"Local Realism" was a genre of Chinese literature that emphasized describing the real life, customs, and traditional culture of China's rural areas. This school presented the rural life in a real and objective way, and at the same time, it also paid attention to the living conditions and ways of farmers. In the 1950s, the representative figures of the local realism were Shen Congwen, Ding Ling, Mao Dun, etc. The works of this school usually have strong local characteristics and cultural traditions, which are very popular among readers and have a profound influence on Chinese literary creation.
Root-seeking literature was a genre of literature created in rural areas or small towns. The genre, life, and culture of this genre attempt to reflect the real life and psychological state of the local people through literary works, while also providing readers with a unique perspective and experience.
The local literature school originated in Europe in the early 20th century and was later introduced to the United States and Asia. The works of this school include novels, poems, essays, and plays. Among them, novels are the most common. The works of the local literature school usually depicted the local customs, cultural traditions, and historical events, reflecting the lives, thoughts, and feelings of the local people. These works usually had strong local characteristics and cultural backgrounds, but also concerned about the local society and the fate of mankind.
The local literature school still received widespread attention and recognition in the modern era. The representative works of this genre included 'Dream of the Red Chamber',' Ordinary World','Alive' and so on.
Once there was a house on the outskirts of town known as the 'Boogeyman House'. People said that at night, strange noises came from it. A group of kids once dared to go near it. As they got closer, they saw a shadowy figure in the window. They ran away in terror and never went back again.
The scariest parts of the local boogeyman house of horror story are the strange noises and shadowy figures. The noises create an atmosphere of unease, and the shadowy figures make people wonder if there's something truly malevolent lurking in the house. Also, the sense of dread that the locals have about the place adds to the scariness. It's like there's an invisible threat that everyone can feel but no one can fully explain.
A really terrifying local horror story is about a forest. There are tales of people getting lost in it and never coming out. The forest seems to have a mind of its own, with paths that change and lead you deeper into the darkness. People who have managed to escape say they were chased by unseen entities. It's a place where the air is thick with fear.
There are quite a few terms. 'Local haunt tales' could be one, which gives the sense of stories related to places in the local area that are haunted. 'Regional horror fables' is also a valid term, as it combines the idea of being local (regional) and the nature of horror stories which often have a fable - like quality, passed down through generations. And 'parish - based horror anecdotes' is another term, especially useful when talking about horror stories that are specific to a small local parish area.
One horror story could be a gunshop that accidentally sold a faulty firearm. A customer bought a gun for self - defense, but when they first used it at a shooting range, the gun misfired and actually injured their hand. It turned out the gunshop hadn't properly inspected the firearm before selling it.
One common element is the use of local landmarks. For example, an old building or a cemetery. These places are often associated with the unknown and death, which makes them perfect for horror stories. Another is the idea of a vengeful spirit. It could be someone who died unjustly and is now seeking revenge. Also, strange noises like creaking floors or howling winds are often used to create a spooky atmosphere.