Da Wei Ci Pai Ge Lu
The Ci Pai of Da Yi is based on Zhou Bangyan's Ci "Da Yi·Spring Rain" as the formal form. Its meter is 133 words in double tone, with fifteen sentences in the first paragraph and seven rhymes in the last paragraph. Methysm-contrasting example words ("Da Yi·Spring Rain"): Ze Ze Ping, Ping Ze, Zhong Ze Zhong Ping Ze. Ping Ping Ze, Ze Zhong Ping Ze, Zhong Ping Ze. In addition, there are 133 words in double tone, fifteen sentences in the first paragraph with five-tone rhyme and eleven sentences in the second paragraph with seven-tone rhyme, such as the variation represented by Zhou Mi's "Da Yi·You Zi Gui Ti." This is the style of Zhou Ci, except that the sixth sentence in the second paragraph does not rhyme.
Dingfeng wave, ci, pai, ge, lu
"Ding Feng Bo" Ci Pai to Ouyang Jiong's meter as the main body, for the two-tone sixty-two words. The rhythm is five sentences in the first half, with three flat rhymes and two oblique rhymes; The second half is six sentences, with four oblique rhymes and two flat rhymes.
Chu Tianyao Ci Pai Ge
Chu Tianyao was another name for Bu Suanzi. Its word form was as follows: Qi Ze Ping Ping (sentence), Qi Ze Ping Ping Ze (rhyme), Qi Ze Ping Ping Ze Ping (sentence), Qi Ze Ping Ze (rhyme), Qi Ze Ping Ping Ze (sentence), Qi Ze Ping Ze (rhyme), Qi Ze Ping Ze Ping Ze (sentence), Qi Ze Ping Ze (rhyme).
Ye He Hua Ci Pai Ge
There are many kinds of rhythms for the Ci of night lily. The original form is 97 words in double tone, with five flat rhymes in the first ten sentences and six flat rhymes in the last ten sentences. There were also many variations: - Variant 1: Double-tone 100 words, the first 11 sentences have five flat rhymes, and the last 11 sentences have six flat rhymes. - Variant 2: Double-tone 100 words, the first 11 sentences have five flat rhymes, and the last 11 sentences have seven flat rhymes. - Variant 3:100 words in double tone, ten sentences in front and back, five flat rhymes. - Variant 4: Two-tone ninety-nine words, the first eleven sentences have five flat rhymes, and the last eleven sentences have six flat rhymes.
Sheng Zhou Ling Ci Pai Ge Lv
Shengzhou order is the name of Ci, its meter is: Four sections of 215 words, the first section of eleven sentences with seven rhymes, the second section of eleven sentences with six rhymes, the third section of ten sentences with five rhymes, and the fourth section of nine sentences with four rhymes. This word Tongya sound: Shangsheng three talk, twenty-two raise, Qusheng three crimson, twenty-three Yang general.
Tai Chang Yin Qu Pai Ge Lu
There are 49 words and 50 words in the meter. Forty-nine characters: the first four sentences have four flat rhymes, the second five sentences have three flat rhymes, and the first and second sentences are all upper three lower four sentences. The lyrics were as follows: (Ping) Ping (Ze) Ze Ze Ping Ping,(Ze) Ze-Ze Ping Ping. (Ze) Ping (Ping) Ze,(Ze) Ping (Ping) Ze. The 50-character font was the 49-character font A, and the second sentence of the first paragraph was changed to (flat)(flat) Ze-Ze Ping Ping. In the rhythm,(flat) or (Ze) means that the words in the bracket can be used as flat tone words or sound tone words, but the marked words are the positive examples; The words before the double vertical sign are all rhymes, and the rhyme must be Ye Yun. Some words in the ancient words had different pronunciations from the present, so they had to be determined according to the rhyme of the words. It could not be simply suspected that the ancients used them wrongly.
337 Ci Pai Meters
In Song Ci, the 337 form was more common. For example, the style of the Ci poems in " Chang Xiang Si " was more typical. Its format was " Ze Ze Ping, Ze Ze Ping, Ping Ze Ping, Ping Ze Ze Ping." Ze Ping Ping, Ze Ping Ping, Ze Ping Ze Ping, Zhong Ping Zhong Ze Ping ", like Lin Bu's" Wu Shan Qing, Yue Shan Qing, the two sides of the green mountains to send off. How can we bear to part? The king's tears are full, the concubine's tears are full, and the knot of the same heart is not formed. The tide by the river has leveled "followed this format. There was also the last line of Zhang Xian's Fairy of Heaven," The wind is uncertain, people are quiet at first, tomorrow's falling red should fill the path ", and Li Qingzhao's " Parcolin Sky "," Autumn is over, the days are still long, Zhongxuan is more desolate. It's better to get drunk before the branch, don't let the east fence chrysanthemum yellow "also reflected the sentence pattern of 337. In addition, the poem Gui Dian Qiu, the sentence pattern is 3375, 3375, the first and second half of each 18 words, a total of 36 words, the first and second half of each four sentences, with a four-level rhyme, such as "Autumn in the moon." Red banners and green banners descend from the palace. The peaches of immortality have already formed the dew of the Jade Pool, and the laurel seeds have just opened the wind of the Jade Palace."
Shi Zhou Ci Ci Pai Meters
Shizhou cited the rhythm of Ci tablets to He Zhu's "Shizhou Man·Bo Yu Shou Han" as the contrast rhythm, double-tone 102 words, the first paragraph of the four-tone rhyme, the latter paragraph of the five-tone rhyme. There are also other variations, such as double-tone 102 words, the first ten sentences with four tones, the last eleven sentences with five tones, etc.
Echo Music Ci Pai
Echo Music, also known as "Echo Ci", was originally the name of Tang Jiaofang, but later developed into the name of Ci tune. Zhu Rong of the Northern Wei Dynasty once sang "Echo Music" with his left and right hands. The lyrics were lost for a long time, and the tune entered Daqu in the Tang Dynasty. There were two monotonous sentences, both of which had 24 words. The first sentence used the words "Back to Boer". Except for the third sentence, the other sentences were all rhymed. One was flat rhyme, and the other was flat rhyme. His representative works include Li Jingbo's "Echo Music·Wine Cup when Returning to Boer" in Tang Dynasty. According to records, during the Jinglong years, Emperor Zhongzong of Tang Dynasty once visited Xingqing Pool. The banquet attendants raised their drums and sang "Echo Ci." Li Jingbo also danced and wrote lyrics to the matter. "Echo" is a Shangdiao song, which was composed by Emperor Zhongzong of Tang Dynasty. It probably originated from Qushui to drain the wine cup, and later became a dance song."Jiaofang Ji" called it soft dance. In terms of meter, the first meter is monotonous, with twenty-four words, four sentences and three flat rhymes, represented by Li Jingbo's Echo Music·Hui Boer Shi Wine Cup; The second meter is monotonous, with twenty-four words, four sentences and three zonal rhymes, represented by Pei Tan's Echo Music·Hui Boer Shi Kaolao. The atmosphere of the Tang Dynasty began to develop, and there was still the meaning of the ancient Yuefu, which was often not restrained. The existing Tang Ci are all six-character quatrains.
Pipa Immortal Ci Pai
Pipa Immortal was the name of the Ci Pai, which was originally Jiang Baishi's self-tune. Double tone, 100 words. The first film has eleven sentences and four tones, and the second film has eight sentences and four tones. Jiang Kui's "Pipa Immortal·When the Double Oars Come" is a relatively famous Ci under this Ci card. In addition, Yang Kuisheng's Pipa Immortal·Mr. Tao Fuxiang's Liang's Title "Guest Boat Ci Painting" in the Qing Dynasty and Ye Dazhuang's Pipa Immortal·Orange Creek Night Mooring in the Qing Dynasty also adopted this Ci tile.
The Meaning and Name of Ci Pai
The name of a Ci tile was a name for a tune. It had a fixed rhythm and format. Once it was fixed, the rhythm and rhythm of the Ci would also be determined. There were many ways to name Ci tablets. Some of the names had historical allusions. For example, the original name of "Looking at Jiangnan" was Xie Qiuniang, which was written by Li Deyu for the dead prostitute Xie Qiuniang. Later, it was renamed because Bai Juyi's poem had "no memory of Jiangnan". Some of the names were taken from a certain phrase of their predecessors, while others were just elegant terms. In addition, the same format may have several Ci names, which may be due to different names; there are also cases where several forms share a Ci name, which is because they are several variations of the same format. There were a large number of Ci tablets, about 870 (including a few Jin and Yuan Ci tunes), and a total of more than 1,000 Ci forms (these forms were called Ci scores).