Wutong Mountain Residence
There were some residential projects around Wutong Mountain. For example, the new residence of Wutong Mountain was located in the Liantang Living Area of Luohu in Shen Zhen City. The surrounding facilities were complete, including hospitals, schools, supermarkets, restaurants, etc. There were oasis corridors, central squares, and other facilities in the community. Wutong Mountain New Residence Phase II, Building 5, Block 105, was a residential building with a property certificate area of 87.43 square meters. The total guidance price was 5.036 million yuan, and the starting price was 3.768 million yuan. There were many types of apartments in the community, including a 38-square-meter one-bedroom apartment, a 59-square-meter two-bedroom apartment, a 24-square-meter single-bedroom apartment, an 86-square-meter three-bedroom apartment, and a 125-square-meter penthouse with four rooms. The community had its own kindergarten and swimming pool, but there was no underground garage. There were supermarkets and shops at the entrance of the community, making it more convenient to go shopping. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Wutong Mountain New Residence Plan
The new residence in Mount Wutong had a 38-square-meter one-bedroom apartment, a 59-square-meter two-bedroom apartment, a 24-square-meter single-bedroom apartment, an 86-square-meter three-bedroom apartment, and a 125-square-meter penthouse four-bedroom apartment. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
How high is Wutong Mountain?
Wutong Mountain was about 943.7 meters above sea level.
Fuchun Mountain Residence
"Residence in Fuchun Mountain" had an ink and wash landscape painting created by Huang Gongwang in the Yuan Dynasty, a paper and ink painting created by Wang Yuanqi in the Qing Dynasty, and a stage art work such as the Spring Festival Gala program "Memories of Jiangnan"(presented through dance, poetry recitation, singing, and other artistic forms). Other than that, there were songs based on the theme of "Residence in Fuchun Mountain" and derivative works such as 16,000-piece puzzle challenges. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Mountain Residence Poem 1 - 6
"Mountain Residence Poem·Thin Bamboo Vine Hanging Diagonally": Thin bamboo vine hanging diagonally, clumps of flowers and plants grow randomly. The forest is tall and windy, and the moss is silent. "Mountain Residence Poem·Egret Shadow and Autumn Quiet": Egret shadow and autumn quiet, cicada vocal cord late cool. The pond is long and there is still water in it, and the river is wide and full of the setting sun. "Mountain Residence Poem·Trees and Autumn Life Full": Trees and autumn life full, village wasteland evening scene idle. The rainbow is still white rain, clouds move suddenly green mountains. Currently, he could only find three of them from the reference materials, and he was unable to provide the contents of the other three 'Mountain Residence Poems'. The novel " Mixed Flowers " is equally exciting. Everyone is welcome to click and read it!
fuchun mountain residence
The Painting of Residence in Fuchun Mountain was a paper and ink painting created by Huang Gongwang in the Yuan Dynasty. It was 33 centimeters long and 636.9 centimeters wide. Huang Gongwang started painting when he was 82 years old. He started painting in the seventh year of Zhizheng (1347) and completed it in the tenth year of Zhizheng. The painting showed the scenery of Fuchun River. The peaks and slopes on both sides of Fuchun River were like the scenery of early autumn. The trees were dense and dense on the banks of the river. Villages, flat slopes, pavilions, fishing boats, small bridges, etc. were scattered among them. This painting was burned by fire during the Shunzhi period of the Qing Dynasty and was broken into two sections. The first section was named "The Remnant Mountain Painting" and was collected in the Zhejiang Province Museum. The latter section followed the original name "Fuchun Mountain Residence Painting·Useless Teacher Scroll" and was collected in the National Palace Museum in Taiwan. The Painting of Residence in Fuchun Mountain was known as the Orchid Pavilion in the Painting. It was the pinnacle of China landscape painting and had a very high status in the history of China painting. Huang Gongwang was good at painting mountains and rivers. He learned from Dong Yuan and Ju Ran and studied Li Cheng's painting method. He was taught by Zhao Mengfu. His ink paintings were simple and deep, and he applied a light ochre color on the ink paintings. The world called them "Light Crimson Mountains and Rivers". In his later years, he used the brush style of grass to paint, and his charm was magnificent and boundless. Together with Wu Zhen, Ni Zan and Wang Meng, he was known as the "Four Schools of the Yuan Dynasty". He was also good at calligraphy and poetry, and wrote the "Formula of Writing Mountains and Rivers". Throughout history, the painting had been in the hands of many collectors, and many stories had happened in the process of circulation, such as being almost burned and buried with the dead. All of these reflected the preciousness of this painting. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Which is the best entrance to Wutong Mountain?
Wutong Mountain North Road was one of the best entrances to the mountain. Wutong Mountain North Road had a lower difficulty factor and convenient transportation. You could take bus 211 or M445 to Wutong Mountain Main Station or Wutong Mountain Market. It took about 5 minutes to walk to the entrance. In addition, Wutong Mountain North Road's hiking route was relatively safe. Along the way, there were scenic spots such as Phoenix Terrace and Haohanpo Square. Other mountain climbing intersections such as the Taishan Stream Route, the Cloud Road, and the Lingyun Road were also available, but the difficulty was higher. In general, Mount Wutong North Road was a relatively convenient and safe entrance to the mountain.
Introduction to Residence in Fuchun Mountain
There were versions of the painting created by Huang Gongwang of the Yuan Dynasty and Wang Yuanqi of the Qing Dynasty. The Painting of Residence in Fuchun Mountain, created by Huang Gongwang of the Yuan Dynasty in 1350, was an ink painting on paper. It was one of the top ten famous paintings in China. This painting was painted by his junior brother Zheng Chu (Useless Master). When he was creating it, Huang Gongwang traveled all over Fuchun Mountain and took seven years to complete it. The background of the painting was the Fuchun River in Zhejiang Province. The ink was light and elegant. The color of the ink was rich in variation, and the arrangement of mountains and rivers was appropriate. The original painting was drawn on six sheets of paper and then mounted into a 700-centimeter long scroll. Huang Gongwang created it freely. The viewing method of the picture was free and unrestrained, and the angle was ever-changing. The painting had changed hands several times, and the first two sections of the painting were buried with the dead. The first half of the painting,"The Remnant Mountain Painting," is now in the Zhejiang Province Museum, and the second half of the painting,"The Useless Master Scroll," is now in the National Palace Museum in Taiwan. From the content of the picture, different parts have their own characteristics. For example, the first part of the Painting of Remaining Mountains begins with a thick mountain, with round and honest peaks. Huang Gongwang uses his unique "long and hemp" brush technique to express the thick texture of the soil and the misty mountain mist; The second part of the mountain development has a turning point, trees, soil slopes, houses and boats have a sense of desolation; The third part is rich in ink color and spatial changes, and the picture changes from dense to relaxed; The fourth part has the least brush and ink, restoring the original nature; From the fifth to the sixth part, there is a wide white sand, where small boats run side by side, with fishermen as the point scenery. The whole painting was full of beautiful trees and lush vegetation, full of the aura of Jiangnan literati. It reflected the poetry of the hermit wandering in the forest and spring. The special appearance of the Yuan painting and the reform of China landscape painting were completed. The lyricism of the Yuan painting was also fully displayed here. In the Qing Dynasty, Wang Yuanqi had also created the Painting of Residence in Fuchun Mountain, which was painted on paper. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Fuchun Mountain Residence Pictures
The Painting of Residence in Fuchun Mountain
There were many forms of decorative paintings. In terms of material, decorative paintings with Xuan paper cores, such as those priced between $158.00 and $888.00, were made of solid wood. They could choose different size, such as 40* 120 cm high and 120cm wide solid wood frames. The framing method was framed and belonged to the new Chinese style. It could be used for living room, bedroom, study, dining room, commercial places, and other space decorations. There were also hand-embroidered paintings, such as the living room decorative painting of " Residence in Fuchun Mountain " with hand-embroidered Bian embroidery. Bian embroidery was a national intangible cultural heritage and was good at embroidery of ancient masterpieces. This kind of decorative painting was suitable for people who loved retro and traditional culture to decorate the living room. There were also spray painting decorative paintings with crystal porcelain painting techniques. In addition, there was also a blue and white porcelain bracelet with the painting of "Residence in Fuchun Mountain" as the element. It painted the landscape in fine brush strokes in an inch, and the porcelain was transparent and warm. These paintings could satisfy the needs of different groups of people for decoration and cultural appreciation. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Painting of Residence in Fuchun Mountain
There were many painting techniques in the Painting of Residence in Fuchun Mountain. The first was the painting of flat pine trees. In the painting, pine trees were divided into three types according to their shapes: flat pine, straight pine, and masson pine. In Chinese paintings, flat pine trees were more common than straight pine trees. The central part of the painting was a typical flat pine tree. Its pine needles were based on the structure of fan-shaped pine needles. The steps of painting pine trees were similar to other point-leaf trees, but the arrangement of the needle needles had special changes. The second was similar to the lotus leaf painting method. With the main stone vein as the center, the brush extended from top to bottom to both sides, shaped like the veins of the lotus leaf. This method originated from the rainy and humid Jiangnan area. After long-term erosion by the rain, deep and hard soil cracks were formed. The painter captured the characteristics of this natural scenery and thus created a suitable method to express the Jiangnan mountain rocks. The third was the painting method of Long Pima-chapped. This painting method was suitable for mountainous areas with many forests. The brush was lively and easy to stretch, which was more in line with the mountain rocks in the Jiangnan water town area. In the Painting of Living in Fuchun Mountain, this technique contributed greatly to Huang Gongwang's accurate and wonderful capture of the beautiful mountains and rivers along the Fuchun River. This painting was also a classic teaching material for landscape painting. In addition, the painting of mountain peaks is often done with hemp and chapped, clean and neat, free and lively; When painting trees, the brush is old and beautiful near, and the rice dots are used in parallel in the distance. The ink used in the whole picture was elegant, the arrangement of mountains and rivers was appropriate, and the ink color was mixed with dry and wet colors, which was very varied. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!