Is the wilderness in the Classic of Mountains and Seas the whole world or the whole world?
The "Great Wilderness" in the Classic of Mountains and Seas did not refer to the entire world. The "Great Wilderness" in the Classic of Mountains and Seas was a specific regional concept in the ancient people's cognition. It mainly described a region in the imagination of ancient China people about the overseas world (including the overseas in different directions such as east, west, south, and north) and myths and legends. It was a part of the mythological geographical system constructed by the Classic of Mountains and Seas, which was different from the concept of the whole world in the modern sense.
The river flows through the world, the mountains are there, the whole poem is there
Chu is connected with Sanxiang, and Jingmen is connected with nine sects. The river flows beyond heaven and earth, and the mountains are beautiful and beautiful. The county floated in front of the river, and the waves moved far away. On a windy day in Xiangyang, I left a drunk man with a mountain man.
The river flows through the world, the mountains are there, the whole poem is there
Chu is connected with Sanxiang, and Jingmen is connected with nine sects. The river flows beyond heaven and earth, and the mountains are beautiful and beautiful. The county floated in front of the river, and the waves moved far away. On a windy day in Xiangyang, I left a drunk man with a mountain man.
The Great Wilderness Tribe in the Classic of Mountains and Seas
Classic of Mountains and Seas: The Great Northern Wilderness
The Great Wilderness Sutra of the Classic of Mountains and Seas
Great Wilderness Sutra was a part of Mountain and Sea Sutra, with 4 chapters. It mainly described the mountains in the north, south, east, and west, with the sea (probably a large lake) as the center. The Great Wilderness Sutra was divided into east, south, west and north directions. Each direction was divided into upper, middle and lower levels, totaling 12 volumes. It recorded many strange mountains, rivers, gods, animals, plants, minerals, and so on. Some of the contents were repeated or similar to those in the Classic of Mountains and the Classic of Seas, but there were also completely different contents. The geographical location was rather vague. Some could correspond to reality, while others were difficult to determine. Some scholars believed that the Great Wilderness Sutra might be the latest part to be added to the Classic of Mountains and Seas. It might have been formed during the Warring States Period or the Qin and Han Dynasties. Some of the contents were influenced by foreign cultures, such as the characters or stories in Buddhism, Greek and Roman mythology, etc. Some scholars believed that the Great Wilderness Sutra might be the truth of ancient history. It recorded the major events and figures in ancient China in metaphor and symbolism. For example, some gods mentioned in it might be the leaders and ancestors of dynasties or tribes in ancient times. The Classic of Mountains and Seas, the Great Wilderness Sutra, belonged to the Great Wilderness Sutra of the Classic of Seas. It recorded 19 countries, 22 mountains and 3 rivers. The record about Wang Hai once attracted the attention of the historians. The Northern Great Wilderness Scripture also recorded the special one-eyed people.
The setting sun returns to the mountains and seas, the author of the whole poem
There were different versions of the poem. One said that it came from a poem by Jing Yuhuai. Another said that it came from an anonymous poem written by a modern netizen,"The setting sun returns to the mountains and seas. The mountains and seas hide deep meaning, but the deep meaning is slowly explained. Love will be late autumn." There were also versions that it came from Wang Bo's Preface to Tengwang Pavilion. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
Traversing the Familiar World, Opening the Classic of Mountains and Seas
The following were some web novel settings that involved crossing through the familiar world and opening with the Classic of Mountains and Seas: Some protagonists transmigrated to a world where all the people were familiar with beasts and accidentally obtained the Mountain and Sea Classic Beast Taming System. This way, they could use the system to freely travel to the ancient world that belonged to the Mountain and Sea Classic, increasing their cultivation by a hundred times. They could contract divine beasts, make friends with gods, train pets, and so on. For example, the Candle Dragon Candle Dragon that controlled time and space, the divine beast Taotie that devoured the world, and so on (reorganized from Resource 6). There was also the main character who changed his class to a useless beastmaster, but unexpectedly awakened the only hidden class, the Mountain Sea Beastmaster, under the background of the game invading reality and the rise of thousands of races. From there, he could control all kinds of beasts and control the mountains and seas, rising up in the chaotic world (reorganized from Material 7). The novel "Imperial Beast Soars" is equally exciting. Everyone is welcome to click and read it!
The river flows, the mountains are outside the world, and there are no mountains in the whole poem, Wang Wei
The Han River is a poem written by Wang Wei, a poet of the Tang Dynasty. The poem described the magnificent scenery of the Han River. The first sentence," The river flows beyond the heavens and the earth, and the mountains are there or not." It depicted the vast river flowing beyond the heavens and the mountains on both sides of the river appearing and disappearing in the clouds. The whole poem used the river and the mountains as the background. By describing the vastness of the river and the indistinct mountains, it showed the magnificent scenery of the Jianghan River.
The river flows through the world, the mountains are everywhere, and the whole poem is in it
The Han River is a work of the Tang Dynasty poet Wang Wei. The whole poem is as follows: Chu is connected with Sanxiang, and Jingmen is connected with nine sects. The river flows beyond heaven and earth, and the mountains are beautiful and beautiful. The county floated in front of the river, and the waves moved far away. On a windy day in Xiangyang, I left a drunk man with a mountain man. This poem described the scenery of the Han River, expressing the poet's eulogy of the beauty of nature and his appreciation of the ups and downs of life in the flowing water. The theme of the poem was the river and the mountains, showing the vastness of the river and the changes of the mountains. The river flowed beyond the heavens and the earth, and the mountains appeared and disappeared. It described the river flowing beyond the heavens and the mountains on both sides of the river appearing and disappearing in the clouds and mist. The poet also described the turbulent scene of the river and the windy day in Xiangyang, expressing his love for the scenery in Xiangyang and his companionship with the mountain man. This poem vividly depicted the beautiful scenery of the river and the mountains in a concise and clear style, giving people a vast and magnificent feeling. At the same time, through the description of the natural landscape, the poet expressed his praise for the beauty of nature and his thoughts on life. The whole poem was magnificent and realistic, with high artistic and literary value.
The river flows beyond the world, the mountains are there or not, the meaning of the whole poem
The Han River is a poem written by Wang Wei, a poet of the Tang Dynasty. In the poem," The river flows beyond heaven and earth, and the mountains are there or not " depicted the magnificent scenery of the Han River flowing through the Chu Sai and turning into the Sanxiang River. The river was vast and mighty, as if it had flowed out of heaven and earth, and the distant mountains were looming in the clouds and mist. This poem had a far-reaching artistic conception, giving people the feeling of landscape poetry and painting.