love metre

Northern Song [Zhonglu] is a formal style, eleven sentences, nine rhymes, or each sentence into the rhyme. The previous use of four-tone rhyme, must be removed. The seventh sentence can be flat or oblique rhyme, if oblique rhyme, must be on the rhyme. In the ninth sentence, the flat tone can also be used as the upper tone. The last four sentences can also be written as two four-sentence sentences, no need to add teasing. There are 11 sentences and 43 words, with nine rhymes, five zonal rhymes, two alliteration rhymes and two leaf rhymes. The fourth and fifth sentences were Ye Pingyun, and the ninth and eleventh sentences could also be Ye Pingyun. Southern Song [Shang Diao] is the formal style, eleven sentences, eleven rhymes. Variant, twelve sentences, ten rhymes. The structure of "Shanpo Yang" in the southern song was not as stable as that of "Zhonglu Shanpo Yang" in the northern song, which varied from nine to twelve sentences. It seemed that each sentence in the northern song had been expanded.

[Immortal Lü·Parasite Grass] was used as a small token and also entered [Shang Diao]. The rhythm is as follows: the first and last two sentences are right, and the middle three sentences must be right. The first two sentences are often changed into five-word or six-word bending sentences. The score is flat and flat (can be rhymed), flat and flat (rhymed).× Ping × Ze Ping A (rhyme), × Ping × Ze Ping A (rhyme), × Ping × Ze Ping A (rhyme).× Ping × Ze Ze Ping (Ke Yun), × Ping × Ze Ping Qu (Yun).

Linjiangxian's rhythm is flat rhyme, double-tone small order, the number of words has fifty-two words, fifty-four words, fifty-eight words, fifty-nine words, sixty words, sixty-two words six kinds. Common words are divided into two parts, the upper and lower parts of each five sentences, three flat rhyme. An example of its rhythm (taking Yang Shen's "Linjiang Immortal" as an example): Zhongze Zhongping Pingze, Zhongping Zhongze Pingping. (Rhyme) The middle is flat. (Rhyme) Medium flat and medium oblique, medium oblique and flat. (Rhyme) The middle tone is flat and the middle tone is flat. (Rhyme) The middle is flat. (Rhyme) Medium flat and medium oblique, medium oblique and flat. In addition, the first sentence of the upper and lower pieces cannot be written as a twisted sentence, that is, the two, four and six flat tones must be crossed, and the flat tones in He Zhu's words are appropriate.

Willow branch Ci card originally has Sui Qu, and Sui Di related. Its formal style is Qiyan style, monotonous twenty-eight words, flat rhyme, format is the same as seven-character quatrains. There are many kinds of Ci styles in this tune. In the Tang Dynasty and the Five Dynasties, the original meaning of singing willow branches was passed down to Kaiyuan. Bai Juyi's new song was no longer the old one.

The fixed format of Putian Music was eleven sentences and forty-six words (excluding the words on the back). The basic sentence patterns were: three, three, four, four, three, three, seven, seven, four, four, four. The second, sixth, and seventh sentences were marked with the sound rhyme (the second and seventh sentences were marked with the sound rhyme), and the fourth, eighth, and eleventh sentences were marked with the sound rhyme. There are many other styles and words in this tune. The north and south songs belong to different palace tunes. The north song belongs to the Zhonglu Palace, and the south song belongs to the Zhenggong Palace, which can be sung into the word.

Zhonglu·Putian Music Xiaoling is used concurrently, and its music score and meter are: Ze Ping Ping, Ping Ping A (rhyme).× Ping × Ze, × Ze Ping (rhyme).× Ze Ping, Ping Ze (rhyme).× Ze Ping Ping A (rhyme), Ze Ping Ping, × Ze Ping Ping (rhyme).×× Ze Ping (top), × Ping ××, × Ze Ping Ping (rhyme). Among them,"A" should go up.

There were four basic sentence patterns in the Seven Laws: Pingze Pingze (the last two words were Pingze, called Pingze foot); Ze Ze Pingze Pingze (the last two words were Ze Ping, called Zepingjiao); Ze Ze Pingze Pingze (the last two words were Ze Ze, called Zepingjiao); Ping Ze Ze Pingze (the last two words were Ze Ze, called Zepingjiao); Ping Ze Ze Pingze (the last two words were Ping Ping, called Pingpingjiao). Thus, there were four basic forms of seven-character poems: The first format: the first sentence begins with a rhyme The sky was flat, the sky was flat, the sky was flat. He was flat and flat, flat and flat. The sky was flat, the sky was flat, the sky was flat. He was flat and flat, flat and flat. The second format: the first sentence does not rhyme The sky was flat, the sky was flat, the sky was flat. He was flat and flat, flat and flat. The sky was flat, the sky was flat, the sky was flat. He was flat and flat, flat and flat. The third format: the first sentence of the zeppelin rhyme He's flat, he's flat, he's flat. The sky was flat, the sky was flat, the sky was flat. He was flat and flat, flat and flat. The sky was flat, the sky was flat, the sky was flat. The fourth format: the first sentence of the zeppelin does not rhyme He was flat and flat, flat and flat. The sky was flat, the sky was flat, the sky was flat. (0 means it can be leveled or leveled)

Pine shoot moon Ci card meter for fixed double tone, 97 words. The first ten sentences, five flat rhyme; The last ten sentences, four flat rhyme. With Cao Xun's Ci "Pine Shoot Moon·Courtyard Silence" as the representative, its rhythm is: |sentence order| Rhythmic requirements| |--|--| |The first sentence of the previous paragraph| The level of the people| |The second sentence of the first paragraph| Ping Ping Ze Ze Ze| |The third sentence of the first paragraph| Fair and even| |The fourth sentence of the first paragraph| Pingze Pingze| |The fifth sentence of the first paragraph| Ping Ze Ze Ping| |The sixth sentence of the first paragraph| Ze Ze Ping Ping Ze| |The seventh sentence of the previous paragraph| Slanky and flat| |The eighth sentence of the previous paragraph| Obscure and flat| |The ninth sentence of the first paragraph| on average| |The tenth sentence of the first paragraph| Temptation, Temptation, Temptation| |The first sentence of the last paragraph| Pale, flat, flat| |The second sentence of the last paragraph| Obscure, Obscure, Obscure| |The third sentence of the last paragraph| Fair and even| |The fourth sentence of the last paragraph| Obscure and flat| |The fifth sentence of the last paragraph| Ping Ze Ze Ping| |The sixth sentence of the last paragraph| Ze Ze Ping Ping Ze| |The seventh sentence of the last paragraph| Slanky and flat| |The eighth sentence of the last paragraph| Obscure and flat| |The ninth sentence of the last paragraph| on average| |The tenth sentence of the last paragraph| Ze Pingping| Among them, flat means to fill in flat tone words; Ze means to fill in flat tone words; The middle means that it can be flat or Ze, and the bold at the end of the sentence is the rhyme. This is Cao Xun's own music, there is no other word to check, the sixth sentence before and after the paragraph are "Ze Ze Ping Ze", as an example of the style, when filling in the words need to pay attention to distinguish.

With Yin E's "Bobozi·Wind Cut" as the main body, the double-tone sixty-one words, the first five sentences of five oblique rhymes, the latter four sentences of four oblique rhymes. There are also sixty-one double-tone words, the first five sentences have two leaf rhyme, two alliteration rhyme, one oblique rhyme, the second five sentences have five oblique rhyme; There are sixty-two double-tone words, the first seven sentences have three oblique rhyme, and the second six sentences have three oblique rhyme variations.

Moonlight Pear Blossom Ci Pai's rhythm is fifty-five words in two pieces. The whole word has two to four rhymes. The first and second rhymes are one rhyme each, or the same rhyme is alternated, that is, the whole word has two to four rhymes. The sound of the sound can be the upper sound, the sound of the sound can be the lower sound, the sound of the sound can be the lower sound, the sound of the sound can be the upper sound, the sound of the sound can be the lower sound, the sound of the sound can be the upper sound, the sound of the sound can be the lower sound, the sound of the sound can be the upper sound, the sound of the sound can be the lower sound, the sound of the sound can be the lower sound, the sound of the sound can be the sound can be the sound can There are seven sentences in the first part and six sentences in the second part. There are also seven sentences in the front and back of the double-tone fifty-four words, with three-tone rhyme and four-tone rhyme; The first eight sentences of the fifty-three words of double-tone have five-tone rhyme, and the last seven sentences have three-tone rhyme and four-tone rhyme; The first six sentences of the sixty-one words of double-tone have five-tone rhyme, and the last six sentences have four-tone rhyme.