Qian Zhongshu and Yang Jiang had an enviable love. Their love story was full of poetry and beauty. When the two first met, they had a good impression of each other. Qian Zhongshu was eager to clarify the fact that he was not engaged, and Yang Jiang also generously stated that she did not have a boyfriend. After that, although they could only rely on letters to contact each other, their letters were full of unique romance. For example, Yang Jiang wrote the word "cowardly" to ask Qian Zhongshu how many people he had in his heart. Qian Zhongshu replied with the word "you" to indicate that he only had the other party in his heart. They were well-matched and their hearts were in harmony. Qian Zhongshu expressed that he wanted to devote his life to learning, and Yang Jiang expressed his deep approval and full support. After marriage, the two shared joys and sorrows. During the period when Yang Jiang went abroad, in order to let Qian Zhongshu get used to eating, she changed her way to cook China cuisine. Qian Zhongshu would also stand up when Yang Jiang did not dare to deal with live shrimps. When Yang Jiang missed home, Qian Zhongshu clumsily prepared breakfast for her. In their relationship, they rarely quarreled. Qian Zhongshu believed that even if they won the argument, they might lose their feelings and lose each other, so he always gave in to Yang Jiang. Qian Zhongshu had a deep confession to Yang Jiang, saying that he had never thought of getting married before he met her, and that he did not want to get married to anyone else after meeting her. Yang Jiang had always protected Qian Zhongshu, so that his nature was not oppressed and he could concentrate on his creation. They had been together for 63 years (or 66 years), and they had loved each other with a unique concept of love. They had grown old together, showing the world the most beautiful appearance of love.
Qian Zhongshu's views on love could be reflected in his love story with Yang Jiang. Qian Zhongshu said to Yang Jiang,"I'm not engaged." He was eager to express his relationship status and reflect his sincere attitude in the face of love. He also said,"From now on, we can only part in death." This sentence profoundly expressed his loyal love for Yang Jiang, and he regarded love as a promise of life and death. In his relationship with Yang Jiang, Qian Zhongshu was willing to rely on her in trivial matters of life, reflecting the mutual support and complementary relationship between the two sides in love. He knew very well that it was not worth it to win the truth but lose the feelings in marriage and love. For example, he always gave in to her in the few arguments with Yang Jiang. He thought that if he won the argument, he would lose the more important lover, which showed that he valued emotional communication and tolerance in love. All of these could reflect Qian Zhongshu's emphasis on sincerity, loyalty, tolerance, mutual support and other factors in love.
Qian Zhongshu's classic love quote was: 1. Love is mostly unsuccessful, either suffering from the boredom of getting married, or suffering from the sadness of not getting married. 2. In front of the man she loved, every woman had a unique skill to rejuvenate herself. 3. Love was as greedy as fire, as spreading, as cruel, destroying the solid materials of the prison, and exchanging the ashes for light and warmth... Time's erosion of friendship is like water flowing over a stone, washing it clean. 4. The love of an old man was like an old house on fire. 5. Many women would smile so sweetly, but their smiles were just facial muscle flexes, as if a coach was shouting the command,"One!" Suddenly, he smiled." Two!" Suddenly the smile disappeared, leaving only an empty face. 6. If you love a woman, you should love her dog. Then if you really want to make friends, you should forget their faults. 7. Although mistresses were only interesting when they were new, friends still preferred the old. 8. There were no women in the world who thought they were not cute, and there were no men who thought they were inferior. 9. When two people were together, others would start rumors, just like when two branches were close, spiders would hang their webs. 10. Marriage was like a besieged city. The people outside the city wanted to enter, and the people inside the city wanted to come out. 11. Before I met her, I never thought about getting married, but after I met her, I never regretted getting married. 12. You won't know me, though you've been tricked by me. When you were seduced by me, you only knew that I was a lovely woman, a trusted friend, and even an ideal to pursue. You did not see that it was me. Only those who refuse my temptations, like Jesus, know who I am. 13. A husband was a woman's profession. Without a husband, she would be unemployed. 14. Where there were chickens and ducks, there was a lot of dung. Where there were young women, there was a lot of talk. 15. Love was wonderful. Even with pain, it was still full of temptation. 16. In this world, there was never the best, only the most suitable. For example, the clouds and the sky, the breeze and the grass, the you in my eyes, and the me in your eyes. 17. A heart needs another heart to be honest with each other. Only then can one be happy.
Qian Zhongshu believed that love was originally a kind of emotion and feeling. It was illusory and could not last long. Because it couldn't be seen or touched, it existed only by feeling, and living by feeling was the most unreliable.
Yang Jiang had written a letter to Qian Zhongshu, and there was only one word on the letter-Coward. Some people thought that this was Yang Jiang's test of Qian Zhongshu's feelings, and the word "cowardly" was asking how many people Qian Zhongshu had in his heart. However, some scholars pointed out that based on their reading and research of Qian and Yang, the " One-Word Love Letter " was not written by them. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
The love story between Qian Zhongshu and Yang Jiang was a model. In 1932, the two fell in love at first sight. At that time, Qian Zhongshu said that he was not engaged, and Yang Jiang also said that she did not have a boyfriend, and then they began to write to each other. Yang Jiang once used a love letter with the word "cowardly" to ask Qian Zhongshu how many people there were in his heart. Qian Zhongshu replied with the word "you", indicating that there was only Yang Jiang in his heart. This interaction became a much-told story. In the second year of their relationship, they got engaged. In 1935, Qian Zhongshu went to the University of Oxford to study abroad at public expense. After discussion, the two held a wedding and went abroad to study together. In life, Qian Zhongshu spent a lot of time in class and reading. Yang Jiang took care of most of the trivial matters at home. With the birth of the child, life became more hectic, but they never quarreled over trivial matters. After two years of studying in the UK, they went to Paris University for another year. After returning to China, Qian Zhongshu was promoted to a professor by Southwest United University, while Yang Jiang lived alone with her daughter. Although they were homeless, financially strapped, and living in different places, none of this affected their relationship. Yang Jiang worked hard to earn money to subsidize the family. When Qian Zhongshu returned to his hometown to take care of his father, Yang Jiang supported the family expenses alone. Qian Zhongshu said to Yang Jiang,"From now on, there will only be death between us. There will be no separation." When Qian Zhongshu wanted to write Fortress Besieged, Yang Jiang fully supported him. She asked Qian Zhongshu to reduce his curriculum and take on more family affairs. This book took Qian Zhongshu two years to write, and Yang Jiang contributed greatly. Qian Zhongshu also expressed his gratitude to Yang Jiang in the preface. The husband and wife had been together for more than 60 years. During this period, although Qian Zhongshu was not good at life affairs, when Yang Jiang was in confinement, he also went to the hospital to take care of her. He also tried to make the carp soup that Yang Jiang loved to eat. Yang Jiang also understood Qian Zhongshu. In the face of Qian Zhongshu's shortcomings in life affairs, she thought that Qian Zhongshu should just study and do the rest himself. In 1994, Qian Zhongshu was hospitalized for bladder cancer for four years. Yang Jiang accompanied him for four years. Qian Zhongshu advised her to go home many times, but she said," Where you are, home is there. I want to be with you." Their only daughter passed away in 1997, and so did Qian Zhongshu in 1998. In front of Qian Zhongshu's sickbed, they discussed taking out their income and book copyrights to set up a good reading foundation to fund children who loved reading but did not have the financial conditions to study. Qian Zhongshu finally told Yang Jiang to live well. Their love started from love at first sight. After experiencing all kinds of tests in life, they understood, supported, and tolerated each other, explaining the true meaning of love and marriage.
As a scholar, Qian Zhongshu was known as the master of modern Chinese literature. His academic achievements and literary attainments were highly respected. As an outstanding scholar, Qian Zhongshu not only had in-depth research in literature, history, philosophy and other fields, but also had extremely high academic attainments. His academic achievements included: Qian Zhongshu has made great achievements in the field of literature and has made great contributions to the theory and criticism of modern Chinese literature. Qian Zhongshu also had high attainments in the study of ancient Chinese philosophy. He put forward many unique philosophical views, which had a profound impact on the development of ancient Chinese philosophy. Qian Zhongshu was also an outstanding historian. He also had an in-depth study of modern Chinese history and put forward unique insights. Therefore, Qian Zhongshu's achievements and contributions as a scholar could not be ignored. As a literary master, Qian Zhongshu's literary works were also unique and highly respected. His works, including Fortress Besieged and Cat City, had profound thoughts and unique styles, which became classics in the history of Chinese literature.
Qian Zhongshu (1897-1979) was a famous Chinese writer, cultural critic and translator. His representative works included Fortress Besieged, Cat City, and Bathing. Among them, Fortress Besieged was hailed as a classic of modern Chinese literature. It was translated into many languages and was very popular around the world. Cat City was a satirical novel that reflected social reality and was also one of Qian Zhongshu's representative works.
Qian Zhongshu (December 30, 1898-December 18, 1979), formerly known as Yang Jiang, was a famous modern Chinese writer, translator, philosopher, and scholar. Qian Zhongshu's representative works included the novels Fortress Besieged, Cat City, and the prose collection Bathing. Fortress Besieged was one of Qian Zhongshu's most famous novels. It told the story of a college student, Fang Hongjian, trapped between marriage, career, and personal ideals in a "fortress" outside Suzhou. The novel became one of the classics of modern Chinese literature with its humorous language and profound ideology. "Cat City" was another famous novel by Qian Zhongshu. It told the story of a cat's adventures in the city. The novel revealed the absurdity and helplessness of human beings and society in a humorous manner. Qian Zhongshu's collection of essays, Bathing, showed the author's deep understanding of life with its concise, fresh and humorous style. Qian Zhongshu's works deeply reflected the changes of modern Chinese culture and ideology, which had a profound impact on Chinese literature and culture.
Qian Zhongshu was one of the founders of modern Chinese literature. His masterpieces included Fortress Besieged, Cat City, and Bathing. Among them, Fortress Besieged was considered one of the classics of modern Chinese literature and was hailed as a classic of modern Chinese novels.
Qian Zhongshu's works, including " Water Margins,"" Journey to the West,"" Dream of the Red Chamber,"" Romance of the Three Kingdoms," and other classic novels, had also been adapted into movies, television dramas, stage plays, and other works. His works were known as the classics of modern Chinese literature for their twists and turns in plots, rich characters and profound thoughts.