Dialogue in a short story can be ended with a sudden change of topic. Say, they were discussing their future plans and then one of them says, 'Forget all that. Look at the beautiful sunset.' This unexpected shift gives a sense of closure to the dialogue. Another approach is to use silence. After a significant exchange, the characters just stop talking and the story moves on, like 'Their eyes met, words seemed unnecessary, and the silence filled the room as the story continued.' Also, a character's realization can end the dialogue, for example, 'As they talked, she suddenly realized, "I don't need this." And with that, the conversation ceased.'
One way is with a twist ending. For example, the reader might think the character is about to achieve their goal, but then something unexpected happens that completely changes the outcome. Another way is with a resolution. This means all the problems or conflicts in the story are neatly solved. For instance, in a story about a detective trying to solve a crime, at the end the detective catches the criminal and justice is served. The third way could be an open - ended conclusion. Here, the story doesn't really have a definite end. It leaves the reader thinking and imagining what might happen next, like in a story that ends with a character starting a new journey without any indication of how it will turn out.
One good way is with a twist. For example, the character who seemed like the hero all along turns out to be the villain in the end. It makes the reader re - evaluate everything they've just read. This kind of ending is unexpected and can leave a strong impression.
One way is with a twist. For example, the character who seemed to be the hero turns out to be the villain all along. This surprises the reader and makes them rethink the whole story.
Ending with a moment of self - realization can be great. Suppose a character has been very selfish throughout the story. At the end, they see how their actions have affected others and make a decision to change. This gives a feeling of growth and hope. You can write something like 'She looked at the mess she had made of people's lives and for the first time, she understood. She would be different from now on.'
Ending with a moment of self - discovery for the main character can be great. Let's say in a story about a lost young person, at the end, they finally figure out who they are and what they want in life. It gives a sense of closure and growth. It could be something like the character looking at their reflection and smiling, knowing they are on the right path now.
Another way is an open - ended conclusion. This leaves the story unresolved to some extent. It can make the reader wonder about what might happen next. It gives the reader the freedom to imagine different scenarios for the characters. It's a great way for an author to engage the reader's creativity and keep them thinking about the story long after they've finished reading.
One way is with a happy ending, like the hero achieving their goal and living happily ever after. Another way is a tragic ending, where the main character fails or dies. A cliffhanger ending can also be used, leaving the readers in suspense. A circular ending, which brings the story back to the beginning in some way. And finally, an open - ended ending that leaves room for the reader's imagination to continue the story.
A twist ending is also one of the 7 ways. It's when there's a sudden and unexpected turn at the end of the story. For instance, you think the detective has caught the right criminal, but at the last moment, it's revealed that it was someone else all along. Then there's the circular ending, where the story comes back to the beginning in some way. It gives a sense of closure and completion. And finally, the ambiguous ending, which is similar to the open - ended one but is even more unclear about what really happened or what will happen.