hero rapes heroine romance novel

Such a plot is unacceptable in a proper romance novel. One should condemn this kind of content. Publishers should also have strict censorship to avoid such works being published.

No. True romance novels usually focus on the development of positive relationships such as love, respect and mutual understanding between the hero and the heroine. Such a plot of rape is completely against the nature of romance.

One way is to focus on positive character development. Writers should build strong moral compasses for their characters. For example, instead of using such a violent and unethical plot device, they can create conflicts based on misunderstandings, differences in values or external pressures that can be resolved through communication. This would make the story more engaging and ethical.

It promotes a wrong view of relationships. Rape is a serious crime in real life, and depicting it casually in a novel can mislead readers into thinking it can be a part of a 'romantic' relationship, which is extremely harmful.

Romance novels usually involved romance, suspense, fantasy, and other elements. The plot where the female protagonist thought the male protagonist was dead was one of the common plots. Such a plot would usually resonate with the readers emotionally, and at the same time, it would also cause the readers to think about the relationship between the characters and the plot. In the novel, there were many possibilities for the female protagonist to think that the male protagonist was dead. 1. The male protagonist is indeed dead. The female protagonist learns the truth in an accident or despair. 2. The male protagonist did not die. The female protagonist misunderstood the male protagonist's state or the male protagonist hid his true state in order to protect the female protagonist. 3. The male protagonist did not die, but the two of them experienced some special things that caused the female protagonist to have a death shadow on the male protagonist. In any case, such a plot could trigger the reader's thoughts on the emotions and relationships of the characters, and at the same time, it could help the novel construct a deeper plot and characters.

No, it is never acceptable. Rape is a form of violence and a serious crime in real life, and it has no place in the so - called 'romance' context. Romance should be based on mutual respect, love, and consent.

Often, the hero being mean at first builds up to a big transformation and a deeper connection later. It could be a plot device to make their eventual love more meaningful.

This kind of situation could not happen in real life because it was a very cruel and immoral behavior. In novels, this kind of plot was usually used to emphasize the male protagonist's violence and possessiveness or to create suspense and conflict. If the male protagonist really threw the female protagonist into the snake cage, this behavior might cause great harm and pain to the female protagonist, and at the same time, it would destroy the balance and logic of the whole story. Therefore, we should avoid this kind of plot to make the novel more reasonable and moving.

Maybe the hero has a very strong and intimidating presence. His power, either physical or in terms of status, might be overwhelming to the heroine. For example, if he is a king or a very wealthy nobleman, the heroine, who could be from a lower social class, might be afraid of the power imbalance between them.

In romance novels, the female protagonist was much older than the male protagonist, which was usually a plot arrangement. It could highlight the maturity, charm and experience of the female protagonist, and at the same time, it could make the male protagonist feel an unusual fatherly love or love. This kind of plot arrangement was also common in reality because women tended to mature later than men and had more experiences. Therefore, sometimes in novels, the female protagonist would be much older than the male protagonist. However, the specific plot arrangement and character description still had to be decided according to the theme and plot of the novel.