Guo Degang talks about the Three Kingdoms
Guo Degang's Three Kingdoms had a unique style. When he talked about Romance of the Three Kingdoms in Old Guo's New Story, it was different from traditional storytelling. In terms of content structure, he only finished the twenty-fifth chapter," The Three Matters of Guan Yu's Agreement in Tuntu Mountain ". This was his usual style of storytelling. For example, in " The King of Keng Arrives," stories such as " The Biography of Ji Gong " and " The Case of Bao Gong " would end halfway. Moreover, his narration had a lot of " idle talk ". He would jump out of the " Three Kingdoms " and talk about the " Three Kingdoms " more. He had a freer grasp of the details of the Three Kingdoms stories. From the perspective of narration, he explained, analyzed, and commented on the Three Kingdoms from a modern perspective. He did not only focus on promoting the story, but also on telling and portraying people. He was good at shuttling back and forth between various characters through vivid performances. At the same time, he would analyze the characters in large sections and finally settle on the output of values, telling how to be a person and act. In addition, he would start a new explanation of the old allusions, integrating the current interpretation and point of view output into the narration, such as Cao Cao's false edict to attract vassals to attract investment in the current film and television industry, etc. He would even attract more audiences outside of the traditional storytelling through the opening "idle talk". After the fixed poem, he would first talk about ten minutes of idle talk, including his own rumors, interesting things in the folk art world, and jokes from the disciples and staff of Deyun Society. In his understanding of the Three Kingdoms, he also compared the story of the Three Kingdoms to the work and business in today's society. He believed that the disputes between the princes in the Three Kingdoms were similar to the infighting and following the trend in the process of starting a business. Many fans liked the story of the Three Kingdoms that he told. This traditional way of storytelling had improved the audience's acceptance of the art of storytelling when it was difficult to produce well-received new actors. In his book, Guo Degang's Talk on the Three Kingdoms, there was also a unique account of Cao Cao's life experience. For example, Cao Cao was the son of Cao Song, the adopted son of eunuch Cao Teng. The book also carried out a clear analysis of ancient and modern officialdom, workplace, love, etc. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Guo Degang
Guo Degang was a famous crosstalk actor and director in China. His representative works included "Crosstalk Hall" and "Crosstalk Conference", which were hailed as the "masters" of the Chinese crosstalk world.
A Book About Guo Degang
Guo Degang was a famous Chinese crosstalk actor and director who was well-liked by the audience for his humorous performance style and extensive knowledge. Guo Degang's representative works included "A New Crosstalk Artist,""Crosstalk Convention,""Smiling Proud in the World," and so on. Among them," A Newcomer in Crosstalk " was a variety show with the theme of selecting crosstalk actors, while " Crosstalk Convention " was a television crosstalk show with the theme of displaying crosstalk performances. In addition, Guo Degang also starred in many movies and TV series such as "Nine Sesame Officials" and "Kung Fu Yoga".
Guo Degang's wife
Guo Degang's second wife was Wang Hui. Wang Hui was a Hui, born in Tianjin in 1976. She was a China drumming actress and a folk artist. Wang Hui provided strong support and warm love for Guo Degang and Guo Qilin. They had two sons, Guo Qilin and Guo Fenyang. Guo Degang posted a family photo on social media, showing the warmth and happiness of their family. Wang Hui was a good wife and mother, and her relationship with Guo Qilin was not bad. "A good wife and husband will bring less trouble, and a filial son will be more magnanimous," Guo Degang said with emotion. Guo Degang's support and trust in Wang Hui was one of the important factors for his success.
Guo Degang's wife
Guo Degang's first wife was Hu Zhonghui. They got married in 1994 but divorced in 1996. Guo Degang's second wife was Wang Hui, a Beijing drum actress. They fell in love in 2001 and got married in 2004. Wang Hui was Guo Degang's lucky star. She gave up her career and devoted herself to the management of Deyun Society. Their marriage was happy and Wang Hui was called his lucky star by Guo Degang.
Guo Degang's wife
Guo Degang's first wife was Hu Zhonghui. They met in a crosstalk class at the Hongqiao Cultural Center in Tianjin and got married in 1994, but divorced in 1996. Guo Degang's second wife was Wang Hui. She was a Beijing drum actress who studied under Li Shusheng and Luo Yusheng. Guo Degang and Wang Hui fell in love in 2001 and got married in October 2004. Wang Hui gave up her career and devoted herself to the management of Deyun Society. She played an important role in the development of Deyun Society and also treated Guo Degang's son, Guo Qilin, as her own. Today, Guo Degang and Wang Hui's husband and wife relationship was very loving. Guo Degang called Wang Hui his lucky star.
Guo Degang, Kong Yunlong
Guo Degang was born in Hongqiao District, Tianjin City on January 18, 1973. He was a China crosstalk actor, film actor, host, and founder of Beijing Deyun Society. Kong Yunlong, whose original name was Kong Deshui, was born in Hebei Province on August 18, 1986. He was a crosstalk actor in mainland China and a member of Beijing Deyun Society. In 2004, Kong Yunlong entered Deyun Society to learn crosstalk from Guo Degang. On October 29, 2006, he officially became Guo Degang's disciple. Guo Degang had taught and supported Kong Yunlong with great care. In the Deyun Society, Guo Degang was not only the master, but also the elder, leading many disciples, including Kong Yunlong, to glory. Kong Yunlong had a lot of unique experiences in the development of Deyun Society. He was carefree, casual, and righteous. He had no desires and did not fight for fame and wealth, so he could get along with his fellow disciples. The blessings he expressed on Guo Degang's birthday were simple and affectionate, showing the deep friendship between the master and disciple. At the same time, his experiences were also full of legends. For example, his physique was special and he was easily injured. He had experienced motorcycle crashes and fireworks injuries. Although Guo Degang considered his safety when he participated in the Deyun group, he was still injured while playing skateboarding after the group. He was also known as the " King of Guankou " and was known as the " Four Young Masters of Deyun " along with Yue Yunpeng, Luan Yunping, and Tao Yang. He had a unique position in Deyun Society. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Guo Degang and Meng Hetang
Meng Hetang was a disciple of Guo Degang and was now the captain of the seventh team of Beijing Deyun Society. Meng Hetang's road to fame was more complicated. In the early days, his appearance conditions were not outstanding and he was nicknamed "Adou" by the outside world. However, Guo Degang saw his potential and gave him more stage opportunities. Meng Hetang also relied on his own efforts to move from being questioned to a well-respected actor. In the performance, Guo Degang was strict with Meng Hetang. For example, Meng Hetang made mistakes during his performance in the group, and Guo Degang criticized him for deducting points for offending the audience and slow entry of his works. However, Guo Degang also hoped that his disciple could continue to improve. The strict requirements on stage were different from those in life. On Guo Degang's 50th birthday, Meng Hetang's gift of a five-clawed dragon robe caused controversy. This behavior was interpreted differently in different people's eyes, and Guo Degang valued the master-disciple relationship behind it. They also participated in many performances and program productions of Deyun Society, such as the program "Deyun Laughing Society" that Meng Hetang participated in. Their relationship reflected the characteristics of the master-disciple inheritance and mutual influence within Deyun Society. The novel " Humph, Call Me Senior Brother " is equally exciting. Everyone is welcome to click and read it!
Guo Degang, Zhang Yunlei
Guo Degang and Zhang Yunlei had a master-disciple relationship. Zhang Yunlei entered Deyun Society at the age of 8 and was one of Guo Degang's earliest disciples. Zhang Yunlei's growth was closely related to Guo Degang's careful cultivation. Guo Degang taught Zhang Yunlei crosstalk skills, teaching him how to show himself on stage and how to communicate with the audience. He paid more attention to the cultivation of his moral character and cultivation, hoping that he would become an upright and kind person. This was a kind of inheritance that surpassed skills. When Zhang Yunlei experienced the lowest point of his life, such as his vocal cords changing and leaving the club, the Nanjing railway station accident, and various doubts, Guo Degang always gave him support and encouragement to help him stand up again. Zhang Yunlei also supported Guo Degang when his career was at its lowest point. In the development of Deyun Society, they experienced the wind and rain together and witnessed each other's growth and transformation. On the stage, they were master and disciple, partners, and in life, they were like family and friends. This kind of deep relationship was not only a personal friendship, but also closely linked to the development of Deyun Society. It became a much-told story in the crosstalk world. The novel " Humph, Call Me Senior Brother " is equally exciting. Everyone is welcome to click and read it!
Celebrating the Year 2: Guo Qilin Becomes Guo Degang
In Joy of Life2, the image of actor Guo Qilin changed, reminding people of his father, Guo Degang. In the play, Guo Qilin's character became fat and looked more like a young Guo Degang. According to reports, in order to better interpret the character, Guo Qilin deliberately gained weight before filming to make himself look more in line with the image of the character in the play. This spirit of sacrificing himself for the role made people praise his professionalism. Therefore, it could be said that Guo Qilin in Joy of Life2 had become more like Guo Degang.