The Sunset Style and the Banana Leaf Style each had their own characteristics. It was difficult to judge which was better. The Sunset Style was the style of the literati. The two sides of the qin were symmetrical wavy curves. Its shape was inspired by the ancient literati who watched the changes of the sunset. The shape was very romantic. The banana leaf style was shaped like a banana leaf. The head of the zither had no palm but a handle. The bottom of the zither was shaped like the stem of a banana leaf. The shape was exquisite and beautiful, and the sound of the zither was round and elegant. However, the banana leaf style was extremely difficult to cut, and it took about three times the time of other types of guqin. Moreover, many banana leaf guqin did not have a good tone due to their shape, so they needed to weigh the choice between style and tone. If one paid attention to the uniqueness of the appearance and romantic style, and pursued a poetic style, the sunset style might be a good choice; if one paid more attention to the beauty of the style and could accept the possible tone problems, or if one was obsessed with appearance, one might prefer the banana leaf style. At the same time, if he were to prioritize the tone, he would need to test each of the Sunset Style and Banana Leaf Style Guqin to make a more accurate judgment. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
The Sunset Style was the style of the literati. The body of the qin was wavy, with symmetrical wavy curves on both sides. Its shape originated from the inspiration of ancient literati after watching the sunset. The sound was powerful and loud, suitable for expressing grand and bold music. The Banana Leaf Style was also the style of the literati. The body of the qin was shaped like banana leaves. The head of the qin did not have a duck palm but a stalk. The stem at the bottom of the qin had a long shallow groove. The shape was beautiful and elegant, and the sound of the qin was round and elegant. However, it was difficult to make. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
There were many ways to name a banana leaf zither. You can get inspiration from the following categories: - [Poem Name: Choose words that contain deep meaning from the Book of Songs and ancient poems.] For example, it was obtained from poems that expressed tranquility and elegance. For example, the "wild goose guide" in "wild goose guide sorrow, mountain mouth good moon" was very poetic. - ** The name of the zither ** was based on the characteristics of the banana leaf zither itself, such as the color and texture of the zither. For example, if the body of the zither had a unique texture, like a certain pattern or scene, it could be named accordingly. If the color of the zither was unique, it could also be named accordingly. - ** Name it with interest or cuteness **: Give it some unique and interesting names, such as " Banana Wolf ", which is a combination of the word " banana " of the banana leaf zither, and give it an interesting name. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
There were different views on the origin of the banana leaf zither. One view was that the banana leaf piano style began with Liu Bowen. The pattern of banana leaf piano first appeared in Yang Lun's "Qin Music Collection" and Wang Shanwu's "Yue Xian Qin Music Collection", and was clearly recorded as "Liu Bowen's style". However, according to the existing literature records, the invention of banana leaf piano should be in the middle and late Ming Dynasty later than Liu Bowen. Another point of view was that the banana leaf qin was first made by Zhu Gongwang, a famous zither craftsman in the middle of the Ming Dynasty. Gao Lian had detailed records in "Zunsheng Eight Notes: The Distinguishment of Guqin and New Qin", which mentioned that the banana leaf qin style was created by Zhu Gongwang. Gao Lian himself owned a banana leaf qin made by Zhu. He lived in a similar age to Zhu Gongwang, so his records should be more credible. Tu Long's "Qin Notes" also clearly recorded that the banana leaf qin was made by Zhu Gongwang (known as Seagull). In the middle and late Ming Dynasty, the handicraft industry and economic and cultural level were highly developed, and many new piano styles appeared. Zhu Gongwang was a famous piano master, and the saying that the banana leaf piano was created by him was closer to historical facts. The records of the banana leaf zither appeared in the late Ming Dynasty, and there were no records of the banana leaf style before the Ming Dynasty. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
A banana leaf caricature often has exaggerated lines and shapes to emphasize the unique texture and form of the leaf. The colors might be bold and vivid to draw attention.
Shanhua Banana Leaf was the author of 'The Emperor of the Myriad Realms'.
The author of the Myriad Realms Emperor was Mountain Flower Banana Leaf.
The author of the Myriad Realms Emperor was Mountain Flower Banana Leaf.
The seven-stringed zither of the sunset style "Colorful Phoenix Mingqi" was made in the second year of Kaiyuan of Tang Dynasty (714). It was made by Sichuan Leiwei and is now stored in Zhejiang Province. The length of this zither was 124.8 cm, the width of the forehead was 16.3 cm, the width of the shoulders was 18.8 cm, and the width of the tail was 12.5 cm. The thickness of the thickest part between the shoulders was 5.4 cm. The design was simple and elegant, and there were ice cracks and small water cracks on the back. The name of the zither was inscribed above the dragon pond, and the words "Made by Lei Wei in the second year of Kaiyuan of the Tang Dynasty" were inscribed in the abdominal cavity of the dragon pond. It used to be the first zither of the "Heng Xing Tang" in Prince Ding's Mansion, and also the first zither of the "Ban Bai Qin Zhai" of Yang Zongji from Jiuyi Mountain. It was recorded in the "Qin Study Series" and was praised as the "Thunder Zither of the Tang Dynasty, the Nine Thunder in Shu". It had an extraordinary status in the zither world of the Republic of China and was a peerless product that the experts of the zither world had been painstakingly pursuing. Although it had gone through many vicissitudes, it could still play pleasant music. The sound quality was excellent and extremely infectious. It had the best sound quality among the existing Tang zither. Yang Zongji's evaluation of its sound quality was "one or two strings like a bell, six or seven strings like a golden chime, four strings and five emblems like a Jie drum". There were no more than 20 pieces of Tang zither that were handed down from generation to generation. The zither made by Lei Wei was especially precious, and this zither had distinctive Lei's characteristics. After a thousand years, its tone was still mellow. Its sound quality was far ahead of the famous zither of the Tang and Song Dynasties. It was a priceless national treasure. Legend has it that Xuanzong once granted Lei Wei the title of a zither. Lei Wei cut the zither and presented it to Emperor Xuanzong. Later, Xuanzong gave it to Yang Guifei. After the An Lushan Rebellion, it was displaced and spread to the people. After the founding of the People's Republic of China, it was donated to the country and became the treasure of the Zhejiang Province. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!