In the lower palace, Jiang Kui expressed his complicated thoughts and feelings. " A new poem is written, good scenery, long is the darkness." It wrote that the beautiful scenery passed inadvertently, and there was a kind of helplessness and melancholy about the passing of time. "Old friend, do you know? This revealed the hatred in his heart and the loneliness and depression that he could not confide to his old friends. " When will we share a fishing boat? Don't let down the stormy waves and misty rain." It expressed his nostalgia for his old friends and his desire to meet them again and share the stormy waves and misty rain on the river. " Besides, there are monkeys crying in the night, complaining about people's suffering." With the help of the scene of monkeys crying in the night, this sad and sad mood was further strengthened.
Cold clouds cover the shore, who can call the snowflakes to dance? The plum blossoms in the wild made a charming gesture. The teeth of the wooden clogs were imprinted on the moss, and they gradually moved back and forth in search of flowers. Ever since he came south with the autumn geese, he looked at the land of Jiangnan, and he didn't know where it was. Write a new poem at will, and the beautiful scenery will always quietly disappear. Old friends, do you know that I have a grudge that I can't confide in? When would they be able to ride a fishing boat together and live up to the misty rain of Cang Lang? Besides, there are monkeys crying in the night, which makes people sad and sad. (Note: The above translation is a rough translation to help understand the original content.)
The Pinyin of 'Clear Wave Guide' was 'qīng bō yn'.
"Clear Wave Guide" was the name of a poem. With Jiang Kui's "Qingbo Yin·Lengyun Mipu" as the main body, there are 84 words in double tone, eight sentences in front and back, and six rhyme in front and back. There are also 83 words in double tone, eight sentences in front and back, and seven variants of rhyme. Jiang Kui, Zhang Yan, and others used this as a representative name for their works. In the creation of couplets, there were also cases where "Qingbo Yin" was embedded in the couplet, such as "Qingbo Yin in Shanghai when spring comes; Colorful phoenixes fly among the clouds at sunrise". There were also sentences written with the element of "Qingbo Yin", such as "Qingcha Danpin Qingbo Yin".
"Clear Wave Guide, Cold Cloud Mipu" was a work of Jiang Kui in the Song Dynasty. The original text was "Cold Cloud Mipu." Who calls her? The jade concubine dances. The flowers of the year are so beautiful. wild plum blossoms play with my eyebrows. My clogs and teeth are imprinted with moss, and I gradually come and go in search of flowers. Since I came south with the autumn geese, where have I seen the country and the land? The new poem is free. Good scenery, long is dark. Do old friends know? I hold deep hatred, hard to speak. When will we go fishing together? Don't let go of the stormy waves and misty rain. Besides, there are apes crying in the clear night, complaining about people's suffering." This tune is based on Jiang Kui's "Qingbo Yin·Lengyun Mipu" as the main body, with eighty-four words in double tone, eight sentences in front and back, and six rhyme.
Star Palace Jin Kui was a character in the novel 'Martial Refinement Peak' and its derivative works. He was the master of the Astral World, Yang Kai's Master, and the Mansion Master of Myriad Stars Mansion. The Star Palace's Golden Kui was the ruler of the Star Realm. He guarded the center of the Star Realm, the Myriad Stars Residence, and was extremely powerful. He had an endless lifespan and wisdom. He controlled countless stars and living beings. He was the core figure of the entire astral world. He was Yang Kai's Master and had taught him many cultivation methods and secrets of the Astral World. During the process of Yang Kai's cultivation, he had given him a lot of help and support, and was an important figure in Yang Kai's growth. While waiting for the TV series, he could also click on the link below to read the classic original work of " The Legend of Mortal Cultivation "!
" Elder Jin Kui of the Star Palace " was a character in the Eastern fantasy novel " Stars Change " and its derivative works written by the online author " I Eat Tomatoes ". He was the Great Elder of the Floating Snow City in the North Pole. Elder Jin Kui of the Star Palace was a Golden Immortal expert. He was cold and ruthless, and would do anything to achieve his goal. In order to obtain the Stellar Transformation's cultivation method, he had become enemies with the main character Qin Yu. He had even plotted against Qin Yu many times. After Qin Yu became the number one expert on the Qian Long continent, he was killed by Qin Yu. While waiting for the TV series, you can also click on the link below to read the classic original work of " A Record of a Mortal's Journey to Immortality "!
Jiang Kui's wife was the niece of the famous poet Xiao Dezao. Jiang Kui's family was Poyang's Jiang family. The Jiang family's genealogy had records of Jiang Kui's wives, the Ding and Zhang families.
Long Kui's feelings for Jing Tian were a complicated problem in the Legend of the Sword and Fairy 3. Some documents believed that Long Kui's feelings for Jing Tian were kinship because they were royal siblings of the ancient Jiang Kingdom. Long Kui had deep dependence and love for Jing Tian. However, there were also documents that suggested that Long Kui's feelings for Jing Tian had gone beyond the relationship between siblings and developed into love. After experiencing a series of tribulations, Long Kui had developed feelings for Jing Tian. However, Jing Tian's feelings for Long Kui had always been at the level of kinship. He regarded Long Kui as his younger sister. Therefore, Long Kui's feelings for Jing Tian were complicated, with both kinship and love. All in all, Long Kui's feelings for Jing Tian were a process of development and evolution in the plot. There was no clear answer.
Xia Gui's [Mountain Stream Clear Distance Painting] expressed many emotions. From the overall perspective of the painting, the landscape of Jiangnan was expressed in Pingyuan, giving people a sense of calm, deep, and ethereal, reflecting the appreciation of Jiangnan's landscape. The painting contained a strong sense of poetry, reflecting the realm of the literati's aesthetic pursuit. This reflected the literati's aesthetic taste and love for the artistic conception of poetry and painting. The mountains and rivers in the painting merged, and the mountains and streams blended with each other. This harmonious and peaceful picture showed the appreciation and yearning for the wonderful tranquility of nature. The three different scenes from right to left slowly unfolded like a flowing picture. It could also be seen as a presentation of the natural landscape and life state, expressing a kind of comprehension of nature. Xia Gui presented the ancient simplicity of life with vigorous and refreshing pen and ink, providing the audience with a kind of insight into nature and the realization of life transcendence, expressing a kind of detached life perception. Fan Wensheng's " River Mountain Qingyuan " shows the harmony and tranquility between mountains and rivers through delicate strokes and unique composition, making people feel the tranquility and peace of nature, expressing the pursuit and love of the harmonious artistic conception of mountains and rivers. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Jiang Kui (1140 - 1202) was a writer, musician and painter in the early years of the Southern Song Dynasty. He was known as the "literary giant of the Southern Song Dynasty" and "music master" for his versatile and outstanding achievements. Jiang Kui was born in Qiantang (now Hangzhou, Zhejiang Province). He studied in Xianchun Yuanbao Academy in Vinegar Fish Lane of West Lake in his early years and then moved to Ziwei Taoist House at the foot of Nanping Mountain. He was a literary genius who was not only good at poetry, prose, music, painting, etc. He was also proficient in Buddhism and was a Confucian scholar. After the fall of the Southern Song Dynasty, Jiang Kui lived in seclusion in the Lonely Mountain near West Lake in Hangzhou. He wrote, played the piano, and painted to entertain himself. Sometimes, he also received guests. His poems, essays, and music were of high artistic value and were known as the "pinnacle of the Southern Song Dynasty literature." Jiang Kui was a multi-talented and accomplished writer and musician. His works of art had a far-reaching impact on literature and music of later generations.