Touching the fish Xin Qiji ppt class

Answer 1

The following is a PPM content framework for Xin Qiji's 'Touching the Fish:

** Slide1: Title Page **
- Title: Appreciation of Xin Qiji's Touching the Fish

** Slide2: Author Introduction **
- Xin Qiji, originally known as Tanfu, later changed his name to Youan. After his middle age, he was nicknamed Jiaxuan Jushi. He was born in Licheng, Jinan, Song Dynasty (now Jinan, Shandong Province).
- His life could be roughly divided into four periods:
- The first episode (1140 - 1162) was the period of the fall and uprising, where the young hero captured Zhang Anguo alive.
- The second period (1162 - 1181) was the early period of the southern expedition. He presented "Ten Remarks on Beautiful Celery" and "Nine Remarks" and put forward the strategy of resisting the Jin Dynasty. However, he was transferred to various places. It was difficult to display his literary skills and martial arts strategy and great ambition. He wrote poems to express his feelings and initially formed a heroic and solemn style of poetry.
- In the third period (1181 - 1203), he was often slandered and hated when he lived in a lake and a spring. This was the harvest period of his creation. In addition to expressing his lofty aspirations, he also added depression and depression.
- The fourth period (1203 - 1207) rose again in his later years and participated in the Northern Expedition. Although he had no intention of official career, he still resolutely left the mountain at the age of 68.

** Slide3: Creation background of "Catching Fish"**
- Chunxi Jihai (1179), Xin Qiji moved from Hubei to Hunan. His colleague Wang Zhengzhi set up a small mountain pavilion to drink wine. Xin Qiji wrote "Touching Fish" here.

** Slide4: The Original Text of "Touching the Fish" and the Appreciation of the First Part **
- The original text: more able to eliminate, a few wind and rain, in a hurry to return to spring. Spring is long, afraid of flowers blooming early, not to mention countless red leaves. Spring and stay, see Tao, Tianya Fangcao no way back. Resentful Spring said nothing. Only solicitous, painted eaves spider web, all day to provoke wind catkins.
- Appreciation:
- At the beginning of the book, it was written,"More able to dissipate, a few storms, and spring returns in a hurry." Spring could not withstand the wind and rain and returned in a hurry, setting a sad tone.
- "Cherishing spring is afraid that flowers will bloom early, let alone countless red leaves." It was written that those who cherished spring were afraid that flowers would bloom early and fall early, let alone the sadness of countless red leaves in late spring.
- "Spring and stay, see the saying, there is no way back to the end of the world." The poet retained spring and used the fragrant grass to block the way back, implying that spring was difficult to stay and people were difficult to return.
- "Resentful Spring is silent. Spring does not care about retaining, only the spider web is retaining the flying catkins of late spring, symbolizing that beautiful things are difficult to retain.

** Slide5: Appreciation of the second part of "Touching the Fish"**
- The original text: Changmen things, must be prepared for the wedding date and wrong. her crescent eyebrows were once envied. Even if thousands of gold to buy a face like Fu, who can complain about this feeling? Don't dance, don't you see, jade ring and swallow are all dust! Carefree sorrow is the most bitter! Don't go and lean on the dangerous railing. The setting sun is right, and the smoke and willows are heartbroken.
- Appreciation:
- In the second half of the poem, the allusion to Empress Chen's fall from favor during the reign of Emperor Wu of the Han Dynasty was used. her crescent eyebrows were once envied. With thousands of gold, even if you buy a poem like Xiangru Fu, who can complain about this feeling? It was borrowed from Empress Chen's fall from grace and imprisonment in Changmen Palace. Although she bought a poem like Xiangru Fu, it was still difficult to complain about her deep feelings and expressed the pain of the poet's ambition not being understood.
- "Jun Mo Wu, don't you see? Jade Rings and Flying Sparrows are all dust." He warned those who had gained power not to get carried away.
- "Carefree worries are the most bitter! Don't lean on the dangerous railing, the setting sun is right, where the smoke and willows are heartbroken. Carefree sorrow is the most bitter, and the scene of the setting sun and the smoke and willows add to the sorrow and worry about the fate of the country.

** slide 6: theme and artistic features **
- [Title: On the surface, it is the emotional pain of a beauty's sadness and jealousy. In fact, it is to express the author's resentment and concern for the fate of the country. He uses things to compare with the past to hurt the present. He combines the sadness of his life experience with the pain of his country.]
- The artistic features of the whole poem are: the mood is sad and tactful, gentle and resentful, depressed and frustrated, sad and resentful, which is not comparable to ordinary Yingying and Yanyan's poems.

** Slide7: Wrap-up **
- This paper reviews Xin Qiji's "Touching the Fish" in terms of its creative background, content, theme, and artistic features, emphasizing its representation in Xin Qiji's works and its unique value in China classical poetry.

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