Song of Everlasting Regret, Confession Poem
In the Song of Everlasting Sorrow, there was a confession poem: "In the sky, I wish to be lovebirds, on the ground, I wish to be connected branches." There was a poem that said,"The world is eternal, but there is no end to this hatred." These poems expressed the loyalty to love and the deep attachment to the lover. Even if there was an end to the world, this love would never be cut off. There was also the poem,"Looking back and smiling, the beauty of the six palaces is colorless." By describing the beauty of the lover, it indirectly expressed the love for the lover. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Is the Song of Everlasting Regret an ironic poem?
There was a debate about whether Song of Everlasting Sorrow was an ironic poem. One view was that the Song of Everlasting Sorrow was an ironic poem. In the poem, there were words like "The Emperor of the Han Dynasty is obsessed with beauty,""The spring night is short, and the sun rises high. From then on, the king does not go to court early,""Sisters and brothers are all in the land, and the poor glory is born in the door." There was an obvious irony in his words, criticizing Li Longji for indulging in sensuality and reflecting the influence of the king's preferences on the fate of the people. However, there was also a view that the Song of Everlasting Regret was not an ironic poem. From Bai Juyi's own evaluation of the Song of Everlasting Regret, he lamented in the Nine Books to Yuan that "The poems of today's servants are loved by people, but they are nothing more than miscellaneous poems and the Song of Everlasting Regret." What the times value is what I despise. As for the satirist, the meaning is excited and the words are simple; The leisurely person is insipid and pedantic. It was clear that in his mind,"Song of Everlasting Regret" was not an ironic poem. From the analysis of the narrative structure," Song of Everlasting Sorrow " had love as the theme and could be divided into three parts. The overall story of Li Yang's love story could also show that this was not an ironic poem. In addition, there was also the theory of double theme. On the one hand, this poem satirized Li Yang's debauchery, and on the other hand, it sympathized with his true love. However, there were also opinions that satirize could not be one of the so-called "double theme." The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
The irony in the poem of the Song of Everlasting Regret is that
In the Song of Everlasting Sorrow, all the discussions about how Emperor Xuanzong doted on Concubine Yang were basically sarcastic. Most of them were in the first paragraph of the poem, such as," The Emperor of Han valued beauty and wanted to destroy the country. He couldn't find a royal house for many years. The Yang family had a daughter who had just grown up and was raised in a boudoir. No one knew her. A natural beauty is hard to give up, and once she is chosen to be beside the king. Looking back at her, she smiled and gave birth to a hundred beauties. The six palaces had no color. In the cold spring, he was given a bath in Huaqing Pool, and the hot spring water flowed smoothly to wash the coagulated fat. The servant helped her up, but she was too weak to do so. This was the time when she had just received grace. Cloud hair, flowers, gold steps shake, hibiscus tent warm spring night. Spring nights are short and the sun rises high. From then on, kings don't go to court early. There is no leisure time to entertain guests, spring from spring outing night to night. There were 3,000 beauties in the harem, and 3,000 people were doted on. In the golden house she make-up into a delicate servant at night, in the jade tower banquet drunk and spring. Sisters and brothers are listed in the land, and the poor glory is born in the door. Therefore, the hearts of parents in the world are not born again, but born again. Li Palace high into the blue clouds, fairy music blowing everywhere. Slow singing and slow dancing, the emperor can't see enough "and other poems described the behavior of Emperor Xuanzong of the Tang Dynasty, which was ironic. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Is the Song of Everlasting Regret an ironic poem or a sentimental poem?
The theme of the Song of Everlasting Sorrow was satirical, eulogizing, and double-themed. From the perspective of irony, the poem exposed the dissolute and shameless life of the ruling class, and satirized the muddle-headed behavior of Emperor Xuanzong of Tang Dynasty. From the perspective of sadness, it described the love tragedy between Emperor Xuanzong of Tang Dynasty and Yang Guifei from acquaintance, love to missing, especially the death of Yang Yuhuan, which showed the destruction of beauty. This love tragedy also carried sentimental emotions. However, when Bai Juyi divided his poems into four categories: satirical poems, leisure poems, sentimental poems, and miscellaneous poems, he did not clearly classify "Song of Everlasting Sorrow" into satirical poems or sentimental poems. Therefore, it was difficult to simply determine whether "Song of Everlasting Sorrow" was an satirical poem or a sentimental poem. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret, the Pinyin of the entire poem
hànhuángzhòngsèsīqīngguó， yùyǔduōniánqiúbùdé。 yángjiāyǒunǚchūzhǎngchéng， yǎngzàishēnguīrénwèishí。 tiānshēnglìzhìnánzìqì， yìzhāoxuǎnzàijūnwángcè。 huímóuyíxiàobǎimèishēng， liùgōngfěndàiwúyánsè。 chūnháncìyùhuáqīngchí， wēnquánshuǐhuáxǐníngzhī。 shìérfúqǐjiāowúlì， shǐshìxīnchéngēnzéshí。 yúnbìnhuāyánjīnbùyáo， fúróngzhàngnuǎndùchūnxiāo。 chūnxiāokǔduǎnrìgāoqǐ， cóngcǐjūnwángbùzǎocháo。 chénghuānshìyànwúxiánxiá， chūncóngchūnyóuyèzhuānyè。 hòugōngjiālìsānqiānrén， sānqiānchǒngàizàiyìshēn。 jīnwūzhuāngchéngjiāoshìyè， yùlóuyànbàzuìhéchūn。 zǐmèidìxiōngjiēliètǔ， kěliánguāngcǎishēngménhù。 suìlìngtiānxiàfùmǔxīn， búzhòngshēngnánzhòngshēngnǚ。 lígōnggāochùrùqīngyún， xiānyuèfēngpiāochùchùwén。 huǎngēmànwǔníngsīzhú， jìnrìjūnwángkànbùzú。 yúyángpígǔdòngdìlái， jīngpòníchángyǔyīqǔ。 jiǔchóngchéngquèyānchénshēng， qiānshèngwànjìxīnánxíng。 cuìhuáyáoyáoxíngfùzhǐ， xīchūdūménbǎiyúlǐ。 liùjūnbùfāwúnàihé， wǎnzhuǎnéméimǎqiánsǐ。 huādiànwěidìwúrénshōu， cuìqiàojīnquèyùsāotóu。 jūnwángyǎnmiànjiùbùdé， huíkànxuèlèixiānghéliú。 huángēmànwǔfēngxiāosuǒ， yúnzhàn yíngyūdēngjiàngé。 éméishānxiàshǎorénxíng， jīngqíwúguāngrìsèbó。 shǔjiāngshuǐbìshǔshānqīng， shèngzhǔzhāozhāomùmùqíng。 xínggōngjiànyuèshāngxīn sè， yèyǔwénlíngchángduànshēng。 tiānxuándìzhuǎnhuílóngyù， zhìcǐchóuchúbùnéngqù。 mǎwéipōxiànítǔzhōng， bùjiàn yùyánkōngsǐchù。 jūnchénxiānggùjìnzhānyī， dōngwàngdūménxìnmǎguī。 guīláichíyuànjiēyījiù， tàiyèfúróngwèiyāngliǔ。 fúróngrúmiànliǔrúméi， duìcǐrúhébùlèichuí。 chūnfēngtáolǐhuākāirì， qiūyǔwútóngyèluòshí。 xīgōngnánnèiduōqiūcǎo， luòyèmǎnjiēhóngbùsǎo。 líyuándìzǐbáifàxīn， jiāofángājiānqīngé lǎo。 xīdiànyíngfēisīqiǎorán， gūdēngtiāojìnwèichéngmián。 chíchízhōnggǔchūchángyè， gěnggěngxīnghéyùshǔtiān。 yuānyāngwǎlěngshuānghuázhòng， fěicuìqīnhánshuíyǔgòng。 yōuyōushēngsǐbiéjīngnián， húnpòbùcéngláirùmèng。 línqióngdàoshìhóngdōukè， néngyǐjīngchéngzhìhúnpò。 wéigǎnjūnwángzhǎnzhuǎnsī， suìjiāofāngshìyīnqínmì。 páikōngyùqìbēnrúdiàn， shēngtiānrùdìqiúzhībiàn。 shàngqióngbìluòxiàhuángquán， liǎngchùmángmángjiēbùjiàn。 hūwénhǎishàngyǒuxiānshān， shānzàixūwúpiāomiǎojiān。 lóugélínglóngwǔyúnqǐ， qízhōngchuòyuēduōxiānzǐ。 zhōngyǒuyīrénzìtàizhēn， xuěfūhuāmàocēncīshì。 jīnquèxīxiāngkòuyùjiōng， zhuǎnjiàoxiǎoyùbàoshuāngchéng。 wéndàohànjiātīanzǐshǐ， jiǔhuázhànglǐmènghúnjīng。 lǎnyītuīzhěnpáihuái， zhūbóyínpíngyǐlǐkāi。 yúnjìbànpiānxīnshuìjiào， huāguānbùzhěngxiàtánglái。 fēngchuīxiānmèipiāopiāojǔ， yóusìníchángyǔyīwǔ。 yùróngjìmòlèilángān， líhuāyīzhīchūndàiyǔ。 hánqíngníngdìxièjūnwáng， yībiéyīnróngliǎngmiáománg。 zhāoyángdiànlǐēnài jué， péngláigōngzhōngrìyuècháng。 huítóuxiàwàngrénhuánchù， bùjiànchángānjiànchénwù。 wéijiāngjiùwùbiǎoshēnqíng， diànhégjīnchāijìjiāngqù。 chāiliúyīgǔhéyīshàn， chāibòhuángjīn héfēndiàn。 dànjiāoxīnsìjīn diàn。 The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Who wrote this poem, Song of Everlasting Regret?
The poem 'Song of Everlasting Regret' was written by China Tang Dynasty poet Bai Juyi. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
An ancient poem similar to the Song of Everlasting Regret
He recommended a few good novels. " River Legend " was an ancient romance novel written in the light of autumn. The female protagonist was cold and indifferent. She only wanted to live a good life when she traveled through another world. However, she did not know how to live without the man who cared for her. The keywords were Heluo, full of flowers, transmigration, emptiness, and ordinary. " Rebirth of the Medical Road, Huan Yan ", a similar novel created by You Gexing. The female protagonist was an abandoned doctor who had experienced many things in the troubled times of the Northern and Southern Dynasties. The new book seeks support. " Return Ci " was an ancient romance novel about the rain steps. The Third Miss of the He family was originally stupid, but after falling into the water, she was not favored and was even despised. Song Qu, a historical novel written by Haoyue Weiyang. It tells the story of the Song Dynasty, although rich, but unable to resist the enemy outside and get rid of the crafty sycophants inside. Song of the Phoenix Pond was an ancient romance novel by Ge Lingnan. It was a story about a spy prince and a transmigrator princess who loved and killed each other. The novel " Legend of the Flower Dance " is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret: Yang Guifei's Poem
In the Song of Everlasting Regret, there was a poem about Yang Guifei: "The Yang family has a daughter who has just grown up and is raised in a boudoir. A natural beauty is hard to give up, and once she is chosen to be beside the king. Looking back at her, she smiled and gave birth to a hundred beauties. The six palaces had no color. In the cold spring, he was given a bath in Huaqing Pool, and the hot spring water flowed smoothly to wash the coagulated fat. The servant helped her up, but she was too weak to do so. This was the time when she had just received grace. Cloud hair, flowers, gold steps shake, hibiscus tent warm spring night. Spring nights are short and the sun rises high. From then on, kings don't go to court early. There is no leisure time to entertain guests, spring from spring outing night to night. There were 3,000 beauties in the harem, and 3,000 people were doted on. In the golden house she make-up into a delicate servant at night, in the jade tower banquet drunk and spring. Sisters and brothers are listed in the land, and the poor glory is born in the door. So that the hearts of all parents in the world will not give birth to a man but to a woman." These poems described Yang Guifei's beauty, her favor, and the glory of her family because of her favor. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Is the Song of Everlasting Regret a miscellaneous poem or something else?
Song of Everlasting Sorrow was a long narrative poem, not a mixed poem. This poem was based on the story of Emperor Xuanzong of the Tang Dynasty and Yang Guifei. The poet Bai Juyi used various rhetorical techniques to describe the love story between them and the historical facts of Emperor Ming of the Tang Dynasty, showing the perfect combination of realism and romanticism. In terms of genre classification, it belonged to the category of ancient poetry, which was the opposite of modern poetry. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Bai Juyi's poem, Song of Everlasting Regret
Song of Everlasting Regret was a long narrative poem written by Bai Juyi, a poet of the Tang Dynasty. The beginning of the poem depicted that Emperor Xuanzong of the Tang Dynasty had been pursuing women for many years but could not get them. In the end, Yang Yuhuan, the daughter of the Yang family, was chosen to enter the palace after she grew up. She was born beautiful and was deeply loved after entering the palace, so that the love of 3,000 beauties in the harem was gathered in one person. They lived a luxurious life in the palace. Their life of pleasure was described in the words "Bathing in the Huaqing Pool in the cold spring, washing the coagulated fat in the hot spring". However, the Rebellion of An Lushan and Shi Lushan broke out, and the rebels attacked Chang 'an. Emperor Xuanzong of the Tang Dynasty fled southwest with Yang Guifei and others. On the way, the six armies did not move, and Yang Guifei was ordered to die at the foot of Mawei Slope." The six armies did not move, but there was nothing they could do. They died in front of the crescent horse. The mother of flowers fell to the ground and no one collected it, and the golden sparrow jade hair was raised." After Yang Guifei's death, Emperor Xuanzong missed her dearly. When he returned to Chang 'an, he remembered the person he saw." The pool and garden are still the same after returning, and the lotus flower is too liquid and the willows are Weiyang. The lotus flower is like a face and the willow is like an eyebrow, how can I not shed tears about this?" After that, he asked the Taoist priest to search for the soul of Yang Guifei. The Taoist priest searched heaven and earth, and finally found Yang Guifei, who had become a fairy, on the sea fairy mountain. She asked the Taoist priest to bring back a token to Emperor Xuanzong of Tang Dynasty to express her longing. Although the two of them were separated forever, their love vow was: "In heaven, I wish to be a pair of lovebirds, and on earth, I wish to be a pair of connected branches." The heavens and the earth will last for a while, and this hatred will last forever. The plot of this poem was full of twists and turns. It not only described the love tragedy between Emperor Xuanzong of the Tang Dynasty and Yang Guifei, but also reflected historical events such as the An Lushan Rebellion. It was a classic work of ancient poetry. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret, Poem Verse, Poetry Appreciation
Song of Everlasting Regret was a long narrative poem by Bai Juyi, a poet of the Tang Dynasty. The whole poem could be divided into three parts for appreciation. ** I. Description of Love Life (Starting from "The Song of the Rainbow Feathers")** 1. ** Opening and Character Introduction ** - The poem started with the words,"The Emperor of the Han Dynasty is fond of beauty and wants to destroy the country. He has been in the imperial palace for many years but has not been able to find it." The "Emperor of the Han" here was referring to Emperor Xuanzong of the Tang Dynasty. The poet pointed out that Emperor Xuanzong of the Tang Dynasty was greedy for women and had been searching for beautiful women for many years but failed to do so. Then, Yang Guifei was introduced."The Yang family has a daughter who has just grown up and is raised in a boudoir. No one knows her." "Looking back and smiling, a hundred charms are born, and the six palaces are colorless." It vividly depicted the peerless appearance of Yang Guifei, whose beauty eclipsed the beauty of the harem. 2. ** The development and influence of love ** - When describing their love life, it was like "bathing in Huaqing Pool in the cold of spring, and the hot spring water was smooth and smooth. The servant helped her up, but she was weak. This was the time when she received a new favor. She carefully described the scene of Yang Guifei being favored. Emperor Xuanzong of the Tang Dynasty doted on her very much."The spring night is short, and the day is high. From then on, the king will not go to court early." This kind of love even affected Emperor Xuanzong of the Tang Dynasty. He was no longer as diligent in government affairs as before."There are 3,000 beauties in the harem, and 3,000 dotes on one person" emphasized the unique position of Concubine Yang in Emperor Xuanzong's heart. At the same time, the Yang family was also extremely glorious because of Yang Guifei's favor. So that the hearts of all parents in the world will not give birth to a man but to a woman." Through the description of the love life between Emperor Xuanzong and Yang Guifei, this part of the poem showed the passion of their love and the degree of Yang Guifei's favor. ** 2. The Mutiny at Mawei Slope and the grief after it (From "The Fisherman's Sun's Bane and Drum Move" to "The Soul Never Came to Dream")** 1. ** Description of the Mutiny ** - "The fisherman's sun and the drums come and break the song of the Rainbow Feathers." An Lushan's rebellion broke their beautiful life. As the rebel army approached Chang 'an, Emperor Xuanzong of the Tang Dynasty fled westward with Concubine Yang."Smoke and dust rose in the Nine Citadel, and thousands of cavalry headed southwest." On the way, there was a mutiny at Mawei Slope."The six armies had no choice but to die in front of their horses." Chen Xuanli, the general of the Imperial Army, was dissatisfied with the Yang siblings 'autocracy. After killing Yang Guozhong and his son, he demanded that Yang Guifei be executed. Emperor Xuanzong of the Tang Dynasty had no choice but to give Yang Guifei her death. The poet described the miserable scene of Yang Guifei's death."The mother-of-pearl fell to the ground and no one collected it, and the jade hairpin was made of golden sparrows. The king covered his face and could not save him. When he looked back, he saw blood and tears flowing in harmony." 2. ** Sorrow and longing ** - After the death of Yang Guifei, Emperor Xuanzong of Tang fell into deep grief. On the way to Shu, the yellow dust was scattered in the wind, and the cloud was winding up the Sword Pavilion. At the foot of Mount Emei, few people walked. The flags were dim and the sun was thin. The water of the Shu River was green, and the mountains were green. The Holy Lord was in love with him day and night. The surrounding environment seemed desolate, and Emperor Xuanzong missed Concubine Yang even more. After returning to Chang 'an, seeing the scene in the palace would always arouse his longing for Noble Consort Yang."When I return, the pool and garden are still the same, and the lotus flower is too liquid, and the willows are not. The lotus flower is like a face and the willow is like an eyebrow, how can I not shed tears about this?" Even though the people and things around him were still there, his lover had passed away. He was alone in the palace, bearing the pain and longing. Bells and drums have been playing for a long time, and the stars are shining in the sky. Through the description of the loneliness and coldness of the night, he deeply expressed his loneliness and sadness after losing his lover. ** 3. Deepen the theme of eternal regret ("Hongduke, a Taoist priest from Linqiong" to the end)** 1. ** The Taoist priest's search and the description of fairyland ** - In this part, the poet deepened the theme with the help of the Taoist priest's search for Yang Guifei's soul. "Hongduke, a Taoist priest in Linqiong, can bring souls with sincerity." The Taoist priest searched for Yang Guifei's soul for Emperor Xuanzong of the Tang Dynasty. Then, he described Yang Guifei in the fairyland."There is a person in the fairyland whose character is too real, and her snow-white skin is uneven." She was still beautiful and moving in the fairyland, but she was forever separated from Emperor Xuanzong of the Tang Dynasty. 2. ** The embodiment of everlasting regret ** - At the end of the poem,"As long as the heavens and earth last, there will be an end to it, and this regret will last forever." The theme of "eternal regret" was clearly pointed out. Although they had once had a passionate love, they were ultimately separated by life and death. This kind of regret and pain was endless. The love tragedy between Emperor Xuanzong of the Tang Dynasty and Yang Guifei had influenced readers for thousands of years through the description of poems. It made people feel the fragility of love in the face of fate and politics, as well as the eternal grief brought by this loss. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!