The photographer took a photo of the sceneThe photographer had to consider many factors when taking photos of the scene. The first was the attire. In the more formal conference event shooting scene, the photographer usually wore dark clothes. This was because dark-colored clothes could reduce visual interference and avoid distracting the audience's attention to the main subject. Dark-colored clothes could also avoid reflection and affect the shooting effect, because light-colored clothes were easy to reflect light and produce high-light areas or spots, while dark-colored clothes had a strong ability to absorb light. At the same time, dark-colored clothes could maintain a professional image, giving people a sense of stability and professionalism. It was also more resistant to dirt and practical.
Before shooting, the photographer might have some preparatory work, such as checking the environment of the shooting location in the map software, including size, layout, different angles, and light angles, so that he could work confidently after arriving at the shooting location. After arriving at the shooting site, the photographer would observe and choose the appropriate angle, then determine the focal length, technical parameters, and so on.
Different scenes had different shooting points. For example, when shooting the snow scene in the cathedral, the lighting angle in the snowy environment was relatively even. The shooting time was not high, as long as the environment was not too dark. The photographer would choose different lenses according to the desired image effect, such as 35mm lens and 85mm lens, and try different composition methods, horizontal composition or vertical composition, to highlight the subject. He would also try different shutter speeds to create different snowflake shapes.
At the event site, such as the National Photographic Exhibition, there would be many photographers participating. They would create photography masterpieces from their own perspectives, displaying the beauty of mountains and rivers, history, and expressing the achievements of the people. When shooting teaching scenes, such as teaching mobile phones to shoot Short videos, one had to pay attention to the shooting angle, such as upside-down shooting, 45-degree angle, to maintain the parallel, vertical, and center of the picture elements, and use the elements in the scene, such as the arrangement of lights, door lines, etc. to assist in shooting.
In addition, photographers also had strong creativity. Even in ordinary scenes such as bathtubs at home, small puddles on the roadside, etc., they could also take photos with special effects. By using background elements such as leaves, flowers, etc., or choosing unconventional shooting angles, they could take stunning photos without special effects. They could even use low-cost props to shoot high-quality advertising blockbusters.
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Ren Jialun filmed a crying sceneRen Jialun's crying scene was very infectious. In different works, his crying scenes had a variety of expressions and could accurately convey different emotions.
In " Zhou Sheng As Before ", when he was married on a rainy night, he raised his head slightly, but could not control his tears, showing the pain in Zhou Sheng's heart and his deep affection for the time. In " Glory of the Tang Dynasty," he played the role of Guangping King Li Chu, who had many wonderful crying scenes, such as the stubborn and unyielding eyes when pleading for Li Meng, the painful and desperate expression when he was punished by his father, and the sad tears when he saw the pearl leave. In these scenes, he integrated different emotions into the crying scene, and his expressions, movements, and details were carefully handled to let the audience feel his emotions.
Lu Yi's crying scene in Under the Brocade Clothes was also very exciting. In " Twilight," the scene where his mother dug the grave with her bare hands after she died to save him, his emotions were in place. His expression, eyes, trembling lips, and twisted expression showed the heart-wrenching pain. His crying scenes with Rong Hua were also different. The scene where Lan Yue hid behind the mirror and cried bitterly, the scene where he cried silently when they met again in the cave, and the scene where he suppressed his crying when Rong Hua suspected him. It contained many complicated emotions, and he expressed them in a layered manner.
In " Miss Crow and Mr. Lizard," he played Gu Chuan in the scene where the cat was about to finish its life. There were no actions or lines. He only conveyed pessimism, despair, helplessness, and grief through his eyes. His silent tears could immerse the audience in the atmosphere he created.
In " Long Running Water," he played two roles. When Wei Zhao faced the female lead, Jiang Ci, his self-reproach and pain exploded. Xiao Wuxia raised his head and a tear filled the nostalgic and sad atmosphere. Under the interaction of Jiang Ci's different scenes, he could show his emotions layer by layer with his eyes alone.
His crying scenes mostly relied on micro-movements, micro-expressions, and eye movements. He did not need too much expression and action to easily evoke the audience's emotions and immerse the audience in the character world he had created.
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