Yuan Kuocheng's commentary,"Water on Liangshan", had 100 chapters. It was an extended version of "Water Margins", from the time Gao Qiu lost the Purple Gold Eight Treasure Luminous Pot to the time he broke the Divine Land Arena. It could be called a contemporary masterpiece of the same culture. There was "Yuan Kuocheng: Water Lake Liangshan (100 chapters) Complete Sound Collection" available for listening. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Yuan Kuocheng's explanation of the Waterfall Liangshan Storytelling started in 1986.
Yuan Kuocheng's " Water on Liangshan " was a long storytelling. There were a total of 120 chapters in this book, starting from the moment Gao Qiu lost the Purple-Gold Eight-Treasure Luminous Pot to the moment he broke the Divine Prefecture Arena. The storytelling was rich in plot, and there were many differences from the original Water Margins. For example, the structure of the story, the setting of the plot, and the time sequence of the joints were completely different. Chao Gai died in the battle against Zhu Village three times, and there was no plot of Zengtou City in the book. The storytelling created many small characters in the original work, such as Li Gun, Ma Lin, Wang Ying, etc., represented by Shi Qian. Among them, Shi Qian's image was humorous and intelligent, adding comedy to the work. He also created original female characters such as Shangguan Yuhuan and Sima Wenjiang. The villains were also vividly portrayed. In addition to the common vanguard Suo Chao, there were also Sai Huangzhong, Li Tiancheng, and the jade-faced boy Du Lubin. The description of the traps in Zhu Village was also more exciting than the original. It was called " Three Heads and Eight Arms Nezha Village ". There were many traps and murderous intentions, which increased the difficulty of attacking Liangshan and increased the excitement of the storytelling. The story received a huge response after it was broadcast on the radio. From 1983 to 1988, it was divided into three parts: " Havoc in the Daming Mansion,"" Qiao Po Qian Kun Lou," and " Havoc in the China Arena." In 1984, Hong Kong director Ma Cheng made a movie based on " Havoc in the China Arena," The Prodigal Yan Qing." <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Yuan Kuocheng's commentary," Water on Liangshan " had a total of 360 episodes, each episode lasting about 40 minutes. The story was based on the story of the Water Margins, which told the legendary story of the heroes in Liangshan Lake.
Yuan Kuocheng's storytelling took "Water at Liangshan" as an example to tell the legendary story of the heroes of Liangshan Lake, including many wonderful plots and characters, which made the audience feel the heroic deeds and righteousness of the heroes of Liangshan Lake. The Waterfall of Liangshan was one of the classics in Yuan Kuocheng's storytelling, and it was also the most familiar story scene to the audience. Yuan Kuocheng vividly described the terrain, climate, characters and other elements of the Liangshan Mountain through his unique tone and sound effects so that the audience could better feel the atmosphere and emotions in the story. In addition, Yuan Kuocheng also used many humorous words and plots to tell the story of the Liangshan River. In the story, the audience could not only feel the bravery of the heroes, but also hear Yuan Kuocheng's unique storytelling style, which made the Liangshan River become one of Yuan Kuocheng's representative works. Yuan Kuocheng's storytelling vividly depicted the heroic deeds of Liangshan Lake with its unique tone and sound effects, allowing the audience to feel the heroic deeds of the heroes of Liangshan Lake.
Yuan Kuocheng's classic storytelling included " The Storm," which was adapted from Zhou Libo's novel of the same name. Yuan Kuocheng performed at the peak of his acting skills and voice conditions, which was almost impeccable. He used traditional storytelling techniques and borrowed from the performance of dramas and movies, paying attention to the rural atmosphere and the language environment of the characters." Devout and Loyalty " was adapted from Wang Huo's biographies. The protagonist was Jie Zhenguo, a national hero who resisted the Japanese war. Yuan Kuocheng completed the performance with his skillful performing arts." The Legend of New Children and Heroes " was adapted from a novel by Yuan Jing and Kong Jue. It had regional characteristics and national passion. Yuan Kuocheng incorporated his own witty and playful style when performing." The Raging Fire King Kong " was a more classic version. He created characters such as Shi Gengxin and Xiao Fei with both form and spirit." Twelve Money Dart " was adapted from Gong Baiyu's novel of the same name. Yuan Kuocheng was good at broadcasting this kind of artistic and groundbreaking storytelling, transforming the routine content." Water on Liangshan " was Yuan Kuocheng's masterpiece of traditional storytelling. The structure was grand but smooth. In terms of character creation, people like Shi Qian, Yan Qing, and Gao Qiu were unique." The Overlord of Western Chu " was adapted from " Romance of the Western Han Dynasty ". It embodied the artistic characteristics of the Yuan School's combination of storytelling and criticism, vividly portrayed Xiang Yu and revealed the reasons for his failure." Romance of the Three Kingdoms " was recorded in 1981. Yuan Kuocheng used it to vividly show the characters and grand scenes of the Three Kingdoms to the audience. The text was exquisite and an artistic product that transcended the times. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
The Liangshan Lake in the Water Margins was located in Daiyue District, Tai 'an City, Shandong Province, China. It was a traditional martial arts novel with the theme of Liangshan heroes. Liangshan Lake was a fictional location in the novel. However, according to historical records, Liangshan Lake was indeed a famous battlefield in ancient China and a place where the leaders of the peasant uprising gathered. In the Water Margins, the heroes of Liangshanpo represented the image of the ancient Chinese peasant resistance army. They resisted the oppression of the ruling class and the injustice of society, which was a cultural heritage in Chinese history.
The Liangshan Lake in the Water Margins was located in Liangshanpo Town, Shandong Province, China. It was a story in Chinese history, and now it has become a tourist attraction. The legends and myths of Liangshan Lake attracted a large number of tourists.
The Liangshan Lake in the Water Margins was located in Shandong Province, China.