Three Beats on Zhu Village Storyteller Yuan Kuocheng
In Yuan Kuocheng's storytelling," The Waters of Liangshan," there was a plot of three fights against the Zhu family. This storytelling was equivalent to an external biography of Water Margins. The story took place before and after the three fights at Zhu Village. The story structure, plot setting, and the time sequence of the joints were almost completely different from the original. The story started with a treasure that the Xi Liang Kingdom had given to Emperor Huizong of the Song Dynasty being stolen by Gao Qiu. It led to a series of events that eventually developed to the plot of Song Jiang beating up the Zhu family. The storytelling created a group of small characters represented by Shi Qian, who was not as famous in the original work. Among them, Shi Qian was humorous and intelligent, adding a lot of comedy to the storytelling. The villains were also vividly portrayed. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Shan Tianfang, Yuan Kuocheng, or Zhang Shaozuo, who was a better storyteller?
Shan Tianfang and Zhang Shaozuo were both famous storytellers in China. Their masterpieces included classic works such as Journey to the West and Water Margins. Shan Tianfang's storytelling was famous for its rich plots, strong storytelling, and humor. Yuan Kuocheng's storytelling focused on historical stories and biographies. Zhang Shaozuo's storytelling focused on historical events and characters, emphasizing rigor and depth. Each of the three storytellers had their own unique characteristics. It was difficult to say which one was better than the other because the preferences of listening to books varied from person to person. Some people liked Shan Tianfang's humor, some people liked Yuan Kuocheng's grand historical background, and some people liked Zhang Shaozuo's rigorous depth. Generally speaking, listening to books was a kind of enjoyment. You could choose a storyteller that suited you according to your preferences.
Yuan Kuocheng's storytelling beats the drum and curses Cao Cao
Yuan Kuocheng was a famous storyteller and host in China. His storytelling was famous for its humor, twists and turns, and vivid language. Beating the Drum and Scolding Cao was one of Yuan Kuocheng's representative works. It told the story of the war between Cao Cao and Yuan Shao during the Three Kingdoms period. The story was about Cao Cao's army attacking Yuan Shao. During the battle, Cao Cao's general Cao Hong was killed by Yuan Shao's general Yan Liang. Cao Cao was so angry that he ordered the beating of drums to vent his dissatisfaction. Through telling this story, Yuan Kuocheng showed Cao Cao's intelligence and cruelty. At the same time, he also showed the cruelty and short-lived heroes of the Three Kingdoms period. Yuan Kuocheng's book, Beat the Drum and Curse Cao, was deeply loved and sought after by the audience with its humorous language, vivid plot and profound theme.
Yuan Kuocheng
Yuan Kuocheng (1929-March 2, 2015), a native of Beijing, was born in Tianjin. He was a China storyteller and the founder of the Yuan School of storytelling. He was known as the "Four Great Storytelling Artists" along with Liu Lanfang, Shan Tianfang, and Tian Lianyuan. At the age of 8, he learned storytelling from his father. At the age of 14, he performed on stage. At the age of 18, he became famous with short books such as "Twelve Money Dart" and "Shi Gong An." In 1949, he took the lead in talking about "new books", such as "Red Rock" and "Sincerity". His representative work was the Romance of the Three Kingdoms, which was recorded in 1981 with the Central People's Radio Station. His storytelling art had distinctive characteristics. He broke through the traditional performance model of character image creation and formed a performance method of "combining movement and stillness, painting sound and shape". He pursued the integration of essence, qi and spirit. The storytelling language was vivid and humorous, the characters were vivid, the description was both form and spirit, the sound and color were vivid, and the whole body art was emphasized. It had the artistic characteristics of "floating, pretty, fast and crisp". In 2003, he won the 4th China Golden Record Award for Quyi Actor, and in 2006, he won the 4th China Quyi Peony Award for Lifetime Achievement. The Yuan School of Storytelling Art, which was founded in 2009, was listed as China's national intangible cultural heritage. On March 2, 2015, he died of illness in Beijing. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Yuan Kuocheng and Yuan Tian
Yuan Kuocheng (1929-March 2, 2015), whose ancestral home was Beijing, was born in Tianjin. He was a China storyteller and the founder of the Yuan School of storytelling. Together with Liu Lanfang, Shan Tianfang, and Tian Lianyuan, he was known as the "Four Great Storytelling Artists". His representative work was the storytelling Romance of the Three Kingdoms. His storytelling paid attention to breaking through the traditional performance model of the characters in the book list, creating a body expression that was in line with the new characters in the new book. He used fans, awakening wood, handkerchief, and chairs to stand up and tell the story, forming a performance method of "combining movement and stillness, drawing sound and shape". In the performance, he pursued the integration of essence, qi and spirit. The language of storytelling was vivid and humorous, the characters were distinct, and both the form and spirit were emphasized. It had the artistic characteristics of "floating, pretty, fast and crisp". Yuan Tian, whose original name was Yuan Junxian, was born in Yingkou City. He was a storyteller and once worked for the Yingkou City Folk Art Troupe. She was the representative inheritor of the Yuan School of Beijing Storytelling (Yingkou), a member of the China Folk Artists Association, the president of Yingkou City Society, a national second-class actress, and a teacher of the famous storytelling performance artist, Mr. Li Heqian. Her storytelling performance inherited the essence of Mr. Yuan Kuocheng's storytelling, with clear enunciation, precise pronunciation, precise narration, vivid and vivid; rigorous lines, precise portrayals, appropriate comments, and equal emphasis on performance; delicate, vivid, elegant and elegant, with both form and spirit. Her performance style was steady and generous, clean and neat, full of sound and action, fascinating, quite like her father. She had also broadcasted Yuan Kuocheng's "Five Tyrants of the Spring and Autumn Period" and "Seven Heroes of the Warring States Period" and other long commentaries. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Yuan Kuocheng and Yuan Tian
Yuan Kuocheng was a China storyteller and the founder of the Yuan School of storytelling. Together with Liu Lanfang, Shan Tianfang, and Tian Lianyuan, he was known as the "Four Great Storytelling Artists". His representative work was the storytelling Romance of the Three Kingdoms. Yuan Tian's original name was Yuan Junxian. He was born in Yingkou City and was a storyteller. He used to work for the Yingkou City Folk Art Troupe. Yuan Tian was the daughter of Yuan Kuocheng. She was the representative inheritor of the Yuan School of Beijing Storytelling (Yingkou), a member of the China Folk Artists Association, the president of the Yingkou City Society, and a national second-class actor. Yuan Tian inherited Yuan Kuocheng's essence of storytelling and had his own style and characteristics in storytelling. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Three Beats on Zhu Village, Cause, Cause, End
The reason for the three attacks on the Zhu Village was because Shi Qian, Shi Xiu, and Yang Xiong passed by the Zhu Village. Shi Qian was captured, and Shi Xiu and Yang Xiong went to Liangshan to ask for backup. However, attacking Zhu Manor was only a matter of time. Stealing horses was just an excuse. Liang Mountain needed food, and there were many people in Liang Mountain. To feed them, they needed a lot of food. The first time they attacked Zhu Village, Shi Xiu and Yang Xiong were captured and they failed. The second time they attacked Zhu Village, the rebel army of Liangshan could only attack fiercely, but because Zhu Village was high and deep, easy to defend and difficult to attack, they failed again. In the end, Song Jiang realized that he could only break through the defense of Zhu Village by cooperating from the inside and outside. Sun Li and the others pretended to join the Zhu Family and broke down the Zhu Family's defense line from the inside. The result of the three battles against Zhu Village was that Liang Mountain successfully broke through Zhu Village and won.
Similar to novels like "Three Beats on Zhu Village"
Yuan Kuocheng, right?
Yuan Kuocheng (1929 -March 2, 2015) was a China storyteller and the founder of the Yuan School of storytelling. Together with Liu Lanfang, Shan Tianfang, and Tian Lianyuan, he was known as the "Four Great Storytelling Artists". His representative work was the storytelling Romance of the Three Kingdoms. He learned storytelling from his father at the age of 8, performed on stage at the age of 14, and became famous at the age of 18 with his short books, Twelve Money Dart and Shi Gong An. In 1949, he took the lead in saying "new books", such as "Red Rock" and "Sincerity". In 1981, he began to record Romance of the Three Kingdoms with the Central People's Radio Station. He had made great contributions to the development of the art of storytelling and created many firsts. He was the first actor in the history of storytelling to talk about a new book. He was the first storyteller to become famous with his new book, such as Three Flutes, Xiao Fei Buying Medicine, and Sister Jiang Boarding the Boat. In 1959, his performance of Three Flutes was made into the first record in the history of China storytelling. In 1958, he decisively removed the stage table and the "Three Big Pieces" when he performed at the grassroots level. He was the first storyteller to abandon the stage table and the "Three Big Pieces". For the first time, he put the entire Romance of the Three Kingdoms on radio and television, and in his later years, he also created many models such as aerospace storytelling, sports storytelling, stock market storytelling, and so on. In terms of performance, his storytelling language was vivid and humorous, the characters were vivid, he paid equal attention to both words and expressions, both form and spirit, vivid and vivid, and paid attention to the art of the whole body. He had the artistic characteristics of "floating, pretty, fast and crisp". His performance method was "combination of movement and stillness, drawing sound and shape". He had unique attainments in shaping characters and controlling the rhythm of performance. He could accurately convey the emotions of characters and the joys and sorrows of stories to the audience. Liu Lanfang, honorary chairman of the China Folk Artists Association, thought he was a master of storytelling. In 2009, the art of Yuan School's storytelling was included in China's national intangible cultural heritage. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Successor of Yuan Kuocheng
Yuan Kuocheng's successors included Han Xiangbo, Du Xinjie, and others. Han Xiangbo's teacher was Yuan Tian, the daughter of Yuan Kuocheng. He had won Yingkou City's Outstanding Storytelling Award, SSS Cup Outstanding Performance Award, and many other awards. His representative works included Xiao Fei Buying Medicine. Du Xinjie was Mr. Yuan Kuocheng's re-disciple. His storytelling master was Mr. Yuan Tian. He had been performing live storytelling for ten years, inheriting the spirit of Yuan School's storytelling to keep pace with the times and constantly innovation. He had created and performed works such as "Why Sheng Xiao Mo". "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Yuan Kuocheng's Romance of the Three Kingdoms Mi Heng beats the drum and curses Cao Cao
Yuan Kuocheng's Romance of the Three Kingdoms Mi Heng beating the drum and scolding Cao refers to the wife of Mi Fang of Shu Han during the Three Kingdoms period, Madam Mi, beating the drum and sounding the alarm on the city wall when she heard Cao Cao invading Shu Han. In order to boost morale, she scolded Cao Cao by saying," Your body and your name will perish, but your rivers will never be destroyed." It meant," Your grave and your name will disappear, but your rivers will never be destroyed." This story was passed down and became a classic plot in works such as storytelling and opera.