The rules of the shotsThere were the following rules for the connection of shots:
1. **180° Principle **:
- The first level was the "axis law". When the audience watched the film, they would imagine an axis with a direction in their minds. For example, the direction of the car, the connection between the characters, and so on. In order to maintain the continuity of the narrative, the camera angle should be within 180 degrees of the axis. However, if the intention of the creation was to make the audience feel the plot jump or break, this rule could also be broken.
- The other level was similar to the concept of "stage direction." The direction of the character's entrance and exit would have a psychological impact on the audience. For example, if the character went on stage from the left and then left the stage from the right, it would give people the feeling of "continuing." Otherwise, it might have different effects.
2. **30° Principle **: The angle between the front two lenses positions should not be less than 30 degrees. If you want to re-compose, you have to consider the quality of the picture.
3. ** Line of sight matching principle **: Using the same scenery, distance, focal length, range, and depth of field to form two independent lenses can construct an effective line of sight matching. The front and back visual focus is within a certain range. When shifting the visual focus, you need to pay attention to the position of the connection between the front and back lenses.
4. ** Pattern matching principle **: The structure and layout of the image are very important, including lines, geometric shapes, the relationship between horizontal and vertical, position, center of gravity, balance, the contrast of the length, size, and area of each element, the change of light, shadow, and color, etc.
5. ** Principle of the continuity of movements **: The direction of the screen refers to the movement of actors or objects to the right or left of the screen. When cutting from one shot to the next, if the same action of the actor or object appears in the next shot, the direction must be consistent. If a shot that did not follow the established direction of the screen and continued the character's movements did not match the established direction of the screen, a logical shot (such as cutting out the shot) had to be inserted to prevent the audience from noticing the incohesiveness.
6. ** Sound matching principle **: Sound (dialogue, sound effects, natural sound) matching will cross time and space like shape matching. Two related sounds can hint at different meanings or change the direction of the story.
7. ** Principle of Scenery Separation Combination **: Normally, neighboring scenes are not arranged in the order of distant view, panoramic view, medium view, close-up view and close-up view.
8. ** The purpose-oriented principle of the shot combination **: The shot combination is not simply pieced together, but re-created according to certain rules (such as people's visual characteristics, thinking logic, etc.) and purposes (the creator's intention, etc.) to systematically and completely narrate things, express ideas, and create effects. Different sequences of shots would have different meanings. Shot combinations could be divided into connection (the connection between individual shots, the key is to choose the right editing point) and transition (the transition between scenes, the key is the transition method).
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What are the good novels of big shots and big shots?He recommended a few novels. " The Idiot Life from the End of the Marriage " was a novel written by Jin Shan Yu about an urban entertainment star. The main character, Wang Zhi Hao, had transmigrated into a rich second-generation heir. He had been stupid for six years because of the language barrier. Just as he was about to flirt with a girl, his grandfather arranged a fiancée for him, so he wanted to break off the engagement. The main character's daily comical and embarrassing scenes were also a little embarrassing. The beginning was a little shallow, and after three chapters, they entered the main topic. There were the male lead, Wang Zhi Hao, the supporting actor, Fatty Xu, who wanted to open a small film company in Japan, the female lead, Mu Xue, who was beautiful and kind, and the female lead, Shen An 'an.
" Master Lin Jiu " was a mystery novel by Chan Ying. The male protagonist, Chu Yuan, traveled back in time to a time similar to the Republic of China. He met someone like Lim Ching-Ying in Renjia Village. The story had a supernatural element.
" People Are Yearning, Live Streaming Village Life ", read all the novels written by urban entertainment stars in the world. Qin Chu's story started after he was live-streamed. The female lead, Song Yi, was a rich woman. There were also the supporting characters, Nan Nan and Zhang Zifeng.
" Buddhist Antique Life ", a novel about urban life written by Nine Chestnuts. Shen Fengmian opened an antique shop and managed it in a Buddhist manner, but his business was getting better and better. The female lead, Qin Qingyue, wrote comfortably.
" I've Lived in Pokémon World for 2,000 Years " was a professional light novel, a fantasy novel. The male lead, Lin Qianxing, had lived for 2,000 years after transmigrating to the ancient Shen Ao region. There were also the female lead, Zhu Bei, and other characters.
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Life Speeds 2, racing cars, flying shots are real shots[The racing scene in Life Spears 2 was actually shot.] Many documents mentioned the thrilling scenes of collisions, overturning, and corners in the movie, as well as the scenes of crossing more than 1600 kilometers and drifting more than 10000 corners. These live shots were designed to give the audience a realistic and immersive experience. Therefore, it could be confirmed that the racing scene in Life Speeding 2 was real.
Competing with the hot shotsThe txt file size of "(Quick Wear) and the hot shots compete with the golden finger" was 2.14mb, and it could be downloaded in full from some websites.
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Various shots of photographyThe camera lenses were mainly divided into the following categories:
* * 1. Standard zoom lens **
1. * * Focus Range **
- The focal length usually started from 24mm or 28mm, all the way to a medium telephoto of about 70mm to 120mm. For example, the common 24 - 105mm, 24 - 70mm, 28 - 70mm, etc.
2. * * Eligible Groups and Strengths **
- It was a good choice for beginners because most cameras had standard zoom lenses, such as 24 - 105mm. It could shoot a wide range of subjects, such as portraits, scenery, culture, cities, and so on. It was easy to use and could meet most shooting needs. Even for experienced photographers, it was a common lens.
* * 2. Telephoto zoom lens **
1. * * Focus definition and common focus **
- Generally speaking, a lens with a focal length of more than 200mm was called a telephoto lens. If you were shooting portraits, flowers, plants, and street culture, 70 - 200mm f/2.8 and 70 - 200mm f/4 were good choices. If you like to shoot birds, lotus flowers, and long-distance scenery, you need a focal length of more than 300mm, such as 70 - 300, 100 - 400, etc.
2. * * Strengths **
- Its advantage was that it had a long focal length and could shoot without disturbing the subject. It could also bring a good blurring effect, suitable for shooting needs such as street culture, bird hunting, and shooting flowers and plants. When choosing a telephoto lens, if it was not specialized in wedding, conference, etc., for ordinary photography enthusiasts, 100 - 400mm or 150 - 600mm lenses were more practical. The price was more suitable than 70 - 200mm f/2.8, 70 - 200mm f/4, and the focal length was longer.
* * 3. Fixed focus lens **
1. * * Common focal lengths and examples **
- Common fixed-focus lenses had focal lengths of 28mm, 35mm, 50mm, 85mm, and so on. For example, Canon's 50mm f/1.8, Nikon's 24mm f/1.8, 35mm f/1.8, 50mm f/1.8, etc.
2. * * Strengths and weaknesses **
- The fixed-focus lens had good imaging quality and a large aperture. It was more friendly to portrait subjects. However, it could not be zoomed and required the photographer to move to adjust the composition. This required a higher level of the photographer, so many people would choose a telephoto zoom lens instead of a fixed-focus lens. However, if you wanted to try a fixed-focus lens, you could first buy a relatively cheap one, such as Canon's 50mm f/1.8.
In addition, different brands of lenses had their own logo and characteristics. Take Canon as an example:
- In the "Canon ZOOM Lenses EP 24 - 105mm 1: 4L IS II USM","Canon" was the camera manufacturer,"ZOOM Lenses" was the zoom lens,"EP" was the lens mount, suitable for full-frame and APS-C format cameras,"24 - 105mm" was the focal length,"1:4" meant the maximum aperture was F4 and constant,"L" was the high-end lens, there was a red circle at the front of the lens body,"IS" meant anti-shake support,"II" was the second generation, and "USM" represented the ultrasonic focusing motor.
Take Nikon as an example: In "Nikon AF-S NAKKOR 70 - 200mm 1: 2.8G II ED","Nikon" is the Nikon brand,"AF-S" refers to autofocus that supports an ultrasonic motor,"NAKKOR" is the Nikon lens brand,"70 - 200mm" is the focal length,"1: 2.8 "meant that the focal length was fixed at F2.8," G "was the lens series," II "was the second generation," ED "used ultra-low dispersion lenses, and Nikon had" VR "for image stabilization," DK "was the name of a non-full-frame DSLR, and" Felix "was the name of a full-frame DSLR format.
Different photographers had different rankings of shots according to their own needs and shooting habits. For example, Nikon users may rank 70 - 200mm f/2.8E FO LED VR as the first, thinking that it has a wide range of uses; 14 - 24mm f/2.8G ED is ranked second, suitable for architecture, scenery, and starry sky photography; 58mm f/1.4G is ranked third, suitable for portrait photography. Canon users might rank the EF35mmF1.4L II USM as the first, thinking it was omnipotent, the 70 - 200mmF2.8L IS II USM as the second, the TS-E 17mm4L as the third, and so on.
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The disadvantages of long shotsThere were the following disadvantages to long shots:
1. In terms of size and weight, long lenses were usually large and heavy. Compared to some small lenses (such as 50mm f/1.8 lenses), they were less portable.
2. In terms of price, long lenses were often expensive.
3. In terms of shooting stability, the longer the focal length of the lens, the more stable the camera must be when shooting. Otherwise, it would easily lead to blurred images.
4. In terms of image quality, in portrait photography, the angle of view of a lens with an 85mm focal length was too fixed. If the shooting distance and angle were not controlled well, the image would lack change, which would easily cause aesthetic fatigue.
5. When shooting distant objects: No matter how perfect the optical system of the telephoto lens is, when shooting distant objects, the image is always filled with dust, haze, and heat waves. In order to ensure a sharp image, it was often necessary to set a higher shutter speed (the inverse of twice the focal length of the recommended lens).
6. In terms of editing, long shots had weaknesses in editing and might be lacking in narration. For example, if a long shot was used, the camera could only surround the camera, or the audience would see the motive and reaction at the same time, thus missing the main point. However, editing could quickly and effectively complete this transition and guide the narrative.
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Five Classic ShotsDifferent people might have different definition and choices of classic shots. Here are some examples of classic shots in movies:
1. It was a classic scene from Titanic.
2. It was a classic scene from 'Infernal Affairs'.
3. It was a classic scene from 'The Dark Paladin'.
4. It was a classic scene from The Pursuit of Happiness.
5. It was a classic scene from Conquer.
Of course, there were also many movies that had very classic scenes, such as the blinking scene of Zhu Yin in A Chinese Oath to the West and the scene of "Wayne is dead" in Anti-drug. The idol you picked. Duan Kun is mine. Even Jesus couldn't stop him. The related scenes I mentioned, the scene in Léon: The Killer where two people, one big and one small, walked slowly from the horizon with flowers, and the scene in Truman's World where if I don't see you again, I wish you good morning, good afternoon, and good night.
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