Su Shi's good friend Zhang Xian married an 18-year-old concubine at the age of 80. Zhang Xian was very proud of this and wrote a poem. After Su Shi heard this, he wrote a poem to tease his friend. The original poem was: " Eighteen brides and eighty men, grey white hair facing red makeup. A pair of mandarin ducks in the quilt, a pear tree pressing the begonia." From the literal point of view, the first two sentences pointed out the marital status of the old and young couples, forming a sharp contrast between the bride's young beauty and the groom's white hair. In the last two sentences," mandarin ducks are in a pair of nights " hinted at the wedding night, while " a pear tree pressing the begonia " compared the white-haired Zhang Xian to pear blossoms and the young bride to begonia. The word " press " was used in a subtle and humorous way. It not only described the visual relationship between the two, but also hinted at the living conditions of the husband and wife. It presented this special marriage relationship in a euphemistic and playful way. Judging from the rhythmic characteristics, this poem basically met the requirements of the Seven Jue. The first sentence was a typical seven-character quatrain. There were certain rules for the arrangement of the whole poem, and it rhymed with the "ang" rhyme. Lang, Zhuang, and Tang rhymed, making the poem harmonious and pleasant to the ear. Judging from the characteristics of the antithesis, the first two sentences were neat, while the latter two sentences were more for humorous meaning and to create an artistic conception. There was no strict antithesis. This poem had a unique artistic feature and cultural meaning, reflecting the attention and attitude of people towards this kind of marriage phenomenon in the social and cultural background at that time. It became a classic work in the history of literature to ridicule the combination of old men and young wives.
Su Shi has a poem called "The Beauty of the People" presented to the Cloud. At that time, Su Dongpo was banished to Huizhou for the second year. On May 4, 1095, when the Dragon Boat Festival was approaching, he thought of his concubine Chaoyun and made this word to express his blessing and love for her. The first part of the poem described his and Chaoyun's natural body and pure state of mind, such as "The green face is the realm of Vimo." What's the problem with the empty abbot and scattered flowers? Red lips, chopsticks, chopsticks. These words were forever engraved in her heart, expressing her love for Chaoyun for thousands of years. The second chapter reminisced about the good old days and wished Chaoyun good health. The whole poem was written about Su Shi's deep affection for Chaoyun, just as Buddhists treated Sakyamuni. In addition, Su Shi and Chaoyun had a deep relationship. Although Chaoyun was a concubine, she was Su Shi's confidant. Chaoyun met Su Shi when she was 12 years old. Later, Su Shi taught her to read and write. They got along as teachers and students, and their feelings gradually sublimated over time. Chaoyun understood Su Shi and once said that Su Shi was "full of inopportune times", so Su Shi regarded her as his confidant. After Chaoyun's death, Su Shi left a couplet on the pillar of Liuru Pavilion in Huizhou West Lake: "Out of date, only Chaoyun can recognize me; playing the ancient tune alone, thinking of you every evening rain", which shows Su Shi's longing and importance for Chaoyun. " Yun Anlu's Body Sacrifice " is equally exciting. Everyone is welcome to read it!
Su Shi (1037 - 1101) was a famous writer, painter, politician, and poet in the Northern Song Dynasty. He was known as one of the "Four Scholars of Su School". His style of writing was fresh and unconstrained, and his poems were good at expressing personal feelings. He was known as the representative of "Su Shi". His prose covered a wide range of fields, including poetry, prose, calligraphy, painting, and so on. He was known as one of the three immortal figures of literature, history, and philosophy. Zhang Huaimin (about 1040 - 1086) was a politician and calligrapher of the Northern Song Dynasty. His calligraphy style was unique and famous for its emphasis on official script and regular script. His representative works include "Red Cliff Fu,""Nian Nujiao·Red Cliff Memories" and so on. Su Shi and Zhang Huaimin were both famous writers and politicians in the Northern Song Dynasty. Their literary works and calligraphy works had high artistic and historical value, which had a profound impact on the development of Chinese literature and culture.
Shi Zhenxiang was a name that was made fun of by netizens and was rated as one of the funniest names. However, he did not provide Shi Zhenxiang with the exact content of the joke. Therefore, based on the information provided, I am unable to answer this question.
Su Shi died at the age of 65. Su Shi was born in 1036 AD and traveled to the west on a crane in 1101. He was 65 years old. He had experienced many ups and downs in his life, including being demoted to a local official and going to prison. Although his life was full of setbacks, he was still full of love for life and art. His poems and prose were widely spread and had a profound impact on China culture and social development. Su Shi is a giant in the history of China culture. His outstanding achievements and spiritual quality are worth remembering and learning forever.
At the end of the lush forest in the distance, the distant mountains were clearly visible, and the walls behind the green bamboo could be vaguely seen. The cicadas chirped beside the small pond filled with withered grass. From time to time, little white birds flew across the sky, and the red lotus flowers in the pond emitted a delicate fragrance. In the wilderness of the village, beside the ancient city wall, he walked slowly with a cane in his hand. In the blink of an eye, it was already sunset. Last night, the Lord of Heaven poured down a light rain, and today, it can make the wandering people enjoy a day of refreshing. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Su Shi's "Looking at Jiangnan·Transcendental Platform" was written as "Spring is not old, the wind is fine and the willows are slanted." Try to look at the scenery on the detached platform, half of the moat spring water a city of flowers. misty rain darkens thousands of homes. After a cold meal, he sobered up and sighed. Rest to old friends miss the old country, for the time being will be a new fire to test the new tea. Poetry and wine take advantage of time." Chaoran Terrace was located in Zhucheng City, Shandong Province. It was built by Su Shi when he was the prefect of Mizhou in the eighth year of Xining in the Northern Song Dynasty (1075). In this poem, Su Shi expressed his open-minded and detached mind and his attitude of life through the complex changes of the spring scene and his own feelings and expressions. The first part of the poem was about the suburban scenery in late spring when he went on stage, while the second part was about emotion, which was closely related to the scene written in the first part. After the Cold Food Festival, Su Shi sobered up and sighed. Although he missed his hometown and old friends, he advised himself not to immerse himself in it. Instead, he tried new tea with new fire and took advantage of the time to write poems and drink wine, showing a kind of transcendental broad-mindedness.
No, Su Shi and Su Zimei did not have any special relationship other than their surnames. Su Zimei's original name was Su Shunqin. She was a poet and calligrapher of the Northern Song Dynasty. Su Shi, also known as Zizhan and Hezhong, was a famous writer, calligrapher, and painter of the Northern Song Dynasty. He was also known as Su Dongpo and Su Xian. He was one of the Eight Great Masters of the Tang and Song Dynasties and one of the Four Great Masters of the Song Dynasty. He was the main representative of the bold and unconstrained school. The original work was equally exciting. You could click on the original work of " The Story of Rose " to understand the plot in advance!
Su Zimei and Su Shi were not related. Su Zimei was Su Shunqin, the grandson of Su Yijian, a minister of the Northern Song Dynasty. He supported Fan Zhongyan's reform of the Qing calendar and advocated the ancient prose movement. He was good at writing poetry and was called "Su Mei" together with Mei Yaochen, the founder of the Song Dynasty. He wrote the "Su Scholar's Collection", the 16 volumes of "Su Shunqin Collection", and the "Four Series". Su Shi was a writer of the Northern Song Dynasty, one of the Eight Great Masters of the Tang and Song Dynasties. His poems had a wide range of topics, fresh and vigorous, and he was good at exaggerating metaphor. He was called Su Huang along with Huang Tingjian. His Ci was bold and unconstrained, and he was called Su Xin along with Xin Qiji. His works included Seven Collections of Dongpo, Yi Zhuan of Dongpo, Dongpo Yuefu, Bamboo and Stone Painting of Xiaoxiang, and Strange Stone Painting of Dead Wood. The original work was equally exciting. You could click on the original work of " The Story of Rose " to understand the plot in advance!
Su Shi was a Song Dynasty writer and gourmet who loved perch. Bass was mentioned many times in his works, such as "Don't say that you know the opportunity early, even if you are a bass, you are also a sage" in "Three Portraits of the Three Sages of Wujiang", and "There are more bass that can be cut into pieces, and children don't teach them" in "Crow Cry at Night." Bass slices were not only delicious raw fish in poems, but also often used as a synonym for distant hometown. This usage originated from the allusion of Zhang Han, a famous scholar in Wu, who resigned and returned to his hometown. He missed the vegetables, water shield soup and sea bass slices in Wu because of the autumn wind and sighed with emotion,"Life is precious to suit one's ambition. How can you be an official for thousands of miles to get a title?" Then he drove back to his hometown, making water shield soup and sea bass slices become a classic nostalgic word. In addition, the Songjiang Bass had been loved by people since ancient times. Su Shi had also described the Songjiang Bass in his "Ode to the Red Cliff." The novel " Watching the Moon on Fish Island " is equally exciting. Everyone is welcome to click and read it!
At present, he only obtained a translation of Su Shi's "Bodhisattva Man Palindromic": The original text: "Qiao Nanjiang shallow red plum small, Xiaomei red shallow Jiangnan Qiao." Peeping at me to the sparse fence, the sparse fence peeping at me. The old man came as soon as he walked, and the old man came as soon as he walked. Parting is a pity for the broken branches, and the broken branches are a pity for parting." The red plum blossoms bloomed in the shallow river in the south of the mountain. The light red plum blossoms bloomed on the mountains in the south of the Yangtze River. Hongmei peeked at me leaning against the sparse fence. Hongmei looked at me through the cracks in the fence. The South Pole's Canopus was about to arrive, and when it arrived, it would be the end of its life. When we leave, we exhorted to cherish the remaining years. When the red plum blossoms wither, we will be attached to the friendship when we leave. As only the translation of this poem was retrieved, the complete translation of Su Shi's four poems "Bodhisattva Man" could not be provided.