One common theme is self - discovery. Feminine gay characters often have to find out who they are in a world that may not always accept their combination of femininity and homosexuality. They might struggle with their identity, trying to figure out where they fit in society.
It depends on the context. If the story is told from a victim - centered perspective, with the goal of highlighting the importance of consent and the need to stop sexual violence, it can be considered ethical. But if it's told in a voyeuristic or exploitative manner, it's unethical. For example, in some tabloid - like media that might sensationalize such stories without any real concern for the victims, that's unacceptable.
In some coming - of - age stories, a feminine teen might transform into a woman through her experiences in school. For instance, she might participate in a school play. This would require her to overcome stage fright, work with others in a team, and present herself in a more confident way. As she grows through these experiences, she begins to show the qualities of a woman such as self - assurance and the ability to collaborate effectively.
Chen Shu's femininity came from her elegant, intellectual, gentle, and noble temperament. Her image on the screen was sometimes graceful and elegant, sometimes intellectual and indifferent, and sometimes flirtatious, leaving a deep impression on people. She was beautiful on the outside, but more importantly, she was beautiful and kind on the inside. She liked the French actress Juliet Binoche. She liked listening to music, French songs, and reading, which showed her literary temperament. Her clothes and attire were always tasteful and fashionable, and her actions and speech were full of confidence and calmness. Her femininity was not enchanting and charming, but gentle and elegant. Chen Shu's femininity was her unique charm, which made people full of respect for her.