transition photographyThere were many aspects involved in transition photography. During the shooting process, there were many ways to make the transition between the scenes natural and smooth.
From the perspective of picture elements, one could use color transition, such as the common black or white sky, shape transition, which overlapped and switched similar shapes in two pictures, direction transition, which connected pictures with similar mirror directions. If it was matched with curve speed change, it would be more smooth. Similar action transition, when the scene was unchanged, the same action could be used to change the picture. He could also combine these aspects.
From the perspective of the subject and the scene, the cover transition is to use the person or object to block the transition. The effect of the transition in the same direction is better. When the character is transferred out, it can be switched to slow motion to create a blockbuster feeling. Multi-camera editing is also helpful for the transition. The same person's action is shot through different cameras (long shot, close shot, medium shot, etc.), and the action of the camera is switched after the specific action, so that the camera switching is smooth and smooth.
When shooting Short videos, clever use of transition can increase the sense of movement and high-level, just like when shooting kittens, reasonable transition can make them look more flexible and cute.
In addition, there was also a seamless transition. It followed the rhythm of the video and music and edited the inherent motion of the two video images together. It was suitable for a variety of scenes. Its implementation methods included relying on the shooting image editing, switching through the scene movement and blocking objects to perform image tracking, relying on the same type of lens to pull the lens, and so on. The transition could be applied using the template in the post-editing software, or it could be achieved by moving the camera in the early stages of filming.
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Eight-character plate, eight-character plate, calculationThe eight-character plate represented the year, month, day, and hour of a person's birth using the heavenly stems and earthly branches. Together, they formed eight characters, also known as the four pillars and eight characters. The method of calculating the year column began in AD 4. When calculating the year column, the Gregorian calendar year was minus 3, divided by 10 to get the remainder as the Heavenly Stems, and divided by 12 to get the remainder as the Earthly Branches. The formula for the lunar column and lunar stem was: lunar stem = annual stem ×2 + monthly expenditure (if the sum exceeds 10, take a single digit, and if the sum is 20, take 10), and it should be checked according to the solar terms. The formula for the solar column was the number of the solar stem and branch = the number of years + the number of months + the date (if the sum was greater than 60 minus 60, the number of years in the previous year would be used for January and February). The determination of the dry days was related to the dry days.
People who were born during daylight saving time (May 4-September 14, 1986; April 12-September 13, 1987; April 10-September 11, 1988; April 16-September 17, 1989; April 15-September 16, 1990; April 14-September 15, 1991) had to first reduce the time by one hour before arranging the chart according to the normal method.
There were also many eight-character platoons, such as Ziping Eight Character Platoons, Universal Eight Character Platoons, etc. There were also web search online platoons (such as Yuan Henglizhen Eight Character Platoons, Shuangfei Eight Character Platoons, etc.).
With the sun as the center, the eight characters could predict the strength of the five elements, the prosperity and decline of the eight characters, and the fate of the five elements through the other seven stems and branches. It could predict luck, feelings, wealth, career, and years. Destiny focused on relatively stable content such as poverty and wealth, while luck focused on dynamic content such as good or bad luck and misfortune. Luck included great luck, small luck, and fleeting years. In addition, the traditional eight characters combined with the five elements of Yin and Yang, so that the Heavenly Stems and Earthly Branches had a relationship of mutual generation and mutual restraint. There were ten kinds of relationships, namely, the official seal, the partial seal, the injured official, the God of Food, the official seal, the partial seal, the official seal, the official
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The difference between the Human Plate and the Innate Fate PlateThe Zhongzhou Human Plate referred to the social system and cultural background of the China people, including history, language, religion, customs, values, etc. In Ziwei Math, the Human Plate played a very important role. It specifically pointed to the cause or result of a certain thing. It could also be understood as the owner's interpersonal relationship, growing environment, physical condition, etc. The natal chart was based on the year, month, day, and time of birth. It contained a lot of information such as the distribution of the Life Palace, Body Palace, and various celestial stars in different palaces. It was an important basis for analyzing the characteristics of a person's fate (such as personality, luck, etc.). One focused on the macro concept of social culture in Ziwei Doushu, while the other was based on the analysis of personal fate constructed based on birth information. There were obvious differences in the concept and use.
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Witch PlateBased on the information provided, it mentioned the Lightning Bow Witch Plate and the Gift Witch Plate in the catapult world. The Lightning Bow Witch Plate had different plate selection and corresponding skill order and other complex configuration requirements according to the charging situation of the iron cutting. The Gift Witch Plate also had different complicated configuration contents (such as six plates, different versions of replacement, etc.). If he wanted to know more about the Witch Board, he needed to know what kind of game or situation the Witch Board was in.
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Gilded PlateThe gold plate was sold as a Feng Shui pendant. It was made of alloy and the price was 98.33 yuan. The seller would ship it within 2 days after payment. Nine pieces were sold in the past 30 days.
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Gold PlateThe following were some common gold brands: Zhou Tai Fook, Lao Feng Xiang, Zhou Sheng Sheng, China Gold, Luk Fook Jewelry, Xie Rui Lin, Zhou Tai Sheng, Old Temple Gold, Chao Hong Ji, Lai Bai Jewelry, etc. Other than that, there were also Gold Supreme Jewelry, Ming Brand Jewelry, Baitai Jewelry, Cuihua Jewelry, Yayi Jewelry, Saturday Fortune, Mengjinyuan, Saifeier Jewelry, Yuanyang Jinlou, Liuguifu Jewelry, China Jewelry, Zhaojin, Jinlong Jewelry, Jin Dafu Jewelry, Jin Liufu Jewelry, and so on. While watching the Olympics, you can also read the wonderful novels related to the Olympics!
Moving transition effectMoving transition effects can be achieved in a variety of ways. The following are some common moving transition effects:
** 1. Change between far and near **
If the previous shot was a close-up or close-up shot, followed by a long-range or panoramic shot, this kind of spatial change from near to far or from far to near would form a transition form.
** 2. Cover up the relevant transition **
1. ** Shooting the cover transition **
- Capture a video of the camera passing through the obstruction, import a video, select PiP to add the obstruction video, and move to the position where the obstruction left the screen. Moving forward in the timeline, he keyed in a key frame and adjusted the position of the mask. He continued to adjust according to the obstruction until the key frame was automatically keyed at the top of the mask to complete the transition.
- Move the camera forward and block the camera with an object or part of the screen. In the second scene, remove the object from the camera and move back.
- In the first scene, the photographer moved horizontally to the left (or right) to block the camera with the objects in the front (leaves, walls, pillars, etc.). In the second scene, the photographer moved horizontally to the left (or right) to move the camera away from the obstruction and switch to the second scene. The horizontal direction of the lens movement must be consistent, and the front and back lenses of the masked object must be similar in color.
2. ** Main body blocks the transition (such as running transition)**
- From the moment the model entered the camera to the moment she exited the camera, it formed a complete picture. When she ran out, her movements were blocked by the front of the camera. This scene was used as a mask for the first video, and the second scene was the same, forming a continuous transition. It was also possible to continuously switch between images by moving one's palm in the camera. The principle was to use the effect of a mask.
** 3. Picture Elements Interrelate and Change **
1. ** Similar object transition **
- Find objects in two scenes that are related, similar in shape, or overlapping in position (such as door frames, windows, buildings, etc.), and transform between different objects by pushing and pulling the mirror to achieve a similar transition.
- Using the relationship between similar objects as a transition medium, the camera zoomed in or zoomed out to complete the change of the scene/character/environment. The common "back transition" and "black screen transition" used the principle of similar objects. For example, the photographer pushed the model's back with a hand-held device, and then used the same dress as the starting point of the scene to pull out the camera to expand the whole scene.
2. ** Color transition **
- By switching the colors of the two images separately, one could get a smooth transition. For example, black was a commonly used color to switch between colors, and colors such as white in the sky could also be used as transition elements.
3. ** Shape-shifting **
- He overlapped the similar shapes in the two images and switched the images. For example, in a travel scene, one could use the background of the character to switch.
4. ** Direction change **
- It would be very smooth to connect two images with similar directions. For example, if one scene moved backward, the other scene would move backward as well. With the curve speed change, the transition would be very natural.
5. ** Similar actions change **
- If the two scenes did not change, he only needed to do two actions, one with nothing in his hand and the other with something in his hand. After deducting the excess parts, he could achieve the transition.
** 4. The camera moves and changes scenes **
1. ** Swinging up and down **
- In the first scene, the camera would shoot the subject first, then the camera would shoot the sky. In the second scene, the camera would shoot the sky first, then the camera would move the subject down.
2. ** Blurred scene transition **
- Through the fast-moving camera lens (usually left and right), the blurring effect was naturally formed, and the two scenes were connected by the blurry lens.
3. ** Main body rotation transition **
- The subject stood in the middle of the screen and took a selfie in the same direction. In the first scene, the selfie was rotated clockwise by half a circle. In the second scene, the selfie was rotated in the opposite direction for the remaining half a circle. Then, the two pieces of material were pieced together. It was important to note that the angle of the camera was consistent and the rotation speed was consistent.
4. ** Surround shooting transition **
- The cameraman took a turn around the subject and used similar scenes as the turning point of the scene. The front and back shots were connected in the same direction.
5. ** Zooming transition **
- The device's built-in zooming function was used to zoom in smoothly and speed up the zooming speed in the later stages. The camera needed to use the zooming slide function on the side of the hand-held cloud platform.
** 5. Special transition **
1. ** Gesture transition **
- The model used hand gestures to guide the direction of the camera. Using the model's hand gestures or motion inertia, the audience's gaze was guided into a smooth transition scene. For example, when the model gave a gesture command, the photographer would hold the camera and swing it at the same speed and direction. When it cut to the next scene, it would swing back at the same speed and direction.
2. ** Jumping transition **
- Using motion blur to produce a blurred image to achieve a transition between two images. For example, the camera would first shoot a scene of the model jumping up, then change the scene and shoot a scene of the model jumping in the opposite direction (from top to bottom-from bottom to top). This cycle would form the motion of the top and bottom camera, and later, the multiple materials would be pieced together by changing the motion speed.
In the video conference, there was also the effect of moving the video transition to adjust the position of the video screen. The operation method was as follows: Open Video Studio and enter the editor. Open the project file and click the "Play" button in the navigation panel to browse the transition effect. In the video track of the Timeline view, select the transition effect between the first photo and the second photo, click the left mouse button and drag it between the second photo and the third photo, then release the left mouse button to move the transition effect. Finally, click the "Play" button in the navigation panel to browse the video material effect after moving the transition.
In addition, in the 3D paper-cut animation, there were also transition methods that matched the characteristics of the model. For example, using the movement of the props in the scene, including when the scene was used as a whole prop, the transition was done by rotating it (for example, the scene itself was a pop-up book structure, and the pages were flipped to achieve the scene transition, or the scene was used as a 360-degree stage, and the transition was done by rotating in the head-up direction); The scene was used as an individual prop unit, and the transition was done by group displacement. The typical characteristic was that the audience could witness the entire process of the scene transition. There were also ways to make use of the similarity of the props, the appearance and disappearance of the props out of thin air, and so on.
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Scene transition materialHere are some scenes related to the transition material:
- **Light Leaks Pro Pack transition material **: contains 45 video materials for transition, such as bokeh, old-fashioned bokeh, and transition. The resolution of these materials was 1920*1080, the frame rate was 30 frames per second, the format was.MP4 video, and the code was H264. It was suitable for both the Windows and the macs, and it supported various post-production software such as Final Cut Pro and Premier Pro. When using it, you can import the editing program. It is recommended to change the blending mode to "screen". You can also adjust the material's clarity, size, and other parameters to achieve better results.
- [Green Screen Door Material: Can be used to create transition effects.] After a clip was imported, the door opening material was imported into the PiP, and the Timeline was moved to the door opening position to add a color matting effect. The green part was selected through the color picker, and the intensity and shadow values were adjusted to make the picture inside the door transparent to achieve the transition effect.
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The scene of taking a plateA young man walked into a fast food restaurant and picked up a plate with some burgers, fries, and drinks. He walked to the counter and prepared to pay.
There was a young woman in front of the counter. She smiled and nodded at the young man before starting to operate the computer to pay the bill.
The young man took out cash and ordered a burger, fries, and a drink from the woman. Then, he took the plate. He looked up at the menu and found that the dish he wanted was on another table. He walked over to the waiter and asked for the menu before leaving the restaurant.
On the way out of the fast food restaurant, he saw many people walking on the street. Some were shopping, while others were taking a walk. He saw some people using public bicycles and some people walking.
He picked up his plate and prepared to go home. He felt a little salty in his mouth. He put down his plate, picked up a bottle of drink, and took a sip before continuing to move forward.
Volleyball Famous PlateA " volleyball nameplate " usually referred to the number plate worn by a volleyball player in a game or training to distinguish different players. According to the rules of the International Volley Federation, the number plates of the volleyball players must be from 1 to 20 and must be worn in front of them at all times during the competition.
The color and style of the nameplate may vary according to different competitions, organizations, or countries. For example, in the official competition stipulated by the International Volley Federation, the name plate of the volleyball team should be white or yellow. In some amateur competitions or school competitions, the colors and styles of the volleyball nameplates might be more diverse.
In addition, the name tag of a volleyball player was usually printed with the player's first or last name so that the audience and referees could easily identify the player. In some important games, the volleyball nameplates would even be printed with the players 'photos or avatars to increase recognition.
be ignorant of
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