Of course. Here are two. 'The phone rang in the dead of night. A raspy voice said my name.' and 'I opened the closet. A pair of glowing eyes peered out.' This type of two - sentence horror stories are effective because they create a sense of immediate dread. In the first one, a late - night phone call with an unknown voice saying your name is a classic horror trope. It makes you wonder who is on the other end and what they want. In the second, the idea of something lurking in a closet, which is a common, seemingly safe place in a home, is suddenly made terrifying by the presence of those glowing eyes. It plays on our sense of safety being violated in a very familiar environment.
One: I woke up to a cold hand on my shoulder. When I turned, no one was there. Two: The old doll in the attic blinked at me. I ran, but it's laughter followed.
Another really scary one could be 'My phone rang at 3 am. The caller ID said it was me.' It plays on the idea of the self being something other or unknown, and calls at that time are always spooky.
Here's another: 'The old mirror in the attic showed a face not my own. I smashed it, but the face still haunts me.' This is a classic type of two - sentence horror. It quickly sets a spooky scene with the strange face in the mirror and then adds a twist with the face still being a problem even after the mirror is broken.
One good opener could be 'In the dead of night, a strange noise echoed through the empty house.' This immediately sets a spooky mood as the 'dead of night' implies a time when things are usually quiet and the 'strange noise' makes the reader wonder what it could be. Also, the 'empty house' gives a sense of isolation which is often associated with horror.
I looked out of the window. A faceless man was looking right back at me. It sent shivers down my spine immediately. Horror often lies in the unknown, and a faceless figure is the epitome of that. It made me question my safety even in my own home.
One way to sentence horror stories is to build suspense gradually. Start with an ordinary setting or character and then introduce strange elements little by little. For example, you could begin by describing a normal day in a small town. Then mention a strange noise that no one can identify or a person who behaves oddly. Use vivid language to describe the uneasiness that starts to spread among the characters. This makes the readers feel on edge as they wonder what will happen next.