Since I don't know this novel specifically, I can't tell you the plot. It could potentially be a love triangle story where the male lead is supposed to marry one girl but has feelings for another. But that's just speculation.
I'm not entirely sure as I haven't read it specifically. But generally in Chinese novels with a title like this, it might involve a complex relationship story. Maybe the characters have some sort of past relationship and then get a second chance at marriage, with lots of emotional ups and downs in between.
I'm not familiar with a Chinese novel titled 'Marry Her Not Me'. You could try searching for it in Chinese literature databases or asking in Chinese - language reading communities. They might be able to point you in the right direction.
There were many Chinese dramas that had been remade from Korean dramas, including " Not Born,"" The Temptation to Go Home,"" Love Travelling Through a Thousand Years," and " Just Fell in Love with You." These Chinese dramas were all adapted from Korean dramas. Some were copied, while others were re-created in terms of plot, character, and ending. Although some of the remakes were loved by the audience, some were criticized. The remake of a Korean drama needed to find the right actors and the right adaptation method to truly gain the audience's approval.
There were many ancient Chinese dramas that were comparable to " Getting on the Wrong Bridal Carriage and Marry the Right Man ", such as " Dream of the Red Chamber "," Water Margins "," Journey to the West "," Romance of the Three Kingdoms ", and " Dream of the Red Chamber ", which were classic works in Chinese classical literature. They described the life, human nature, and emotions of ancient Chinese society with profound ideology and unique artistic charm. Water margin and Journey to the West described the legendary stories of ancient Chinese heroes, showing their bravery and indomitable spirit. Romance of the Three Kingdoms was a play with a strong historical color, which described the political struggle between Shu Han and Dongwu during the Three Kingdoms period and the complicated relationship between historical figures.
Reborn in Chinese Drama 95 was a novel about the entertainment industry. The main character was a director who graduated from the Chinese Academy of Drama, but he failed to realize his dream and became a paparazzi reporter. However, after his rebirth, he became the king of the entertainment industry and met an actress named Qinqin during the casting process. This novel described his experiences and growth in the entertainment industry.
The history of Chinese drama could be traced back to ancient times. According to historical records, there was a description of drama in the Spring and Autumn Annals of China around 136 B.C. As time passed, Chinese drama continued to develop and form its own unique performance style and artistic form.
In the Tang Dynasty, Chinese drama reached a peak, with the appearance of classic works such as "Chang 'an Twelve Hours" and "Pipa Song". The Song Dynasty was the lowest point of Chinese drama because of political corruption and social unrest, which affected the development of drama.
During the Ming Dynasty, Chinese drama once again ushered in a peak of development. Classic works such as The Peony Pavilion and The Romance of the Western Chamber appeared. During the Qing Dynasty, the development of Chinese drama was once again hindered by the corruption of the feudal system and the ban of the rulers. Many excellent plays were strangled.
At the beginning of the 20th century, Chinese dramas began to gradually revive, and classic works such as Teahouse and Camel Xiangzi appeared. In the middle of the 20th century, Chinese drama once again fell into a low ebb. Due to political and social reasons, many excellent plays were banned or destroyed.
It was only in recent years that Chinese drama gradually regained its vitality and appeared classic works such as "Three Words and Two Pats" and "Teahouse". The history of Chinese drama was full of twists and turns, and it was also an important part of Chinese culture.
I don't have specific information about the story of 'The Wife of Marshal' in Chinese drama. However, in similar dramas, the wife of a marshal could be depicted as a strong and intelligent woman. She might play a crucial role in the marshal's decision - making process, offer emotional support, and also be involved in some important events that shape the overall plot. For example, she could be involved in diplomatic meetings in the form of a hostess, or she might use her influence to help the poor and needy in the area under her husband's jurisdiction, which could then lead to various story developments like facing opposition from some conservative forces or winning the hearts of the people for her husband and his cause.
I'm sorry I haven't watched it in detail. But generally, Chinese dramas often involve family relationships, love, and some twists in the plot. Maybe it's about a wife who has some secrets that gradually unfold and affect her family and marriage.