Song of Everlasting Sorrow had a note in the original text: Song of Long Hate Bai (bái) Ju (jū) Yi (y)[Tang (táng) Dai (dài)] The emperor of Han paid attention to beauty and thought of the country. He spent many years in the universe seeking but could not get it. In the Yang family, there was a woman who had grown up and was raised in the deep boudoir. Heaven gives birth to beauty, quality, difficulty, self-abandonment, and the selection of a court is on the side of the king. One eye, one smile, one hundred charms, one beauty, one beauty, one (The above is only part of the content. If you need the complete printed version of Song of Everlasting Sorrow, you can get more content through the search engine.) The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Sorrow Pinyin Version: cháng hèn gē hàn huáng zhòng sè sī qīng guó,yù yǔ duō nián qiú bù dé。 yáng jiā yǒu nǚ chū cháng chéng,yǎng zài shēn guī rén wèi shí。 tiān shēng lì zhì nán zì qì,yī zhāo xuǎn zài jūn wáng cè。 huí móu yī xiào bǎi mèi shēng,liù gōng fěn dài wú yán sè。 chūn hán cì yù huá qīng chí,wēn quán shuǐ huá xǐ níng zhī。 shì ér fú qǐ jiāo wú lì,shǐ shì xīn chéng ēn zé shí。 yún bìn huā yán jīn bù yáo,fú róng zhàng nuǎn dù chūn xiāo。 chūn xiāo kǔ duǎn rì gāo qǐ,cóng cǐ jūn wáng bù zǎo cháo。 chéng huān shì yàn wú xián xiá,chūn cóng chūn yóu yè zhuān yè。 hòu gōng jiā lì sān qiān rén,sān qiān chǒng ài zài yī shēn。 jīn wū zhuāng chéng jiāo shì yè,yù lóu yàn bà zuì hé chūn。 zǐ mèi dì xiōng jiē liè tǔ,kě lián guāng cǎi shēng mén hù。 suì lìng tiān xià fù mǔ xīn,bù zhòng shēng nán zhòng shēng nǚ。 lí gōng gāo chù rù qīng yún,xiān yuè fēng piāo chù chù wén。 huǎn gē màn wǔ níng sī zhú,jìn rì jūn wáng kàn bù zú。 yú yáng pí gǔ dòng dì lái,jīng pò ní cháng yǔ yī qǔ。 jiǔ zhòng chéng què yān chén shēng,qiān shèng wàn jì xī nán xíng。 cuì huá yáo yáo xíng fù zhǐ,xī chū dōu mén bǎi yú lǐ。 liù jūn bù fā wú nài hé,wǎn zhuǎn é méi mǎ qián sǐ。 huā diàn wěi dì wú rén shōu,cuì qiào jīn què yù sāo tóu。 jūn wáng yǎn miàn jiù bù dé,huí kàn xuè lèi xiāng huò liú。 huáng āi sǎn màn fēng xiāo suǒ,yún zhàn yíng yú dēng jiàn gé。 é méi shān xià shǎo rén xíng,jīng qí wú guāng rì sè báo。 shǔ jiāng shuǐ bì shǔ shān qīng,shèng zhǔ zhāo zhāo mù mù qíng。 xíng gōng jiàn yuè shāng xīn sè,yè yǔ wén líng cháng duàn shēng。 tiān xuán dì zhuǎn huí lóng yù,dào cǐ chóu chú bù néng qù。 mǎ wéi pō xià ní tǔ zhōng,bù jiàn yù yán kōng sǐ chù。 jūn chén xiāng gù jìn zhān yī,dōng wàng dōu mén xìn mǎ guī。 guī lái chí yuàn jiē yī jiù,tài yè fú róng wèi yāng liǔ。 fú róng rú miàn liǔ rú méi,duì cǐ rú hé bù lèi chuí。 chūn fēng táo lǐ huā kāi rì,qiū yǔ wú tóng yè luò shí。 xī gōng nán nèi duō qiū cǎo,luò yè mǎn jiē hóng bù sǎo。 lí yuán dì zǐ bái fà xīn,jiāo fáng ā jiān qīng é lǎo。 xī diàn yíng fēi sī qiāo rán,gū dēng tiāo jìn wèi chéng mián。 chí chí zhōng gǔ chū cháng yè,gěng gěng xīng hé yù shǔ tiān。 yuān yāng wǎ lěng shuāng huá zhòng,fěi cuì qīn hán shuí yǔ gòng? yōu yōu shēng sǐ bié jīng nián,hún pò bù céng lái rù mèng。 lín qióng dào shì hóng dōu kè,néng yǐ jīng chéng zhì hún pò。 wèi gǎn jūn wáng zhǎn zhuǎn sī,suì jiào fāng shì yīn qín mì。 pái kōng yù qì bēn rú diàn,shēng tiān rù dì qiú zhī biàn。 shàng qióng bì luò xià huáng quán,liǎng chù máng máng jiē bù jiàn。 hū wén hǎi shàng yǒu xiān shān,shān zé xū wú piāo miǎo jiān。 lóu gé líng lóng wǔ yún qǐ,qí zhōng chuò yuē duō xiān zǐ。 zhōng yǒu yī rén zì tài zhēn,xuě fū huā mào cān chā shì。 jīn què xī xiāng kòu yù jūn,zhuǎn jiào xiǎo yù bào shuāng chéng。 wén dào hàn jiā tiān zǐ shǐ,jiǔ huá zhàng lǐ mèng hún jīng。 lǎn yī tuī zhěn qǐ pái huái,zhū bì yín píng yǐ lǐ kāi。 yún bìn bàn piān xīn shuì jiào,huā guān bù zhěng xià táng lái。 fēng chuī xiān měi piāo yáo jǔ,yóu sì ní chéng yǔ yī wǔ。 yǔ róng jì mò lèi lán gān,lí huā yī zhī chūn dài yǔ。 hán xìn níng dì xiè jūn wáng,yī bié yīn róng liǎng miǎo máng。 zhāo yáng diàn lǐ ēn ài jué,yǔ péng lái gōng zhōng rì yuè cháng。 huí tóu xià wàng rén huán chù,bù jiàn cháng ān jiàn chén wù。 wèi jiāng jiù wù biǎo shēn qíng,biàn hé jīn chāi jì jiāng qù。 chāi liú yī gǔ hé yī shàn,chāi bō huáng jīn hé fēn diàn。 dàn lìng xīn sì jīn diàn jiān,tiān shàng rén jiān huì xiāng jiàn。 lín bié yīn qín zhòng jì cí,cí zhōng yǒu shì liǎng xīn zhī。 qī yuè qī rì cháng shēng diàn,yè bàn wú rén sī yǔ shí。 zài tiān yuàn zuò bǐ yì niǎo,zài dì yuàn wéi lián lǐ zhī。 tiān cháng dì jiǔ yǒu shí jìn,cǐ hèn mián mián wú jué qí。 The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Sorrow had many artistic forms, such as poetry recitation, songs, stage plays, etc. Different versions had their own unique charms. It was difficult to say which version was "good", which depended on one's personal preferences and feelings for different artistic forms. From the perspective of poetry, it was originally a classic Tang poem by Bai Juyi. Every sentence was filled with the beauty of rhythm and artistic conception. Whether it was reciting the original version of the Tang poem, Song of Everlasting Sorrow, one could feel the charm of the words themselves. From a song perspective, if there was a song adapted from " Song of Everlasting Sorrow," some people might like the classical music style arrangement version, which could experience the ancient charm, while others might like the innovative version that incorporated modern music elements, which was more in line with the music aesthetics of the contemporary people. In terms of stage plays, for example, the 2024 version of Ice and Fire's "Song of Everlasting Sorrow" ingeniously integrated historical stories, stage performances, and modern technology. The audience could feel the unique music and lines while watching the performance, and experience the charm of "Song of Everlasting Sorrow". There was also the Shanghainese version of the stage play "Song of Everlasting Sorrow", which might bring a different listening experience to the local Shanghai audience or the audience who liked the unique charm of Shanghainese. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
In 2005, Lan Xinyan (formerly known as Lan Yan) starred in the movie "Song of Everlasting Sorrow" directed by Guan Jinpeng. In the movie, she played the role of Miss Shanghai champion, Duan Wenfang. This role tested her acting skills and left a deep impression on the audience, thus starting her acting career. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Sorrow was a long narrative poem written by Bai Juyi, a poet of the Tang Dynasty. It described the love life of Emperor Xuanzong and Yang Guifei, the effect of love, and the story of the An Lushan Rebellion. This poem was romantic, wonderful, and positive. It showed the deep love between Emperor Xuanzong of the Tang Dynasty and Yang Guifei, as well as the outbreak of their famine and An Lushan Rebellion.
Song of Everlasting Regret was a long narrative poem by Bai Juyi, a poet of the Tang Dynasty. It described the love tragedy between Emperor Xuanzong of the Tang Dynasty and Yang Guifei. The poem used the summer scenery and emotions as the theme to express Bai Juyi's longing and sadness for the king. There were many beautiful sentences in the poem, among which," Looking back and smiling, a hundred beauties are born, and the six palaces are colorless " was considered to be the best. Song of Everlasting Sorrow sang the love tragedy of Emperor Xuanzong of the Tang Dynasty and Yang Guifei in a roundabout and sentimental manner, showing Bai Juyi's superb talent and profound emotions. This poem was considered one of Bai Juyi's famous works and had a far-reaching influence.
He recommended a few good web novels. " Eternal Joy " was an ancient romance novel written by He Xi. In her previous life, the female protagonist raised her child alone, but her life was ruined by the male protagonist's " kill without mercy ". After her rebirth, she still fell in love with him. They were separated by national hatred and family hatred. What would their fate be? The novel is estimated to be 500,000 to 600,000 words, and it will be completed within a month. The Story of Longevity was a novel written by Xue Mu Changsheng. The female protagonist was reborn to the beginning of her life and embarked on the path of cultivation. Although it was full of thorns and obstacles, she was blessed with luck and explored the path of longevity without regret. The Phoenix Cry in Chang 'an, Chu Ying's masterpiece of ancient romance. The female lead was the Eldest Princess, Li Xuan 'er, and the male lead was Zheng Hao. In his previous life, Zheng Hao was recruited as the Prince Consort. One of them was killed and died early, while the other saw the sadness of the chaotic world. After her rebirth, Li Xuan 'er refused to get married. Zheng Hao helped her, and the two started a story in the late Tang Dynasty. There are many characters in the book, and the author's writing style is good. It will be published tomorrow. I hope everyone will support the initial order. " Palace War ", an ancient romance novel written by En Mo, was completed. The male protagonist ascended the throne at a young age, and the female protagonist was born into a family of generals. After entering the palace, there was a tangled love story. There were elements of a harem battle. Those who liked it could join the QQ group. Song of Eternal Joy was a fictional historical novel by Master Sanjie. The main character was the son of the late emperor, and there was a plot of revenge. His writing style was elegant and elegant. Although the plot was a little old-fashioned, it was a work of the Almighty. The writing style was first-class, and it had the potential to become a movie. It was worth watching. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
The author of " Song of Everlasting Sorrow " was the Tang Dynasty poet Bai Juyi. There was no information about another author when " Song of Everlasting Sorrow " was adapted into a play. It was generally believed that the original author of the play was Bai Juyi. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret was a long narrative poem by Bai Juyi, a poet of the Tang Dynasty in China. It was not selected from other works. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret was a long narrative poem written by Bai Juyi in the Tang Dynasty. * * I. Analysis of the original text ** 1. * * Opening Part ** - "The Emperor of Han was so obsessed with women that he could topple the country. The Yang family had a daughter who had just grown up and was raised in a boudoir. No one knew her. A natural beauty is hard to give up, and once she is chosen to be beside the king." It depicted that Emperor Xuanzong of the Tang Dynasty loved beauty and had always been looking for beautiful women. The daughter of the Yang family (Yang Guifei) was born beautiful and was chosen to enter the palace. "Emperor of Han" actually referred to Emperor Ming of Tang Dynasty. The poet wrote it like this to avoid taboo. - "Looking back, a smile gives birth to a hundred charms, and the six palaces have no color. In the cold spring, he was given a bath in Huaqing Pool, and the hot spring water flowed smoothly to wash the coagulated fat. When the servant lifted her up, she was powerless. This is the time to receive a new favor." Through the description of Yang Guifei's beauty and beauty, she turned around and smiled, making the other women in the harem pale in comparison. Moreover, she was doted on by Emperor Xuanzong of Tang Dynasty and was given a bath in Huaqing Pool, showing her state when she was first favored. - "Cloud hair, flower face, golden steps shake, hibiscus tent warm spring night. Spring nights are short and the sun rises high. From then on, kings don't go to court early. There is no leisure time to entertain guests, spring from spring outing night to night. There are three thousand beauties in the harem, and three thousand dotes on one person." He further described Yang Guifei's beauty and decoration, as well as her situation after she was favored. Emperor Xuanzong of the Tang Dynasty no longer went to court early because he was addicted to her love and gathered thousands of favors on her. - "The golden house is dressed up as a delicate servant at night, and the banquet in the jade tower is drunk and spring. Sisters and brothers are listed in the land, and the poor glory is born in the door. So that the hearts of all parents in the world will not give birth to a man but to a woman." It was written that Yang Guifei's family received high positions and high salaries because of her favor. Even the parents of the world changed their minds and hoped that their daughters could bring honor to their ancestors like Yang Guifei. - "From the high place of the Li Palace, one can see the blue clouds, and the wind of celestial music is heard everywhere. Slow singing, wild dancing, silk and bamboo, all day long the king can't see enough." It depicted the palace on Mount Li towering into the clouds, the celestial music in the palace fluttering, and the beautiful singing and dancing of Yang Guifei. Emperor Xuanzong of the Tang Dynasty did not feel bored watching it all day long. 2. * * An Lushan Rebellion ** - "Fisherman's Sun and drum move the earth, breaking the song of Rainbow Feathers. Smoke and dust rose from the nine watchtowers, and thousands of chariots and horses marched southwest. Cuihua swayed and stopped, more than a hundred miles west of the capital gate. If the six armies do not move, they will die in front of their horses." The An Lushan Rebellion broke out, and An Lushan's rebels broke the peace of the palace. Emperor Xuanzong of the Tang Dynasty fled with Yang Guifei and others. When the army reached Mawei Slope, there was a mutiny and Yang Guifei was ordered to die. - "The mother-of-pearl has fallen to the ground and no one has collected it. The emperor covered his face and could not save him. When he returned, he saw blood and tears flowing in harmony." After Yang Guifei's death, her jewelry was scattered all over the ground. Emperor Xuanzong of the Tang Dynasty wanted to save her but could not do anything. He could only cover his face and cry bitterly, exchanging blood and tears. 3. * * The Missing Part of Xuanzong ** - "The yellow dust is scattered in the wind, and the cloud stacks are winding up the Sword Pavilion. At the foot of Mount Emei, few people walked. The flags were dim and the sun was thin. The water of the Shu River is green and green, and the mountains are green. The Lord is in love day and night. The moon in the palace is sad, and the bell in the night rain is heartbroken." It described the desolate scene of Emperor Xuanzong of the Tang Dynasty on his way to Shu. He missed Yang Guifei very much. When he saw the mountains and rivers of Shu, he would be moved by the scenery. When he heard the bell of the palace, he would be heartbroken. - "The world is spinning and the dragon is returning. In the mud at the foot of Mawei Slope, I can't see where Yuyan died. The monarch and his subjects looked at each other and wet their clothes. They looked east at the capital gate and believed that the horse would return." After the rebellion was quelled, Emperor Xuanzong of the Tang Dynasty returned to Chang 'an. When he passed by Mawei Slope, he was still nostalgic. On the way back to the palace, he was also lost. - "Return to the pool garden is still the same, too liquid hibiscus Weiyang willow. Hibiscus like face, willow like eyebrows, how can this not shed tears? Peach and plum blossoms bloom in the spring breeze, and the leaves of the parasol tree fall in the autumn rain. There are many autumn grasses in the south of the West Palace, and the fallen leaves on the steps are red and not swept away. The disciples of the pear garden have new white hair, and the green E of the supervisor of the pepper house is old. In the evening hall fireflies fly and think quietly, and the lonely lamp is lit up, but I can't sleep. Bells and drums have been playing for a long time, and the stars are shining in the sky. Mandarin duck tile cold frost heavy, jade quilt cold who to share. Life and death have been separated for many years, and the soul has never entered the dream." When he returned to the palace and saw the scene in the palace garden, he would think of Noble Consort Yang. The change of the four seasons could evoke his thoughts. At night, he was lonely and could not sleep. He lamented that he was separated from Noble Consort Yang in life and death. Even his soul did not enter his dreams. 4. * * Taoist priest searching part ** - "Linqiong Taoist Hongduke can use his sincerity to summon souls. In order to move the king's wandering thoughts, he taught the alchemist to look for it diligently. Empty the sky, control the qi, run like lightning, ascend to the sky, enter the earth, search everywhere. Up in the blue sky and down in the Yellow Springs, I can't see you in either place." Emperor Xuanzong of the Tang Dynasty found a Taoist priest to search for Yang Guifei's soul because he missed her too much. The Taoist priest searched everywhere. - "I suddenly heard that there was an immortal mountain on the sea. The pavilion is exquisite and beautiful, and there are many fairies in it. Among them, there was a man named Taizhen, with snow-white skin and beautiful appearance. Jin Que West Chamber knocked on the jade door, turned to teach Xiaoyu to report double success. I heard that the emperor of the Han Dynasty sent an envoy. I dreamed in Jiuhua account that my soul was frightened. Pulling up his clothes and pushing his pillow, he stood up and paced back and forth, and the pearl chaff and silver screen spread out. His hair was half-clouded, and he had just gone to bed. The crown of his flower was not neat. The wind blew the fairy's sleeves and fluttered them, just like the dance of colorful clothes. Her face was pale and lonely, and her tears dried up. A pear flower in spring brought rain. I look at the king with affection, and the sound and appearance of parting are vague. In Zhaoyang Hall, love is cut off, and the sun and moon in Penglai Palace are long. Looking back down at the world, I saw no dust in Chang 'an. I only took the old things to express my deep feelings, and put them together with the golden hairpin to send them away. The hairpin is left with a fan, and the hairpin is broken with gold and divided into mother-of-pearl. But the heart of enlightenment is as strong as gold, and heaven and earth will meet. Parting diligent re-sent words, words have vowed to know both hearts. On the seventh day of the seventh month, in the Temple of Immortals, when no one was whispering in the middle of the night. In heaven, I wish to be a pair of lovebirds, on earth, I wish to be a pair of branches. There will be an end to this forever, and this hatred will never end." The Taoist priest finally found Yang Guifei in the sea fairy mountain. She asked the Taoist priest to bring back the old thing that was used to make love with Emperor Xuanzong of Tang Dynasty to express her longing and love. The two had sworn an oath in the Longevity Palace. Finally, the poet lamented that even if there was an end to heaven and earth, the regret and longing between them would never end. * * II. Translated Version ** Emperor Ming of the Tang Dynasty loved beauty and wanted to find a peerless beauty day and night. He ruled the country for many years, but he couldn't find a satisfactory one. Yang Xuanying had a daughter who had just grown up and was very beautiful. She was born beautiful and could not be abandoned for a long time. One day, she would be chosen to be the emperor's concubine. When she looked back and smiled, she was charming in all kinds of poses, and all the concubines in the six palaces were overshadowed. In the chilly spring, the Emperor gave her a bath in the Huaqing Pool, which was moist and cleansed her cream-like muscles. The maid helped her up, like a lotus out of the water, weak and graceful. When she first received the emperor's grace, she was so delicate. Her hair was like clouds, her face was like flowers, and she wore a golden buyao on her head. In the hibiscus tent, she spent a warm spring night with the emperor. Love deep spring night hate too short, sleep until the sun rises; The king loved his children deeply and never went to court early again. Accept your joy to accompany you to drink, accompany you all day long without leisure time; Spring from spring outing night dedicated to guard, both body and shadow are not separated. There were 3,000 concubines in the harem, all of whom looked like goddesses. 3,000 beauties were not moved, but the emperor only doted on her. In the golden house, Ah Jiao's makeup is finished, and every night she is always there. In the jade tower, after the banquet, drunkenness is accompanied by love. The sisters were granted the title of madam and the brothers were granted the title of gongqing, and the fief was rewarded. The Yang family's door was glorious, making people envy and yearn for it. It caused all the parents in the world to change their wishes. Everyone looked down on having a boy and only wanted to have a little daughter. Huaqing Palace at the northern foot of Mount Li, where the jade palace and Qionglou tower are towering into the clouds, where the breeze blows and the fairy music is heard in all directions. Light songs and slow dances are often in sync, and the melodies of orchestras are vivid. The king watched all day long, and his desire was endless. Suddenly the drums of Yuyang sounded, shaking the sky and shaking the palace. The dancing geisha were frightened and stopped playing the song of Nishang Feather. The nine towers and palaces were filled with flames and smoke. Thousands of troops protected the king and fled southwest. The Cuihua Dragon Flag waved all the way, and the team walked and stopped. They traveled a hundred miles west of the capital and arrived at Mawei Pavilion, a post station. The six armies of the Dragon Martial Army and the Yulin Royal Guards had no choice but to leave, and the beauty who had been wronged finally lost her life in front of the horse. The ornaments on the imperial concubine's head were scattered all over the ground, and no one asked about them. The jade hair of the imperial concubine was green and golden, and the precious headdress was one by one. The king's love could not save him, so he covered his face and cried like a tearful man. Looking back at this tragic situation, blood and tears mixed with tears. The autumn wind swept away the fallen leaves, the dust had disappeared, and the team climbed the boardwalk. The road at the foot of Emei Mountain is dangerous and narrow. The road to Shu is difficult and few people can walk. The flags are dark and dull. The sun is faint and close to dusk. The vast Shu River is green, and the towering Shushan Mountain is green. The Holy Lord misses the Imperial Concubine sadly, and loves the old feelings day and night. When I see the moonlight in the palace, I am always sad and resentful. In the rain at night, I hear the sound of bells, and the music is sad. The world spun and the war was over. The king drove back to the capital. When he arrived at Mawei, he hesitated and could not bear to leave the heartbroken man. Under the luxuriant hillside of Mawei Mountain, desolate yellow soil. Finally, the Taoist priest found Yang Guifei, who expressed her longing and love for Emperor Xuanzong of the Tang Dynasty. They had vowed to be lovebirds in heaven and to be connected branches on earth, but even if there was an end to heaven and earth, the regret and longing between them would never end. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
The Pinyin version of Song of Everlasting Regret is as follows: hàn huáng zhòng sè sī qīng guó, yù yǔ duō nián qiú bù dé。 yáng jiā yǒu nǚ chū zhǎng chéng, yǎng zài shēn guī rén wèi shí。 tiān shēng lì zhì nán zì qì, yī zhāo xuǎn zài jūn wáng cè。 huí móu yī xiào bǎi mèi shēng, liù gōng fěn dài wú yán sè。 chūn hán cì yù huá qīng chí, wēn quán shuǐ huá xǐ níng zhī。 shì ér fú qǐ jiāo wú lì, shǐ shì xīn chéng ēn zé shí。 yún bìn huā yán jīn bù yáo, fú róng zhàng nuǎn dù chūn xiāo。 chūn xiāo kǔ duǎn rì gāo qǐ, cóng cǐ jūn wáng bù zǎo cháo。 chéng huān shì yàn wú xián xiá, chūn cóng chūn yóu yè zhuān yè。 hòu gōng jiā lì sān qiān rén, sān qiān chǒng ài zài yì shēn。 jīn wū zhuāng chéng jiāo shì yè, yù lóu yàn bà zuì hé chūn。 zǐ mèi dì xiōng jiē liè tǔ, kě lián guāng cǎi shēng mén hù。 suì lìng tiān xià fù mǔ xīn, bù zhòng shēng nán zhòng shēng nǚ。 lí gōng gāo chù rù qīng yún, xiān yuè fēng piāo chù chù wén。 huǎn gē màn wǔ níng sī zhú, jìn rì jūn wáng kàn bù zú。 yú yáng pí gǔ dòng dì lái, jīng pò ní cháng yǔ yī qǔ。 jiǔ chóng chéng què yān chén shēng, qiān shèng wàn jì xī nán xíng。 cuì huá yáo yáo xíng fù zhǐ, xī chū dū mén bǎi yú lǐ。 liù jūn bù fā wú nài hé, wǎn zhuǎn é méi mǎ qián sǐ。 huā diàn wěi dì wú rén shōu, cuì qiào jīn què yù sāo tóu。 jūn wáng yǎn miàn jiù bù dé, huí kàn xuè lèi xiāng hé liú。 huáng āi sǎn màn fēng xiāo suǒ, yún zhàn yíng yú dēng jiàn gé。 é méi shān xià shǎo rén xíng, jīng qí wú guāng rì sè báo。 shǔ jiāng shuǐ bì shǔ shān qīng, shèng zhǔ zhāo zhāo mù mù qíng。 xíng gōng jiàn yuè shāng xīn sè, yè yǔ wén líng cháng duàn shēng。 tiān xuán rì zhuǎn huí lóng yù, dào cǐ lóu yǐ bù néng qù。 mǎ wéi pō xià ní tǔ zhōng, bù jiàn yù yán kōng sǐ chù。 jūn chén xiāng gù jìn zhān yī, dōng wàng dū mén xìn mǎ guī。 guī lái chí yuàn jiē yī jiù, tài yè fú róng wèi yāng liǔ。 fú róng rú miàn liǔ rú méi, duì cǐ rú hé bù lèi chuí。 chūn fēng táo lǐ huā kāi yè, qiū yǔ wú tóng yè luò shí。 xī gōng nán yuàn duō qiū cǎo, luò yè mǎn jiē hóng bù sǎo。 lí yuán dì zǐ bái fà xīn, jiāo fáng ē jiān qīng é lǎo。 xī diàn yíng fēi sī qiāo rán, gū dēng jiāo jìn wèi chéng mián。 chí chí zhōng gǔ chū cháng yè, gěng gěng xīng hé yù shǔ tiān。 yuān yāng wǎ lěng shuāng huá zhòng, fěi cuì qīng hán shuí yǔ gòng。 yōu yōu shēng sǐ bié jīng nián, hún pò bù céng lái rù mèng。 lín qióng dào shì hóng dōu kè, néng yǐ jīng chéng zhì hún pò。 wèi gǎn jūn wáng zhǎn zhuǎn sī, suì jiào fāng shì yīn qín lì。 pái kōng yù qì bēn rú diàn, shēng tiān rù dì qiú zhī biàn。 shàng qióng bì luò xià huáng quán, liǎng chù máng máng jiē bù jiàn。 hū wén hǎi shàng yǒu xiān shān, shān zài xū wú piāo miǎo jiān。 lóu gé líng lóng wǔ yún qǐ, qí zhōng chuò yuē duō xiān zǐ。 zhōng yǒu yī rén zì tài zhēn, xuě fū huā mào cēn cī shì。 jīn què xī xiāng kòu yù jūn, zhuǎn jiào xiǎo yù bào shuāng chéng。 wén dào hàn jiā tiān zǐ shǐ, jiǔ huá zhàng lǐ mèng hún jīng。 lǎn yī tuī zhěn qǐ pái huái, zhū bì yín píng yǐ lǐ kāi。 yún bìn bàn piān xīn shuì jiào, huā guān bù zhěng xià táng lái。 fēng chuī xiān měi piāo yáo jǔ, yóu sì ní chéng yǔ yī wǔ。 yǔ róng jì mò lèi lán gān, lí huā yī zhī chūn dài yǔ。 hán xìn níng dì xiè jūn wáng, yī bié yīn róng liǎng miǎo máng。 zhāo yáng diàn lǐ ēn ài jué, yú péng lái gōng zhōng rì yuè cháng。 huí tóu xià wàng rén huán chù, bù jiàn cháng ān jiàn chén wù。 wèi jiāng jiù wù biǎo shēn qíng, biàn hé jīn chāi jì jiāng qù。 chāi liú yī gǔ hé yī shān, chāi bō huáng jīn hé fēn diàn。 dàn lìng xīn sì jīn diàn jiān, tiān shàng rén jiān huì xiāng jiàn。 lín bié yīn qín zhòng jì cí, cí zhōng yǒu shì liǎng xīn zhī。 qī yuè qī rì cháng shēng diàn, yè bàn wú rén sī yǔ shí。 zài tiān yuàn zuò bǐ yì niǎo, zài dì yuàn wéi lián lǐ zhī。 tiān cháng dì jiǔ yǒu shí jìn, cǐ hèn mián mián wú jué qí。 The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!