The Modern Poetry of the Flying Apsaras in Dunhuang
The following are some modern poems about Dunhuang Flying Apsaras: - Yang Yang's "Flying Girl":"Women all fly. When women fly, they don't have bodies. During the breaks of war, the oxen go to plow the fields, and some men go to dig caves. When women are idle, they all fly." This poem started from the perspective of busy and leisure. The Flying Fairy in the poem had no physical body but only spirit, reflecting the people's thinking on the spiritual level when they were free. At the same time, it also revealed the deep meaning behind the social state of some men digging caves in peaceful times (the gap between wars). - There was also "Flying Modern Poetry 1":"When the sea overturns the mulberry fields, a lonely person sits facing the wall, a song flows over his face, the moment the scenery collapses, the most ancient murals strip away the original love, the last reincarnation, someone is watching in a daze, no matter how brilliant the loneliness is, no matter how lonely, no matter how poignant the temptation is, no matter how brilliant the sunset is, it is also the sunset, the hearing is chaotic. Seeing the melodious Dunhuang that outlines the eternal ages, sighing at the sadness surging in the horizon, a bamboo flute that can't be blown to life, a flower that withers, a pipa that can't be played out of a thousand years of resentment, a lifetime of watchfulness that can't be changed back to hurried footsteps, the lyrics of this life will confine history, the depths of the desert are buried by yellow sand, a song that makes people suddenly turn around, just because it's a wound. That's pain, that's a real and illusory dream, we sing, do we still love? Do we still look at each other? Are we still separated? Are we still drunk? Do we still wake up? Who is it? Who is the one who was questioned by a myriad of colorful words and left the sunset scarred…"This poem described the history, culture, and emotions behind the image of the flying celestial of Dunhuang, expressing the complex and deep feelings of the cultural content carried by the flying celestial of Dunhuang. - In addition, there was "Flying Modern Poetry 2":"The day raises its head and sees the sun shining brightly. The night is looking up and gazing at the stars. Thousands of years ago, the sky was just a dream. Thousands of years later, it seems to be flying near us. The fire of hope gradually burns, burning to the magnificent bonfire, burning to the bear's angry roar. The once weak wings are soaked with blood. Although it has not really flown, it has carried the dream to that distant place. This is a story, a very, very long story. The blood, tears, and sweat of the ancestors are its footprints to today. People long for the air of a higher place, long for the scenery of a farther place. The universe is filled with so many tempting mysteries, and we are trying to solve the mystery Planets and rivers carry the desire of human exploration. Many people sing for it with their lives. When the first artificial satellite flies into the sky, when the first rocket arrives in the universe, the poem starts from the concept of flying. It connects the dream of ancient flying with the pursuit of modern human exploration of the universe. From a more macro perspective, it shows the human spirit of constantly pursuing progress and exploring the unknown represented by flying. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Apsaras
Dunhuang Flying Apsaras originated from Dunhuang culture and were an important artistic image in Dunhuang murals. From the point of view of artistic creation, the dance program "Dunhuang·Flying Sky" was adapted from the original dance drama "Dunhuang" arranged by the Central Ballet Troupe. The director Fei Bo went to Dunhuang to collect wind in 2012 and was touched by the watchmen of Dunhuang, and then drew from the story of Dunhuang. There are generations of watchmen in Dunhuang, such as Chang Shuhong, the first president of the Dunhuang Research Institute, who gave up the opportunity to study in France in the 1940s and came to Dunhuang to protect Dunhuang art; Duan Wenjie, the second president, spent half of his life copying more than 300 Dunhuang works; Fan Jinshi, the third president, took root in the desert, carried out grotto archaeological research and innovative management, and built "Digital Dunhuang". The dedication and perseverance of these Dunhuang people became the source of creation, and their stories were condensed into related works. The dance drama "Dunhuang" was revised by the Central Ballet Troupe for 28 drafts and took 7 years to prepare. The main creative team experienced the life of Dunhuang people for 3 months. The dancers used their limbs to pursue the oriental lines. Its picture modeling was based on the real painting environment and situation design of Dunhuang Mogao Grottoes. For example, the "lotus" shape symbolized the spiritual character of Dunhuang people such as noble and clean. The art of flying in Dunhuang had a deep cultural foundation. It was a part of China traditional culture and reflected the aesthetic concept of ancient China art. The flying goddesses in the murals were beautiful, their clothes fluttering, their movements light and elegant, their clothes gorgeous, and their ribbons were agile. Their images were extraordinary and elegant, conveying the freedom and elegance of the spirit, becoming a wonderful symbol in China culture. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Apsaras
The Dunhuang Flying Fairy Portrait was a type of portrait with a unique charm. As an important town on the Silk Road and a holy land of Buddhist culture, Dunhuang's flying image was the most dazzling existence in Dunhuang murals, especially the murals related to the Tang Dynasty. Today, Dunhuang Flying Sky Portrait is very popular. In the photo shoot, it would involve clothing selection, makeup, and other aspects. For example, men would choose suitable clothes to present a feminine style when shooting Dunhuang Flying Flying Pictures. For example, Wang Churan's portrait of the Dunhuang Goddess. She was wearing a pink elegant long dress, holding a lute, her hair tied up high, and her eyes were red. She was so beautiful that she could not be compared to others. During the shooting process, the photographer would instruct the photographer to pose in various poses. Although some poses might make people feel uncomfortable, they could still produce good results. At the same time, there were many places that could create a realistic flying experience for tourists, providing gorgeous clothing and dazzling accessories, allowing people to instantly transform into fairies in murals. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
The Flying Apsaras of Dunhuang
"Dunhuang Flying Apsaras" was a bright pearl in the treasure house of Chinese culture and art. It originated from India and spread to China with Buddhism. It was vividly displayed and developed in Dunhuang. In terms of artistic style, it combined the essence of Indian culture, Western culture, and Central Plains culture. From the Sixteen Kingdoms to the Northern Wei Dynasty, they were deeply influenced by India and the Western Region, and had a strong Western Region style. From the Western Wei Dynasty to the Sui Dynasty, they gradually integrated the cultural elements of the Central Plains, forming a combination of Chinese and Western styles. At the peak of the Tang Dynasty, the images were more vivid and varied, reflecting the open and tolerant cultural atmosphere and prosperous social scene of the Tang Dynasty. The image of the Flying Heavens either soared above the Buddhist altar or floated between the Buddhist caves. It was like a Buddhist messenger conveying the sacred and beautiful meaning. It had both the solemnity and mystery of Buddhism and the elegance and agility of Taoism, showing the unique beauty of cultural integration. Its shape was light and elegant, and it had a myriad of postures. It wore a colorful robe and held a colorful flag or a magical artifact to fly freely in the air. The painter used rich expression techniques and delicate lines to outline the outline of the posture, making the picture full of movement and vitality. In modern art and culture, it also occupied an important position. Many artists and designers drew inspiration from it to create works, inheriting its artistic essence and giving it a new era of meaning and artistic value. At the same time, it was also an important business card for China culture to go global. In addition, there was also a dance program in the 2019 Central Radio and Television Station Spring Festival Gala named after "Dunhuang Flying Sky". The program was adapted from the original dance drama "Dunhuang" arranged by the Central Ballet Troupe. It was starred by Luna, Qiu Yunting, Wang Jiyu, etc. Fei Bo and Wang Qi were the editors and directors. They integrated the experience of the watchmen of Dunhuang into the play, refracted the artistic achievements of Dunhuang and paid tribute to the artists of Dunhuang. It combined silk road culture with the art of ballet. At that time, the evaluation was mixed. There was also a hotel called "Dunhuang Flying Sky" in Dunhuang, located on Mingshan Road, Dunhuang City, Gansu Province. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Flying Apsaras in Dunhuang
Flying Apsaras in Dunhuang were an important part of the art of Dunhuang. From a cultural perspective, Flying Apsaras were the representative of Buddhist art. In the murals of the Mogao Grottoes in Dunhuang, they had beautiful postures and fluttering clothes. Some held lotus flowers, some played pipa, and some danced as if they were flying freely in the clouds. They vividly displayed the beautiful scene of the Buddhist Kingdom of Heaven. At the same time, they were also a symbol of the cultural confidence of the Chinese nation. They contained the Chinese nation's yearning for a better life and the pursuit of freedom. It was the spiritual code of the Chinese nation. From the perspective of artistic integration, Flying Apsaras was the product of the fusion of Eastern and Western cultures. The opening of the Silk Road brought the culture and art of the Western Regions to ancient China, making the image of Flying Apsaras have a distinct exotic style. From the perspective of modern art presentation, taking the dance program "Dunhuang·Flying Sky" in "2019 Central Radio and Television Station Spring Festival Gala" as an example, this dance was performed by Luna, Qiu Yunting, Wang Jiyu, etc., Fei Bo and Wang Qi were the editors, and adapted from the original dance drama "Dunhuang" arranged by the Central Ballet Troupe, combining Dunhuang culture with Western Ballet art, showing unique artistic charm. Although the first combination received mixed reviews, But it was also an innovative presentation of Dunhuang's flying culture. In addition, Liu Yifei's Dunhuang Flying Sky model was drawn from the murals of Mogao Grottoes in Dunhuang. She deeply understood the culture of Dunhuang by consulting historical materials. She strived to restore history and add modern aesthetic elements to the model. Her clothes integrated the style of the Western Regions, and her performance integrated the passion and unrestrained dance of the Western Regions. Through exquisite acting skills, she performed the Dunhuang Flying Sky vividly, reflecting both classical beauty and exotic customs. It is a very good modern interpretation of Dunhuang Flying Sky culture. In the modern aerospace industry, at the Shenzhou 19 manned flight mission ceremony, the honorary president of the Dunhuang Research Institute, Fan Jinshi, participated as the guardian of the " Flying Apsaras ", reflecting the leap from the fantasy of ancient flying culture to the realization of the dream of modern aerospace flying. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Apsaras
Dunhuang Flying Apsaras were one of the symbols of Dunhuang art. In terms of dance, for example, the dance program "Dunhuang·Flying Sky" in "2019 Central Radio and Television Spring Festival Gala" was adapted from the original dance drama "Dunhuang" arranged by the Central Ballet Troupe. Fei Bo, the director, once went to Dunhuang to collect folk songs and was touched by the watchmen of Dunhuang. These watchmen included Mr. Chang Shuhong, Mr. Duan Wenjie, Mr. Fan Jinshi, etc. They dedicated their youth and energy to protect Dunhuang art. The main creative team of the dance drama had gone through many years of preparation and revision. The dancers experienced the life of the Dunhuang people and used their limbs to show the oriental lines, allowing the audience to see the beauty of historical and cultural heritage. This dance program combined thousands of years of Silk Road culture with the art of Ballet. It was a unique dance that combined traditional China art with Western Ballet. Although the evaluation of the first combination was mixed, it was colorful and reflected the brilliant artistic achievements of Dunhuang. It also paid tribute to the artists of Dunhuang. From the perspective of cultural image, Liu Yifei's Dunhuang Flying Apsaras also brought us a lot of inspiration. Her style was inspired by the flying image in Dunhuang murals. Both her clothing and makeup were full of Dunhuang cultural elements. The clothes were colorful and the patterns were exquisite. The makeup was based on classic elements and had a sense of both classical and modern fashion. Her style not only gave people a visual enjoyment, but also caused a lot of discussions about traditional culture and modern aesthetics. On the one hand, some people think that this is a successful cultural innovation, re-interpretation of Dunhuang culture through modern aesthetics, attracting more people to pay attention to and love traditional culture, and stimulating people's desire to understand and learn deeply; On the other hand, some people worry that this is too commercial and entertaining, which may weaken the seriousness and historical sense of Dunhuang culture, making people ignore the profound meaning behind it. However, it was undeniable that this style was a beautiful collision between classical beauty and exotic customs. Her eyes, movements and expressions all showed unique charm, which made a good demonstration in the integration of cross-cultural art, letting people feel the infinite charm and possibility of art. It was also a good presentation and transmission of Dunhuang Feitian culture image in modern society. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
The Flying Apsaras in Dunhuang
The flying murals in Dunhuang are the artistic treasures of the Mogao Grottoes. The Mogao Grottoes were built in the former Qin Dynasty and had been continuously built through many dynasties. They were huge in scale and contained many caves, murals, and clay sculptures. The image of "Flying Apsaras" in Dunhuang Flying Apsaras Murals had experienced a long process of development and evolution. At first, the image of the flying sky originated from the flying god in Indian Buddhism, but when it appeared in China, it was different from the flying god in Indian Buddhism. During the period from the Sixteen Kingdoms to the Northern Wei Dynasty, the flying gods of Dunhuang were deeply influenced by the flying gods of India and the Western Regions. Their images carried a strong foreign cultural atmosphere. The image of the flying gods of Buddhism in this period was probably a human figure with horns and the ability to ride clouds and fog. After being introduced to Dunhuang, they were created as the image of a gentle and beautiful woman who was dancing in the air and tied with long streamers. From the Western Wei Dynasty to the Sui Dynasty, the Dunhuang Flying Apsaras were in the stage of the exchange and integration of Buddhist Heaven and Man and Taoist Feather Man, and the Western Region Flying Apsaras and the Central Plains Flying Immortals. The Sui Dynasty had the largest number of "Flying Apsaras" and the most diverse types. The dynamic description of flying, the changes in limbs and clothing had been greatly improved. During the Tang Dynasty, the Flying Apsaras culture reached its peak, and the image was basically China. The change of line style became the dominant element, and the craftsmen's skills matured, making the image of the Flying Apsaras of this period almost perfect. Although there were modifications in the Xixia and Yuan dynasties, there were no major innovation. Dunhuang Flying Sky Murals had unique artistic features, including natural and agile lines, which were concentrated on the image of Flying Sky, which could show the flying track of the fluttering clothes and the rhythm of music. It had the shape of a weak willow supporting the wind, expressing the beauty of the shape through delicate texture and pen and ink language. The strokes were agile and colorful, and the ribbon enhanced the sense of movement of Flying Sky. At the same time, Dunhuang Flying Apsaras were not only a display of human beauty, but also a symbol of exuberant vitality. They were the product of the combination of romanticism and creative methods, with extremely high aesthetic and artistic taste. Flying Apsaras had missions such as scattering flowers and playing music in the Buddhist Kingdom. For example, some of them held flowers in one hand and scattered them in the other to create a beautiful atmosphere. There were also some who played the pipa, the waist drum, and the empty throat. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Apsaras
Dunhuang Flying Apsaras 2019
In 2019, there were many achievements related to Dunhuang Feitian. In the 2019 CCTV Spring Festival Gala, there was a dance called "Dunhuang·Flying Sky," led by Luna, Qiu Yunting and Wang Jiyu, performed by the Central Ballet Troupe and the Ballet Department of the Beijing Dance Academy. This dance was adapted from the original dance drama "Dunhuang" arranged by the Central Ballet Troupe. It combined thousands of years of silk road culture with the art of Ballet, condensing the experiences of the guards of Dunhuang into the story of the male and female protagonists in the play. By showing their protection and feelings for the Dunhuang murals, it reflected the brilliant artistic achievements of Dunhuang. It had both a sense of history and artistic freedom. However, because it was the first time that it boldly combined China Dunhuang culture with Western Ballet art, At that time, the evaluation was mixed. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Apsaras
Dunhuang flying clothes had distinctive characteristics. From some examples, for example, the woman who ran the entire marathon in Dunhuang Feitian clothing had a two-pound headdress, fixed with more than a dozen hairpins and several steel nails, as well as accessories such as a close-fitting tube top, elegant streamers, hand-held musical instruments, oil-paper umbrellas, etc. The Fairy's skirt could be set to a width of 3 meters, and the excess parts could be cut open. The skirt would be about 1 meter long, and because the mesh was too transparent, it might need a layout of 3 layers, 2 layers, and 3 layers. In terms of children's dance costumes, there were Dunhuang flying costumes that included tops, pants, streamers, mid-brows, waist chains, jewelry and other components. In some artists 'styles, such as the Dunhuang Flying Apsaras chosen by Angelababy, their costumes could perfectly present the cultural style of the ancient Silk Road, while Liu Yifei wore gorgeous flying costumes as if she had passed through the murals, full of fairy air. All of these showed the unique charm of Dunhuang Flying Apsaras. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Apsaras
I don't quite understand the exact meaning of the expression "Dunhuang Flying Apsaras in person". If you want to ask about the real person related to the photos of Dunhuang Flying Apsaras, Liu Yifei has a set of photos of Dunhuang Flying Apsaras that have become popular on the Internet. Her photos are inspired by the images of the flying apsaras in Dunhuang murals. Both her clothing and makeup are full of Dunhuang cultural elements. Her clothing is bright in color and exquisite in pattern. Her makeup draws lessons from the classic elements of Dunhuang murals, which has both classical and modern fashion sense. At the 2024 Lanzhou Marathon, a woman wearing Dunhuang Feitian clothes ran the entire race. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!