Teaching design and teaching reflectionTeaching design was based on the requirements of the curriculum standards and the characteristics of the teaching objects. It arranged the teaching elements in an orderly manner and determined the ideas and plans of the appropriate teaching plan. It generally included teaching objectives, teaching difficulties, teaching methods, teaching steps, time allocation, and other links.
Teaching reflection was an important part of the teaching process. It meant that after a class, the teacher would think about the content of the class, the situation of the students, the teaching progress, and other relevant information to find out the shortcomings and improve the teaching method.
For example, in the teaching design of "Book of Commandments", there would be steps such as teaching material analysis, clear teaching objectives (such as understanding the author and works, understanding the meaning of the text, memorizing the text, etc.), determining the teaching difficulties (such as memorizing the text, accumulating aphorisms, and understanding the author's emotions), and using a variety of teaching methods and learning methods (such as "reading" throughout the classroom). Teaching reflection reflected on whether the teaching process was smooth, whether the students 'classroom performance, whether the teaching design was reasonable, and so on, to find out the shortcomings. For example, in the teaching reflection of the Book of Commandments, it was mentioned that the first part was relatively smooth, but there were shortcomings in the difficult part of "study and appreciation". In the teaching design of the second volume of the first-year Chinese language book, there were teaching objectives (such as recognizing new words, writing, feeling the scenery in the poem, etc.). These were the embodiment of teaching design and teaching reflection in specific courses.
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The Teaching Design of Fiction-reading TeachingThe following are the teaching design ideas for different types of novel reading:
** 1. Teaching group novels (Take language rhythm as an example)**
1. ** Teaching goal setting **
- Let the students understand the content and emotions of the text, and be able to grasp the special examples of the text.
- To explore the various forms of language expression in the works of famous writers and discover the laws of language expression.
- After comparing the different language characteristics of the famous writers, he practiced microwriting.
2. ** Text Selection and Text Interpretation **
- Choose a representative novel, such as Ansai Waist Drum (concise language, full of rhythm, rich and colorful rhetorical techniques, and the repetition of one chant and three sighs). The interpretation of the selected text focuses on its unique language features and the cultural implications reflected.
3. ** Teaching process **
- ** Introduction Stage **
- Using a text as a bridge, such as reviewing "Bridge", discussing the feelings and tidying up the classic parts of "Bridge", deepening the impression and awakening the students 'understanding of special language expressions and rhythms.
- ** Text Reading and Annotating **
- Let the students read through many novels, annotate the most distinctive parts of the text (such as the most "China flavor"), and then condense the sentences to summarize the feelings and conduct teacher-student exchanges.
- ** Critical Reading **
- For a particular novel (such as Ansai Waist Drum), the students were asked to read it quietly and sketch out the places that best reflected the "rhythm" to experience the author's emotions. Through teacher-student communication, deskmate complementation, reading together, and other ways to deeply feel the beauty of rhythm.
- ** Combing and imitating multiple texts **
- He read the rest of the novels again, used the tables to sort out the sentences, and the group learned from each other to report, sorting out the reasons to confirm the findings. After the teacher gave them a thinking frame, he asked the students to intercept the scene and copy the fragments, modify them, and share them.
** 2. Teaching the entire book (Take 'The Man of the Worldly World' as an example)**
1. ** Teaching goal **
- Guide the students to review and communicate the contents of the entire book through reading methods such as guessing, catching, comparing, and asking.
- Focus on the unique skills and survival wisdom of the strange people in the book, and feel the legend of the living methods of small people in the market.
- To stimulate the students 'interest in reading the novel, and to figure out the distinctive language features and world-awakening significance of the novel.
2. ** Teaching process **
- ** Guessing, reading, exciting, and recalling the characters **
- For example, in the teaching of "Strange People in the Worldly World," the students would first show the portraits of the strange people in the book, and then the teacher would show the typical characteristic text fragments of some strange people, and then carry out the Mini games of "reading the text to identify people" to guide the students to guess the characters with the help of their previous mastery of the strange people's sketches.
- ** In-depth reading and exploration **
- Students were guided to read the entire book, starting from the story, characters, scenes, language, etc., and read it repeatedly to taste, in-depth exploration of the novel's content, artistic features, character relationships, character spiritual world, theme, and artistic value. For example, focusing on the unique skills and survival wisdom of the strange people, and feeling the legends of the small people in the market.
- ** Contact and share personal experiences **
- Students could use their own personal experiences to understand the work. Students could write a summary of the book, reading notes, or a review of the work in their own language, and share it with others through oral, written, or other media.
** 3. High School Whole Book Reading Teaching (General Thoughts)**
1. ** Teaching goal **
- Guide the students to explore the way to read the whole book, accumulate reading experience, and use intensive reading, skimming, and browsing methods to understand the text and grasp the meaning according to different reading purposes.
- For a long novel, one should read the whole book, grasp the content and artistic characteristics as a whole, explore deeply from many aspects, appreciate the wonderful language, sort out the structure, sort out the relationship between the characters, feel the image of the characters, explore the spiritual world, and experience the theme and artistic value; For academic works, one should read the whole book, understand the content, sort out the outline and its connection, make the content summary, grasp the important viewpoint and value orientation, explore the language characteristics and the logic of discussion.
- He used the book's contents, prefaces, postscripts, and annotations to search for the author's information and the background of the work to study the work in depth.
- He could use his personal experience to understand the works, absorb nutrients, form a correct worldview, outlook on life, and values, and share the results of reading with others.
2. ** Teaching process **
- ** Reading Method Guide **
- Explain the methods of intensive reading, skimming, and browsing to the students, and let the students choose the appropriate method to start reading the whole book according to different reading purposes.
- ** Reading Progress Plan **
- Set a reading schedule, arrange for class hours to be concentrated or scattered, and encourage students to use their time outside of class to read, write notes, and exchange discussions.
- ** Teacher guidance and support **
- Teachers propose learning objectives, organize learning activities, and guide students to think deeply, discuss, and communicate. He was good at discovering the students 'successful experiences and unique insights from reading the entire book.
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