third rate my way

The third-rate works of first-rate poets might be like this: A first-rate work of a third-rate poet: This poem may not have been written by a first-rate poet, but it may be one of the best works of a third-rate poet. It may lack the creativity and depth of a first-class poet, but it may have a good rhythm and rhythm to attract the reader's attention. 2. Third-rate works of second-rate poets: This poem may have been written by a first-rate poet, but it may not be one of the best works. It may lack the depth and creativity of a first-class poet, but it may have good expression and skill to attract the reader's interest. Three third-rate works of first-rate poets: This poem may have been written by a first-rate poet, but it may be one of the best works. It may have the depth of thought and creativity of a first-rate poet, but it may not have the skill and expression of a third-rate poet, so it cannot reach the level of a first-rate poet.

Writing a novel in the third person meant that the narrator was excluded and another independent character narrated the story. This kind of writing style was usually used in science fiction, fantasy, and horror novels. In third-person writing, the narrator was no longer the main participant in the story but an observer who observed the development of the story. This way of writing would allow the reader to understand the characters and events in the story more deeply and better feel the situation and emotions of the story. Compared to first-person writing, third-person writing usually required more thought and planning because it required creating a realistic background and personality for the other character. At the same time, this kind of writing might also lead to the emotional isolation between the narrators and the characters, making it difficult for the readers to truly integrate into the story. Third-person writing allows the reader to explore the story more freely, but it also requires the author to better construct the characters and situations to ensure the cohesiveness and attractiveness of the story.

No, I don't agree with this view. Although Korean dramas might be controversial in terms of platforms, they still had a high level of storytelling and acting skills. In terms of plots, Korean dramas were very good at portraying characters and emotions. They often presented delicate and profound characters and emotional expressions. Moreover, the plots of Korean dramas were often full of dramatic and romantic elements that were loved by the audience. As for acting skills, many actors in Korean dramas were very outstanding. They could accurately express their emotions and characters, allowing the audience to feel the realism and vitality of the characters. Korean dramas had their own unique charm in terms of plot, acting skills, and so on. It was worth the audience to appreciate and learn from them.

" I recommend Concubine Concubine: Empress, Don't Run." It's an ancient romance novel. The story was about a 16-year-old woman who entered the palace and was conferred the title of Empress but had never seen the Emperor. She met the Emperor again after losing her memory for three years, but she was no longer the same person. The feelings between the two were complicated, full of twists and turns, joys and sorrows. This novel had a compact plot, exquisite writing, and a classical style. It was a good love story. I hope you like my recommendation.😘

Lu Xun (September 25, 1881-October 19, 1936) was one of the important representatives of modern Chinese literature and was known as the "Father of Modern Literature". His works had a unique style and profound thoughts, which had a profound impact on the development of modern Chinese literature and thought. Lu Xun's works included novels, essays, poems, essays, and many other literary forms. Among them, novels were the most famous. His novels, such as A Madman's Diary, The True Story of Ah Q, New Stories, etc., revealed the darkness of Chinese society and the sufferings of the people at that time with their unique perspectives and profound thoughts, becoming the classics of modern Chinese literature. Therefore, from the perspective of literary achievements, Lu Xun can be regarded as one of the outstanding representatives of modern Chinese literature. His creation has had a profound impact on the development of modern Chinese literature and should not be simply classified as "third-rate".

Lu Xun (September 25, 1881-October 19, 1936), formerly known as Zhou Shuren, was an outstanding figure in the history of modern Chinese literature. His literary works and ideas influenced the literature, culture, and society of China in the 20th century. Lu Xun's works had a unique style, which was based on realism and modernism, and carried out in-depth exploration and criticism of social reality and human nature. His works had profound thoughts and high literary value, and he was regarded as one of the founders of modern Chinese literature. Therefore, from the perspective of literary history, Lu Xun could be regarded as one of the outstanding representatives of modern Chinese literature rather than third-rate.

Lu Xun (September 25, 1881-October 19, 1936) was one of the most important representatives of modern Chinese literature. He was hailed as the founder of modern Chinese literature and the pioneer of modern literature. His works had profound social criticism and human thinking, which had a profound impact on the development of modern Chinese literature and thought. Lu Xun's works had a unique style, concise language, and rich philosophy. He was hailed as one of the pioneers of the "Vernacular Movement". His masterpieces included A Madman's Diary, The True Story of Ah Q, Medicine, Kong Yiji, etc. These works profoundly revealed the darkness of society and the distortion of human nature at that time, which had a profound impact on the development of modern Chinese literature and thought. Therefore, judging from the quality of his works and his literary status, Lu Xun could not be considered third-rate. He has an important position and contribution in the history of modern Chinese literature and thought, and is recognized as one of the literary masters.

First-class. First-class could deeply express the author's thoughts and feelings, and at the same time, it could resonate with the readers. Their writing skills and language usage were superb, and they could create works with unique style and depth. Compared to first-class and third-class, their expressions were not profound enough or their skills were not exquisite enough. They might pay more attention to the plot and the creation of characters rather than the expression of thoughts and emotions. Their works may lack literary value or hardly resonate with readers. First-class also depended on their writing style and purpose. First class to convey their thoughts and feelings. Third-rate players would gain commercial success.

The second and third class, ancient and modern, were some of them: - Ancient China: Cao Xueqin, Lu Xun, Lao She, Ba Jin, Zhang Ailing, Mo Yan, etc. - Foreigners: Ernest, Faulkner, Kafka, Marquez, Tolstoy, Maugham, Jane Austen, Dickens, Hugo, and shakespeare. All of these had a certain literary value. Of course, this was just a list of some of the more common second and third-rate, but in fact, there were other outstanding ones.

This phrase originated from the theater industry in the 1990s, and it was very popular at that time. At that time, the stage beauty and the performance of the actors were considered the most important parts of the play, while the ability of the scriptwriter was relatively weak. Therefore, this saying meant that if a play had excellent stage beauty and actors, its quality might be very high; if the scriptwriter was not strong enough, its plot and story might not be attractive enough. Although this statement was somewhat subjective, it also reflected the aesthetic concept of the drama world at that time.