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The 'paradox of fiction' is a philosophical conundrum. We are aware that fiction is not real; it's a creation of the imagination. However, we often have strong emotional reactions to it. Consider horror movies. We know the monsters aren't real, yet we still feel fear. This shows that there is a disconnect between our cognitive understanding of the fictional nature of something and our emotional responses to it.

A different approach is self - correction. In some time travel paradox fictions, the universe has a way of self - correcting. So if you try to create a grandfather - paradox - like situation, some force in the universe will prevent you from doing so. It could be something as simple as events conspiring to stop you from making that final, paradox - creating action, like your gun jamming when you try to shoot your grandfather in the past.

The following are all interesting problems: Grandfather's Paragon: A philosopher who studied time travel proposed a contradiction. He believed that if time travel was possible, a person could go back in time and kill his grandfather to avoid being born. But if he killed his grandfather, he would not be born, so time travel itself became a contradiction. The Barber's Paragon: This Paragon originated from a town where there was only one hairdresser. He told the townspeople that if he didn't cut his hair, he wouldn't be a hairdresser anymore, so he had to cut his hair. But if he cuts his hair, then he is no longer a hairdresser, so he must not cut his hair. This contradiction showed that the self-contradiction of some assumptions could lead to logical confusion. 3 Infinite Monkey Theorems: This theorem states that if a monkey presses a key an infinite number of times in an infinite monkey experiment, it will produce a complete work of William shakespeare. This contradiction showed that in some cases, the infinite possibilities of logic could lead to the wrong result. 4 Grandfather Paragon: This is similar to the Grandfather Paragon but it involves two grandfathers. If a person could go back in time and kill his grandfather, then he would not be born, so his other grandfather must die, but because his other grandfather was dead, he could not be born, so he must kill his own grandfather. This contradiction showed that the self-contradiction of some assumptions could lead to logical confusion.

The 'paradox of life story' could refer to the contradictions often found within one's life narrative. For example, a person may strive for success but find that the more they achieve materially, the less satisfied they feel on an emotional level. It's like chasing a dream only to realize that the chase itself has changed you in unexpected ways that might not all be positive.

You can start by creating characters or situations that seem contradictory at first but make sense when explored deeper. For example, a hero who has to do something bad to achieve a greater good.

The Flashpoint Paradox takes inspiration from the comics but makes certain changes to fit the cinematic or storytelling needs. Some elements might be similar, but there are notable variations.

The paradox of fiction is significant as it forces us to think about the boundaries between reality and imagination. It also allows us to explore the power of storytelling and its impact on our thoughts and feelings. Additionally, it contributes to discussions in philosophy and psychology about human perception and emotion.

Okay, what kind of paradox do you want me to answer?

The following were some novels that were similar to the paradox: " Black Technology Monopoly Company,"" Star Voyage,"" Earth Survival Guide,"" High-risk Occupations,"" After the Moon Landing,"" Book of Troubled Times,"" Spirit Realm Traveler,"" Tang's Table,"" King of Familiars,"" Fairy, Please Listen to My Explanation," and so on. These novels may have similar topics, plots, or styles, and can be recommended for readers who like contradictions.

The paradox of fiction lies in the fact that we can have emotional responses to fictional characters and events even though we know they are not real. For example, we might cry when a fictional character dies in a movie. It seems strange because if we truly believe something is not real, why should it evoke emotions in us?