porcelain pinapple with roses

In the search results provided, there was no answer to the picture of the ancient porcelain bowl.

Fan Jiansheng was an outstanding representative of the Fan family, an aristocratic family that made purple sand teapots. Fan Jiansheng had rich experience and attainments in the field of purple clay teapot art. He had been learning pottery from his parents since he was a child, and later received personal guidance from his brother, Fan Dingfu. Fan Jiansheng was diligent and studious. He studied hard and gradually formed a unique style. His works were dignified and generous, simple and concise, well-made, and deeply loved by people. Fan Jiansheng's teapot skills won an international award during the Republic of China, making his works famous overseas. Fan Jiansheng was known as the master of the Fan family's teapot art. He devoted his life to studying the teapot making skills and became an artist with superb teapot making skills.

Fan Jianjun was a purple clay teapot maker. He was born in 1971 and his ancestral home was Yixing, Jiangsu Province. Fan Jianjun had a wealth of experience and unique style in the design and production of purple clay pots. His works had sharp lines and tight covers. They were simple, elegant, vigorous, refined, and full of inspiration. Fan Jianjun's works had won many awards at the National Art Exhibition and had been collected by many museum collections. His designs were rich in subject matter and varied in decorative techniques. There were traditional styles, but they were more creative and integrated with the poetry of the ancients. Fan Jianjun's purple clay teapot works were very popular among teapot lovers.

Zou Jie was a contemporary young ceramist and a craftsman. He was a craftsman specially hired by the Fan family's teapot shop. He was also a member of the Yixing Purple Sand Industry Association and the Jiangsu Province Arts and Crafts Society. Zou Jie was born in 1975. He began to learn creation and design from Fan Weiqun in 1993, and received guidance from many famous teachers such as Xu Hantang and Gu Shaopei. He had his own exploration and pursuit of purple sand art, and gradually formed his own unique style. Zou Jie's works were novel in design and unique in shape. He had won many awards in the exhibition competition and was praised by merchants and collectors at home and abroad. He was skilled in light, square, and sculpting techniques. In short, Zou Jie was a well-recognized and appreciated artist of the purple clay teapot.

The roses were not Chinese roses. Although they looked very similar, they were two different flowers, both belonging to the rose family. The color of roses was relatively simple, only purple-red, pink, white, etc., while the colors of roses were more diverse. The leaves, thorns, and fragrance were also different. Although Chinese roses were often sold in the market under the name of " rose," from a botanic point of view, they were not the same plant.

I don't know what 'rose rose novel' is. Please provide more context or information so that I can better answer your question. The original novel was equally exciting. You can click on the link below to read the exciting plot in advance!

Copper red glazed porcelain is very popular in the history of Chinese porcelain collection. Copper red glazed porcelain was a kind of underglaze porcelain. The glaze was made of copper ions and copper ions. It showed the copper red color of copper and copper. Bronze red glazed porcelain can be divided into two categories: 1. Underglaze Copper Red Glazed Porcelain: Painting the bottom glaze of the porcelain with copper red color and then cover the glaze with a layer of transparent glaze. The painting skills of this kind of porcelain required a high level of gorgeous colors and delicate strokes. 2. Copper red glaze porcelain: On the basis of copper red glaze, a layer of glaze is usually transparent glaze or colored glaze. This kind of porcelain was more colorful and could show purple, blue, green, yellow and other colors. Copper red glazed porcelain was very popular among Chinese porcelain collections. It was a bright pearl in Chinese traditional porcelain culture.

There were several main differences between roses and roses. Firstly, their branches were different. Rose branches stand upright, with thorns and bristle-like, while rose branches are creeping or climbing thorny. Secondly, their leaves were also different. The leaves of the rose were thick, with sunken veins and wrinkled leaves. The back of the leaves was covered with a layer of white frost-like fur. The rose had many leaves, with teeth on the leaf edge and fur on both sides of the leaf. Thirdly, their flower characteristics were different. The roses were either solitary or clustered, and only bloomed once a year. The flowers were mostly purple-red, and there were single-petal and double-petal species. Rose flowers were usually 6 - 7 in clusters. The flowers were the same size as roses, but the shape and color of the flowers varied according to the species. There were red, pink, yellow, white and other colors. Finally, their fruits were also different. The fruit of a rose was spherical, while the fruit of a rose was oblate. In general, roses and roses had obvious differences in branches, leaves, flowers, and fruits.

The Seven Sisters was a variant of the rose, belonging to the rose family. Therefore, the seven sisters were both roses and roses.

The ending of The Story of Rose was that Huang Zhenhua married Rose, and Rose and Zhou Shihui's son, Zhou Chengzu, also returned to Rose's side. The Story of Rose was a long novel by Hong Kong author Yi Shu. It told the story of Rose's bumpy life and her four love experiences. After experiencing her relationship with Zhuang Guodong, Pu Jiaming, and Huang Zhenhua, Rose finally chose Huang Zhenhua. The original novel was equally exciting. You can click on the link below to read the exciting plot in advance!