Zhonglu Putian Le West Lake
"Zhonglu·Putian Music·West Lake is the work of Zhang Kejiu, a writer of Yuan Dynasty." This song depicted the beautiful scenery of West Lake in Hangzhou at dusk and on a moonlit night. It was a combination of realistic descriptions and strange imaginations, with some transformations in space and time. The scenery of the West Lake depicted in the song was like a fairyland on earth, such as the Pearl Palace and Penglai Cave. In the shadow of the green pine, in the fragrance of the red lotus, the scenery of the West Lake was connected to the fairyland. " The clouds are heavy, and the galaxy is frozen." It described the clouds and colorful clouds in the sky as if they were woven by the Weaver Girl, and the galaxy seemed to be frozen. " Ethereal beauties flying in pairs, purple Xiao and the cold moon filling the sky " added a kind of ethereal beauty. In the end," The evening breeze, the water caltrop song, the fishing fire in the west and east " showed the lively scene of West Lake. The whole song was full of imagination and novel metaphor, making the night scene of West Lake more charming and moving.
Zhonglu Putian Le Xishan Sunset
[Zhonglu] Putian Music·Xishan Sunset] was a Sanqu composed by Xu Zaisi, a writer of Yuan Dynasty. The whole song depicted the scene of the autumn sunset in the western mountains. It basically used neat couplets, one sentence for one scene. There was movement and stillness, and the distance was alternated. According to the passage of time and the change of location, it presented the beautiful mountains, rivers, and vegetation under the sunset in a panoramic manner. The song first described the scene of the evening clouds gradually closing and the setting sun hanging. Then it showed the maple leaves dyed red by the autumn frost and the snow-white reeds on both sides of the river. There were also pictures of gulls and herons resting and cattle and sheep returning to their herds. " Painting of a vast expanse of rippling light, Crystal Palace soaked in red clouds " depicted a wonderful scene of a vast expanse of rippling light like a natural painting, and the red clouds reflected in the water, soaking the crystal palace-like clear river water into red. In the end, through " the setting sun, the old trees, and the crows 'backs," he outlined the faint evening mist that enveloped the mountains and rivers. The afterglow of the setting sun moved among the old trees, and the crows flew into the distance with the setting sun on their backs.
Translated by Zhonglu Putian Le Biehuai
Old friends gradually drifted apart, and sad emotions quietly grew. Sorrow was like a faint cloud, and the distance of parting was endless. The cry of a white goose brought a chill, and the few green mountains seemed small in his field of vision. Who could know the desolation in his eyes? She could only write her feelings all over the banana leaves. Under the bright moon came the sound of the flute, the setting sun reflected the fine grass, and the receding tide was on the bank of the sandbar.
Zhonglu Putian Music
Zhonglu Putian Music is the name of the tune. The Northern Song belongs to the Zhonglu Palace, and the Southern Song belongs to the Zhenggong Palace. It can be used in Zaju, Sanqu and Xiaoling. The fixed format was eleven sentences and forty-six words. The basic sentence patterns were: three, three, four, four, three, three, seven, seven, four, with three rhymes and three flat rhymes. Many Yuan Dynasty authors had created related works, such as Zhang Kejiu's Pu Tian Le·West Lake, Xu Zaisi's Pu Tian Le·Rainbow and Night Moon, etc. The works of different authors had different theme and emotional expression. Some expressed their disgust for officialdom and yearned for a secluded life, some expressed their sadness of separation, and some described natural scenery.
Zhonglu Putian Yue Autumn Scenery
It was not clear which work it was called "Zhonglu·Putian Le·Autumn Scenery". If it was "Zhonglu·Putian Le·Autumn Scenery" written by idle clouds and wild cranes in the Yuan Dynasty, the song depicted the sound of wild geese, the sound of cockroaches, the blooming of maples and chrysanthemums, the flying of green water and reeds, the yellow and yellow vegetation but the charming scenery, as well as the autumn wind in the calm lake, the fishing boat returning late, the sunset, the tired birds and other autumn scenery elements. Through these descriptions, a poetic picture of autumn scenery was sketched out, expressing the feeling of intoxication towards the autumn scenery. If it was any other work of " Zhonglu·Putianle·Autumn Scenery ", due to the lack of clear information, it was impossible to answer in detail.
Zhonglu Putian Music Chants the World
Zhong Lu·Pu Tian Yue·Yong Shi is one of the representative works of Zhang Mingshan, a Sanqu artist in Yuan Dynasty. The first six lines of this song were divided into flowers and moons in the form of antithesis, such as "Luoyang flowers, Liang Yuan moon, good flowers must be bought, bright moon must be on credit." The flowers leaned against the railing and watched the rotten trees bloom. The moon once asked the wine for the reunion night. It depicted the beautiful scene of appreciating the flowers and the moon in Luoyang. It was a happy scene. Then, he changed the tip of his pen."The moon has its waxing and waning, and the flowers have their withering and blooming. I think parting is the most bitter thing in life." Comparing the waning and waning of the moon, the withering and blooming of flowers, and the parting of people, he came to the feeling that the most bitter thing in life is parting. The last three sentences,"Flowers wither and spring is near, the moon is missing and the mid-autumn festival is coming, when will people come back?", further used the words "flowers will bloom again when they fall, and the moon will be round again when it is missing" to set off the difficulty of people returning. Not only was the text exquisite, but it also contained philosophy and was worth chewing on.
Zhonglu Putian Yue Yao Sui
Yao Sui's "Zhonglu·Putian Music" was a small order. It was written with the words "Autumn in Zhejiang, Night in Wushan" when he was parting with his friends in Hangzhou. The opening scene of this song was lyrical. The poet's sorrow of parting was like the undulating waves of Qiantang River and the peaks of Mount Wu. The wild geese flew over, the hibiscus withered, and the reading house under the cold rain and green lamp. These scenes all set off the poet's painful mood. At the same time, he used elements such as wild geese chirping, hibiscus withering, drizzling autumn rain, green lamps, and bookhouses to express the poet's sorrow and hatred. In the end, he ended it with a broad-minded statement, showing his deep and strong feelings for his friend. The language of the whole song was fresh, the style was graceful, and the antithesis and metaphor techniques were used precisely and naturally, giving people a sense of beauty that was elegant, beautiful, dignified and calm. At that time, it was already very popular. The Central Plains Rhyme had a high evaluation of it, saying that it was "good at making language, temperament, antithesis, and even tone."
Zhonglu Putian Music Metre Pingze
Zhonglu·Putian Music Xiaoling is used concurrently, and its music score and meter are: Ze Ping Ping, Ping Ping A (rhyme).× Ping × Ze, × Ze Ping (rhyme).× Ze Ping, Ping Ze (rhyme).× Ze Ping Ping A (rhyme), Ze Ping Ping, × Ze Ping Ping (rhyme).×× Ze Ping (top), × Ping ××, × Ze Ping Ping (rhyme). Among them,"A" should go up.
Zhonglu Putian Yue Qiuhuai read the answer
(1) The song portrays the image of a frustrated person who is busy with fame until his hair turns white and he is old, but he is always depressed and unable to display his ambition. (2) Techniques of expression and appreciation are as follows: - Borrowing scenes to express emotions, blending emotions and scenes: "West Wind Post Horse, Setting Moon Book Lamp" wrote about autumn scenery, which was very general, indicating that he was busy all year round but had no results. The description of the scenery rendered a desolate atmosphere, setting off the sad embrace of the protagonist. - The real and the false: "West Wind Horse, Setting Moon Book Lamp" actually described the autumn scenery,"The Blue Sky Shu Road is Difficult" used Li Bai's poem to describe the difficult road to fame as a false pen. These few lines were a mixture of reality and falsehood, describing the author's bitter situation of toil, loneliness, and unappreciated. - The proverb says,"Fishing the Ziling, thinking of the spring and the eagle." Yan Ziling and Zhang Jiying were both famous 'wise men' in history. Compared to them, the author was passionate about fame but was frustrated. He felt that he was very ridiculous.
I want to compare West Lake to West Lake
" If you want to compare West Lake to West Lake, light makeup and heavy makeup are always suitable." This poem came from Su Shi, a poet of the Song Dynasty. This poem used the beauty of Xi Shi as a metaphor for the beauty of West Lake, expressing the poet's praise and nostalgia for the beauty of West Lake. Through metaphor, the poet described the different scenery of West Lake on sunny days and rainy days, giving West Lake a lively vitality. This poem became one of the classic poems describing the beauty of West Lake.
West Lake
Hangzhou West Lake was a freshwater lake located in the western part of the West Lake District of Hangzhou City, Zhejiang Province, China. The surface area of the lake was 6.38 square kilometers, and the surrounding protected area was 35.64 square kilometers. It was the main ornamental freshwater lake in China. Hangzhou West Lake Scenic Area could be divided into Lake District, Huxin District, Beishan District, Nanshan District, and Qiantang District, with a total area of 59.04 square kilometers. It had a humid sub-tropical climate, and the terrain in the scenic area was mainly lakes, mountains, and hills. In ancient times, West Lake was a shallow bay connected to the Qiantang River. Later, it was silted up by silt and became a lake. Since the Sui and Tang Dynasties, it had been built as an important water conservancy project. For example, in the Tang Dynasty, Li Mi used the method of "opening the Yin Dou" to guide the water of the West Lake into the city; in the Song Dynasty, Su Shi dredged the West Lake and built the "Su Di"; in the Ming Dynasty, Yang Mengying widened the Su Di and built the "Yang Gong Di"; in the Qing Dynasty, Li Wei dredged the lake road and built the stone weir. The core of the scenic area, West Lake, was separated by Gushan, Baidi, Sudi, and Yanggong Dike. It was divided into five water surfaces, namely Outer West Lake, Xili Lake, Beili Lake, Small South Lake, and Yue Lake. In the middle of the lake, there were three artificial islands, namely Small Yingzhou, Huxin Pavilion, and Ruangong Dun. Together with the Leifeng Pagoda of Xizhao Mountain and the Baoyi Pagoda of Baoshi Mountain, it formed the basic pattern of "two pagodas, three islands, three dikes, and five lakes". The main scenic spots were "Ten Sceneries of West Lake"(Broken Bridge Remnant Snow, Willow Waves Smelling Orioles, Nanping Evening Bell, Leifeng Sunset, Huagang Watching Fish, Three Pools Mirrors the Moon, Su Cavern Spring Dawn, Quyuan Wind Lotus, Double Peaks Piercing Clouds, Pinghu Autumn Moon),"Ten Sceneries of New West Lake" and "Three Remarks·Ten Sceneries of West Lake". In addition, there was also a deep history and culture here. Many scholars had left behind a large number of poems describing West Lake. There were also myths and legends about Ji Gong, Xu Xian, White Lady, Li Huiniang, and so on. There were also some related places around, such as the Hangzhou West Lake Museum, which was located at 89 Nanshan Road, Uptown, Hangzhou City, Zhejiang Province. It was China's first lake museum, integrating multiple functions. There were many collections in the museum, and it had been evaluated as a national first-class museum.