have a rich knowledge of music theory. This was because the flow arrangement in rap and the coordination of drums required the support of music knowledge.
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The Theory of Film and Television aestheticsFilm and television aesthetics was one of the categories of aesthetics. It was related to practical aesthetics and had a direct relationship with mass culture and communication studies. It was deeply influenced by contemporary culture, and at the same time, it had a profound reaction to the direction of contemporary culture. It was still philosophical in nature, with both philosophical and social attributes.
Since the birth of the film, film artists and theorists from all over the world had created theories such as traditionalism, expressionism, documentary, and even modernism and post-modernism, which laid the foundation and provided materials for the integration of contemporary film and television. Since the 1960s, the practice and theoretical discussion of world film creation had shown a comprehensive trend of integration and specialization due to the mutual influence, integration and infiltration.
Different philosophers and theologians have different views on the artistic recognition of movies and television. For example, Plato believed that movies and television were copies of reality and had no aesthetic or artistic significance, while Hegel criticized movies and television as "imitations." The film master, George Méliès, introduced dramatic elements into the film, approaching aesthetic self-discipline, showing the difference between the film and reality. Bazan injected a metaphysical meaning into reality films, which Krakauer called "material aesthetics" and carried out "cultural criticism" and "reality" innovation. Kurishoff, Eisenstein, Griffith, and Minsterburg analyzed the difference between the film and reality from a psychological perspective. These were all explorations of the film into art.
He Zhipu and Ma Mingjie's " A General Theory of Film and Television aesthetics " systematically elaborated on the theory of film and television aesthetics and discussed the contribution of film and television art to traditional aesthetic theory.
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Is the Level 3 Certificate of Music Theory useful?For students who were going to major in music in university, the music theory exam (including the third level) was meaningful. The music theory examination was divided into four levels, namely beginner, intermediate, advanced, and professional. Mastering music theory was of positive significance for composing, arranging, conducting, and performing. It helped to deepen the cultivation of music, improve the level of music appreciation, and lay the foundation for other studies in music.
From the perspective of displaying talent and learning, the music theory examination provided a platform for students to communicate with other students, learn from each other, and practice their performance ability in front of the public. During the examination, students could receive expert appraisal and guidance, which was beneficial to improving their skills and understanding of music. The examination certificate was also a reflection of the quality and level of music. For parents, through the exam, they could more intuitively understand their children's music learning level and ability, so as to better support and encourage their children's learning.
However, in some cases, such as some grading institutions, it might not be appropriate for students who were too young (such as about six years old and not yet in first grade) to take the music theory examination. However, if it was a Level 3 Music Theory Certificate obtained during the normal learning process, it would have a certain effect on music learning and quality improvement.
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How many levels are there in music theory?There were different grading systems for the music theory examination. One was divided into four levels, namely beginner, intermediate, advanced, and expert. The other was a total of 10 levels. In addition, the music foundation (basic knowledge of music) was divided into five levels from low to high.
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Hua Chenyu was accused of music theoryWhen Hua Chenyu shared his knowledge of music theory on the show, he was once ridiculed by a self-proclaimed professor at the Music Academy, saying that he pretended to know what he didn't know. However, many professional musicians, including the leader of the Tang Dynasty ritual music restoration group and the authority on ancient China music, defended him, saying that what he said about music theory was not wrong. In addition, Hua Chenyu had mentioned that the China style of elegant music scale did not have such a scale when he had been promoting music theory online. He then checked the information and publicly admitted his mistake online, saying that music theory needed to be rigorous. He was unfamiliar with it and needed to review music theory and harmony again.
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