Beijing opera wits battle with Kuizhi, Li Shengsu, Yang Chi
"Battle of wits" was a part of the modern Beijing opera "Shajiabang." Yu Kuizhi, Li Shengsu, Yang Chi, and other actors sang the classic "Shajiabang·Wisdom Fight," which included wonderful lyrics such as "Thinking back, my team just opened...". These actors 'performances were very popular in the Beijing opera industry, often performed on various occasions or shared and appreciated. The novel " Don't Consume My Identity " is equally exciting. Everyone is welcome to click and read it!
Peking opera masters Yu Kuizhi and Li Shengsu
Peking opera masters Yu Kuizhi and Li Shengsu were well-known actors in China's National Peking opera Troupe. Yu Kuizhi was a famous veteran actor. His voice was clear and resounding, his singing was full of charm, and his performance was full of passion. He acted as a refined partner. He was one of the top veteran actors in the National Peking opera troupe. Li Shengsu was a famous female lead actor. His voice was crisp and sweet, his singing was full of charm, his appearance was handsome, and his performance was dignified and generous. Li Shengsu used to work in Shanxi and later transferred to the National Peking opera theater. She worked with Teacher Yu Kuizhi for many years and their cooperation was highly praised. Their performances were very popular among young people and they often performed classic Peking opera plays everywhere.
Beijing opera battle of wits
The following are some of the main points of the Peking opera's 'Battle of wits.' ** 1. Character and emotional control ** 1. ** Aunt Ah Qing ** - A Qingsao was an underground worker of the Chinese government. Her singing needed to show calmness, wit, and intelligence. For example, the song " Chief of Staff, don't flatter me, I don't dare to sacrifice myself to save others. Opening a teahouse and looking forward to prosperity was the first duty of loyalty in Jianghu. The commander often comes and goes. I have the heart to lean against a big tree and enjoy the shade. It's also the commander's Hong Fuguang who can bring good fortune to the dead." During this part, her voice had to be steady and tactful, reflecting her ingenious attitude. In response to Diao Deyi's interrogation, the rhythm and tone of the lyrics had to convey her inner vigilance, such as " What kind of evil heart does Diao Deyi have?" She had to sing a feeling of doubt and caution. 2. ** Diao Deyi ** - As the Chief of Staff of the Loyalty National Salvation Army, he was a cunning and suspicious character. When singing " This woman is unusual," he had to sing in a scrutinizing and probing tone. His lyrics were mostly meant to test Ah Qingsao, so when he sang, he had to show this kind of deep and scheming quality in the rhythm and tone. 3. ** Hu Chuankui ** - Hu Chuankui was the commander of the loyal national army. His character was relatively forthright but somewhat reckless. For example," Back then, when my team just opened, there were only a dozen people and seven or eight guns. I was chased by the imperial army and was dizzy. It was all thanks to Ah Qingsao. She told me to hide in the water tank." This part of the song had to be sung with the rough feeling of a hero reminiscing the past. The rhythm could be relaxed appropriately, and the voice had to be louder. ** 2. Singing Techniques ** 1. ** Enunciate words ** - Peking opera singing was particular about the pronunciation of words, and it was no exception in "Fighting of wits." For example," Build a seven-star stove, boil three rivers in a copper pot. Set up a table of eight immortals and entertain sixteen parties." Every word in the song must be sung clearly, such as "base","stove","pot" and other words. The pronunciation of the initial and final must be accurate, and at the same time, pay attention to the rhyme. 2. ** Intonation ** - The accent should be round and smooth. Ah Qingsao's singing was more mellow. In the high notes, it was like," The New Fourth Army has been in Shajiabang for a long time. This big tree has shade." Pay attention to the support of the breath, so that the high notes are bright and mellow, and there cannot be sharp and harsh sounds. Diao Deyi's singing was smooth and had a hint of treachery, while Hu Chuankui's singing was more straightforward and heroic. 3. ** Grasp the rhythm ** - The overall rhythm had to be adjusted according to the plot and the emotional changes of the characters. In the tense parts of the conversation, such as Diao Deyi and Ah Qingsao's probing lyrics, the rhythm could be more compact to show the tense atmosphere. In some narrative songs, such as Hu Chuankui recalling Ah Qingsao's life-saving grace, the rhythm could be slowed down. The novel " Don't Consume My Identity " is equally exciting. Everyone is welcome to click and read it!
Is there a classic Beijing opera novel similar to a battle of wits?
I recommend I Found the Correct Usage of Proficiency Points, a Xianxia novel written by Long Dahai. The male protagonist, Long Changan, was a low-level farming itinerant cultivator. He corrected his cultivation mistakes by changing his proficiency. Although there was only one mu of spiritual land, he still had to accumulate proficiency to start his cultivation journey. It was super interesting. " My Life Simulator " was not bad either. It was an urban novel written by a chiseled inkstone. The main character, Lu Li, had a life simulator that allowed him to experience different lives. The female protagonist, Liu Qin, had all kinds of interesting dungeons. The early stages were super interesting, but the later stages were a little fast-paced. However, overall, the writing was good, and the characters were well portrayed. It was a cool novel and also a dog food show. It was worth a look. The Golden Dragon Will Never Survive is a fantasy novel. The male protagonist, Anson, was a player from Asso who had transmigrated into Golden Dragon. He had game skills and could have killed a god without developing wretchedly. He had a big brain and was smooth in writing. 'Top-grade Crown Princess' was an ancient romance novel that was unbreakable. The bandit turned into the Crown Princess, and Fu Youran did not indulge those people in the palace. The plot was full of palace fights and resistance, and it was very interesting. " Douluo: The Peerless Tang Sect, The Return of Angels and Rakshasa " was Hua Koukou's fantasy novel. The original name was very interesting, the plot wasn't saintly, but relaxed and story-like. The scenes like the incarnation of the cult master marrying Qian Renxue were very eye-catching. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Yu Kuizhi and Li Shengsu sing the song of Shiro's visit to his mother
Yu Kuizhi and Li Shengsu will join hands to sing the Peking opera "Si Lang Visits His Mother". They were the golden partners of the Chinese Peking opera industry. They were the vice-chairman of the Chinese Drama Association and the winner of the Plum Blossom Prize. " Silang Visits His Mother " was a traditional Beijing opera script based on the story of the Yang family generals. It told the story of the Yang family's resistance to the southern invasion of the northern ethnic minorities during the Northern Song Dynasty. The performance would be held in Zhengzhou, Henan Province.
Are Li Yijie and Li Jie the same Beijing opera actor?
According to my knowledge of online literature, Li Yijie and Li Jie are not the same Beijing opera actor. Li Yijie was a web novel author, and Li Jie was one of her fictional characters that did not exist in reality.
Beijing opera teaching video, learn Beijing opera from me
At present, there were some resources related to the teaching of Peking opera. For example, on TikTok, there was the teaching of the singing section of "Selling Water". The teacher would teach the content of the singing section,"Pow full, inside the sound." Sister Red Flower, Green Flower Man, Dried Plum Blossoms 'Curtain. Ivory bed, mandarin duck pillow. Put a mattress with osmanthus flowers on the bed and cover the bed." There was also the Peking opera teaching content of Li Chonglin's "For the Country (Part 1)" from "Hongyang Cave" in the "Good Morning Peking opera" series on the official account. These could be used as resources for learning Peking opera. The novel "Don't Consume My Identity" is equally exciting. Everyone is welcome to click and read it!
Information on Beijing opera?
Peking opera is an ancient Chinese opera art form that originated in Beijing and has been passed down to this day in Beijing and its surrounding areas. Peking opera's performance forms were very diverse, including singing, reciting, acting, fighting, dancing, and many other elements. Peking opera usually includes many classic stories and historical events and uses a lot of music, dance, and costumes to enhance its visual effects. Peking opera is regarded as an important part of Chinese culture and art and has a wide audience around the world. The actors and plays of Peking opera are often commended by awards and honors and are regarded as one of the treasures of Chinese traditional culture. Information about Peking opera could be found on the internet, including its history, performance forms, songs, and actors. If you want to know more about Beijing opera, you should consult relevant information or watch a Beijing opera performance.
The History of Beijing opera
Beijing opera originated from Beijing and is one of the traditional Chinese operas with a long history. Peking opera originated in Beijing at the end of the 19th century. It was a form of palace opera performance that gradually developed into one of the representatives of the national opera art. The founder of Peking opera was Mei Lanfang, one of the founders of China's Peking opera. Mei Lanfang founded Peking opera in the early 20th century. Through continuous innovation and improvement, Peking opera gradually became an art form with strong Chinese characteristics. Peking opera had a variety of forms, including shadow play, singing, costumes, and music. Peking opera had a wide audience in China and was highly praised internationally.
Beijing opera introduction,
Peking opera is one of the traditional Chinese operas, which originated in Beijing at the end of the 19th century. It is a treasure in the treasure house of Chinese culture. Peking opera mainly used historical stories, myths and legends, and characters as the main means of expression. It had rich local characteristics and unique artistic style. There were many types of Peking opera, such as Dream of the Red Chamber, Legend of the White Snake, Liang Shanbo and Zhu Yingtai, and other classic plays. Among them, Dream of the Red Chamber was hailed as a classic in the history of Peking opera. It attracted countless audiences with its delicate emotional descriptions and complex relationships. Peking opera's performance skills were superb, including singing, reading, acting, fighting, dancing, and many other aspects. Among them, singing, melody, and musical accompaniment were all unique. Peking opera had a wide range of influence and spread in China. Not only was it popular in China, but it also received more and more attention and recognition around the world. Nowadays, Peking opera has become one of the important representatives of Chinese traditional culture and an important part of the world's cultural and artistic treasure house.
Information on Beijing opera
Beijing opera, also known as Beijing opera, is one of the most representative performing arts in China. It originated in Beijing at the end of the 19th century and the beginning of the 20th century. Beijing opera is famous for its complicated plots, gorgeous costumes, excellent acting skills, and rich musical styles. There were many types of Peking operas, including the classic plays such as Dream of the Red Chamber, Legend of the White Snake, and Romance of the Three Kingdoms. Peking opera's performance skills were superb, including singing, reciting, acting, fighting, dancing, and many other forms of performance. Singing was an important part of Peking opera performances. There were different singing styles such as Kunqu opera, Peking opera, and Henan opera. The beautiful and moving music of Peking opera was an indispensable part of the performance. Peking opera had a wide audience in China and had a profound impact on the world. Peking opera is not only a cultural heritage, but also an important part of Chinese culture and art.