Wei Zhuang of the Second and Fifth Dynasties of Bodhisattva Man
Wei Zhuang's "Bodhisattva Man II" is: "Everyone says that Jiangnan is good, and tourists only meet the old Jiangnan." The spring water is as green as the sky, and the painted boat sleeps in the rain. The man beside the loessial house looks like the moon, and the white wrist is covered with frost and snow. Don't go back to your hometown before you're old." This poem described the beautiful scenery and people of Jiangnan. The phrase " Everyone says that Jiangnan is good, and tourists only live in Jiangnan " pointed out that Jiangnan was praised by everyone. For tourists, it seemed that they should live in Jiangnan for the rest of their lives. " The spring water is green in the sky, and the painted boat sleeps in the rain." It vividly described the verdant and clear spring water in Jiangnan, which was better than the sky. The tourists could fall asleep in the painted boat listening to the rain. These two sentences described the scenery of Jiangnan water towns extremely charming. " The person beside the loessial is like the moon, and the white wrist is like snow." The beauty of the woman selling wine in Jiangnan Restaurant was displayed. The woman was as bright as the moon, and her wrist was as white as snow. At the end of the poem," Don't go home before you're old, you must be heartbroken when you go home." It expressed the complex feelings of the tourists in Jiangnan who were unwilling to return to their hometown because of the beauty of Jiangnan. If they returned, they might be heartbroken. From the perspective of the theme, the beautiful scenery of Jiangnan Water Country and the beautiful appearance of Jiangnan beauties could also be included in the interpretation of homesickness theme poems, which had special aesthetic value and historical significance of poetry.
Bodhisattva Man Qisi Wei Zhuang
Analysis of Wei Zhuang, the Fourth Bodhisattva Man
The fourth part of the Bodhisattva Man, Wei Zhuang, advised you to be intoxicated tonight
The fourth poem of Bodhisattva Man was written by Wei Zhuang, and the phrase "Admonish you to be intoxicated tonight" was included in it. From the meaning of the words, this was a poem to persuade people to drink, which contained the meaning of carpe diem. In terms of the background, this set of lyrics had two meanings. It could be the poet's longing for parting with a real woman, or it could be a loyal love for the Tang Dynasty. In this poem, Wei Zhuang might have been in a depressed and helpless state of mind at that time, such as the pain of subjugation, the longing for his hometown and his lover, but it was difficult to resolve. In the poem,"Admonish you to be intoxicated tonight, and don't talk about tomorrow's matters before you." It was always used to advise people to be open-minded, let go, get drunk when there was wine, and be happy. The "Jun" who was advised could be understood as the poet himself. The "Xu" in "must be drunk" meant that he must be drunk, because he couldn't forget his worries without being drunk. After that, he said,"You must worry about the shortage of spring water, and don't complain about the full golden cup." He hehe when drinking, how much can life be?"further expressed the sorrow of the short time. Don't refuse a full glass of wine, temporarily face life with a seemingly cold and empty attitude (" he hehe when drinking "), lamenting that life is short.
Bodhisattva Man Wei Zhuangquan
Wei Zhuang had many Bodhisattva Mantras, and the following is one of the more famous ones: Everyone said that Jiangnan was good, and tourists only lived in Jiangnan. The spring water is as green as the sky, and the painted boat sleeps in the rain. The man beside the loessial house looks like the moon, and the white wrist is covered with frost and snow. Don't go back to your hometown before you're old, and you'll be heartbroken when you go back. Wei Zhuang's Bodhisattva Man also had other lines such as " When the waning moon goes out, the beauty and tears say. The lute is decorated with golden jade feathers, and the yellow oriole sings on the strings. He advised me to return home early, and the green window is like a flower." "The talented scholar of Luoyang is old in his hometown, and the king of Wei is hidden in the willows. At this moment, her heart softened and she took a bath on the water. Peach Blossom Spring 7, Congealing Hatred Against the Crippled. Do you remember Junjun?" Wait. However, due to the lack of information and other reasons, the complete picture of each of his "Bodhisattva Man" could not be presented.
The Third Wei Village of Bodhisattva Man
Wei Zhuang's "Bodhisattva Man·III" is: "Now I recall the music of Jiangnan, when I was young and thin in spring." Riding on a horse, leaning against a slanted bridge, the house of red sleeves is full of buildings. The green screen and gold bend, drunk into the flowers to sleep. When I see the flowers, I swear I won't return." This poem recalled the joy of traveling south of the Yangtze River in his early years. " Now I'm Recalling Jiangnan Music " pointed out the main theme, and then it was all about memories. "At that time, young and thin spring clothes" wrote the beauty and shortness of youth,"thin spring clothes" vividly conveyed the feeling of youth. " Riding a horse against the slanted bridge, House of Red Sleeves " was a positive description of the romantic life of a young man who was playing with women. The young man stopped his horse on the exquisite slanted bridge, attracting the women in the building. 'Cuiping and Jinqu, Drunk in Flowers' further described the life of pleasure at that time. In the end, he expressed a resolute attitude. Through the recollection of the past life in Jiangnan, the poet had a reversal of time and a displacement of space in his mind. From the memories, he showed the joy of Jiangnan and also revealed the nostalgia for his youth.
Was there a group of poems like Wei Zhuang's Bodhisattva Man? Please help me think about it ~ Thank you
There are many groups of poems like Wei Zhuang's Five Bodhisattva Manes. The following are some examples: 1. Thoughts in a Quiet Night-Li Bai The moonlight before my bed is like frost on the ground. Looking up at the bright moon, looking down, I miss my hometown. 2 "Ascending"-Du Fu The wind is strong, the sky is high, the apes howl, the white birds fly back to the clear sand of the mournful island. Endless trees fall and the endless Yangtze River rolls down. 3 "Climbing Spectacular Song"-Du Fu The wind is strong, the sky is high, the apes howl, the white birds fly back to the clear sand of the mournful island. Endless trees fall and the endless Yangtze River rolls down. I'm always a guest in autumn, sad for thousands of miles. I've been sick for a hundred years, and I'm alone on the stage. I'm in trouble, bitter resentment, frosty hair, downcast hair, I've just stopped drinking. "Farewell to the Ancient Grass"-Bai Juyi The grass on the plain withers and thrives once a year. The wildfire never ends, and the spring breeze blows, it grows again. The far-off fragrance encroaches on the ancient road, the clear green connecting the deserted city. And send the king's grandson away, full of parting feelings. 5 "Qing Ping Diao (1)"-Li Qingzhao ru Meng Ling I often remember that I was drunk at dusk in the stream pavilion and didn't know how to return. At night I return to my boat and mistakenly enter the depths of lotus flowers. Fighting to cross, fighting to cross, startled a pool of gulls and egrets. Each poem described a specific situation or emotion with profound meaning and appeal.
Bodhisattva Man (IV): The Art Value of Wei Village
Wei Zhuang
Wei Zhuang (AD 836-AD 910), a native of Duling, Jingzhao (now Xi'an, Shaanxi), also known as Duanji, was also known as "Qin Fu Yin Xiucai". He was a poet and poet in the late Tang Dynasty, the prime minister of Shu in the Five Dynasties, and the representative writer of the Flower School. Wei Zhuang was born in Xiaoyao Public House of Wei's Dongjuan in Jingzhao. He was the seventh grandson of Wei Daijia, the right prime minister of Wenchang, and the fourth grandson of Wei Yingwu, the governor of Suzhou. Wei Zhuang was diligent and studious since childhood, but his path to the imperial examination was not smooth and he failed many times. He was trapped in Chang 'an because of the Huangchao Uprising. After that, he escaped and began a ten-year wandering life. During this period, he wrote poems such as "Qin Fu Yin". In the first year of Qianning (894 AD), he was appointed as a scholar and later promoted to the left watchtower. After entering Shu, he was appreciated by Wang Jian. In the first year of Tianfu (AD 901), he entered Shu as Wang Jian's secretary. In the fourth year of Tianyou (907 AD), the Tang Dynasty fell. Wei Zhuang assisted Wang Jian in becoming emperor and formulated the founding system. His achievements were quite good. In the fifth year of Tianyou (908 AD), he served as prime minister and assisted Wang Jian for life. He was promoted to assistant minister of the Ministry of Civil Affairs and Pingzhang matter. In August of the third year of Wucheng (910 AD), he died in Chengdu Hualin Square at the age of 75. His posthumous title was Wen Jing. He had an important position in the poetry world at the end of Tang Dynasty and was also a leader in the former Shu poetry world. His poems were round and full, his words were clear and bright, and he was good at using the method of white drawing. His images were fresh and fresh. Together with Wen Tingyun, he was called "Wen Wei". His poems "Qin Fu Yin","Peacock Flying Southeast" and "Mulan Poetry" were called "The Three Wonders of Yuefu". The collection of poems is now handed down in ten volumes of Huanhua Collection, and the collection of poems is recorded in Huajian Collection, Zunqian Collection, Caotang Poetry Yu, etc.
There is a beautiful man in the Wei and Jin Dynasties
There were many handsome men in the Wei, Jin, Southern and Northern Dynasties. Among them, Pan An, Wei Jie, King Lan Ling, Ji Kang, and others were all considered handsome. Not only were they outstanding in appearance, but some of them were talented, some were sickly beautiful, some were unrestrained, and some were skilled in martial arts. During this period, the standard of male aesthetics was different from traditional concepts. White skin and good looks were considered the representative characteristics of handsome men. During the Wei, Jin, Southern and Northern Dynasties, men were mostly feminine and popular. Some men even liked to wear women's clothes. This aesthetic tendency made the Wei, Jin, Southern and Northern Dynasties an era of handsome men.