Symbolism plays a big role. Symbols can convey hidden meanings related to the story. For instance, a red rose might symbolize love in a story about a romantic relationship in a painting. Also, the use of color can set the mood of the story. Dark colors can create a somber or mysterious story, while bright colors can tell a more cheerful or positive story.
One characteristic is the use of symbolism. Artists often use various symbols to convey the story. For example, in 'The Persistence of Memory' by Salvador Dali, the melting clocks symbolize the fluidity of time and perhaps a sense of a dream - like or surreal story. Another characteristic is the use of color. Vivid or muted colors can set the mood for the story. If it's a somber story, the artist might use darker, more subdued colors. And often, modern paintings that tell a story have a certain level of abstraction. They don't tell the story in a completely literal way like traditional paintings might. Instead, they rely on the viewer's interpretation to a large extent. For example, in some abstract expressionist paintings, the splashes and drips of paint can be seen as part of a more emotional or subconscious story.
Symbols play a huge role. In 'The Garden of Earthly Delights' by Hieronymus Bosch, the various strange creatures and scenes are symbols that together tell a complex religious and moral story. Colors also matter. Bright colors might tell a happy or positive story, while dull or dark colors could indicate a more somber or tragic tale.
One example could be 'The Third of May 1808' by Francisco Goya. It depicts the execution of Spanish civilians by French soldiers. The terrified expressions on the faces of the victims, the blood on the ground, and the cold, indifferent look of the soldiers all contribute to the overall sad story of the brutal oppression and senseless violence during that time.
One characteristic is the use of symbolism. For example, in 'The Scream' by Edvard Munch, the distorted figure and the vivid red and orange sky can be seen as symbols of the artist's inner turmoil and the general angst of the human condition. Another characteristic is the composition. In 'The Raft of the Medusa' by Théodore Géricault, the way the figures are arranged on the raft, some alive, some dead or dying, tells the story of the survivors of the shipwreck.
One such famous painting is 'The Persistence of Memory' by Salvador Dali. This painting tells a very surreal story. The melting clocks seem to represent the fluidity of time, perhaps suggesting that our perception of time is not as fixed as we think. It makes viewers wonder about the nature of reality and how time can seem to distort in our minds or in dreams.
A great example is 'The Arnolfini Portrait' by Jan van Eyck. It tells a story of a couple, perhaps on their wedding day. The details in the painting, like the dog which symbolizes loyalty, the single candle which may represent the presence of God, and the shoes that are removed, all contribute to a story about their relationship and the occasion.
One important aspect is the choice of subject matter. If the painting is about a historical event, the artist needs to accurately depict the relevant elements to tell that story. For example, if it's a battle scene, showing the soldiers, their weapons, and the terrain is crucial.
Sadness, of course. If the painting shows a war - torn landscape with broken families, it directly makes the viewer feel sad. It might also bring out a sense of helplessness. For example, in a painting of a natural disaster's aftermath, we see the destruction and the despair of the people, and we feel that there's little we can do to change what has happened.
One example is 'The Arnolfini Portrait' by Jan van Eyck. It tells a story about a wealthy couple, perhaps a wedding or a formal union. The details in the painting, like the dog which symbolizes loyalty, and the single candle in the chandelier which might represent the presence of God, all contribute to the story. There are also inscriptions in the painting that add to the mystery and the narrative.