The Writing Rules of Song Ci
For the repeated singing of the music, each tune was generally divided into two parts, called the upper and lower parts, or the upper and lower parts. If the natural paragraph format is used, the position of two full-width Chinese characters should be empty at the beginning of the natural paragraph; if the parts are divided and arranged in natural segments, the position of two full-width Chinese characters should be empty between the parts. There are also monotonous works, such as "Sixteen Words Order,""Looking at Jiangnan" and other small orders. As for long tunes that are divided into three or four pieces, such as "Auspicious Dragon Song" and "Preface to Oriole's Tiao", they are rarely seen.
The Writing Method and Form of Song Ci
The writing style and format of Song Ci were as follows: ** I. Word classification ** 1. ** By classification ** - It could be categorized by the number of words, the type of music (Ling, Yin, Man, Santai, etc.), the tempo, and the name of the Ci. However, it was generally possible to create according to the name of the Ci. Different Ci names had different word count, temperament, and rhythm. 2. ** By Faction ** - They were generally divided into the bold and unconstrained faction and the graceful and restrained faction. The bold and unconstrained school, such as Su Shi and Xin Qiji, were more rough and open in their creation. Their temperament was magnificent and powerful, bold and unrestrained. The graceful school, such as Li Qingzhao and Liu Yong, focused on the love of children. Their temperament was fresh and meaningful, tactful and pleasant to the ears. If he wanted to praise the feelings of the country, mountains and rivers, and other magnificent content, it was suitable to use the bold and unconstrained school; if he wanted to write about the feelings of children, sorrow for spring and autumn, it was suitable for the graceful school. ** II. The composition of the words ** It was composed of the name of the Ci, the title, and the main body. For example, in Su Shi's Shuidiao Getou,"Shuidiao Getou" was the name of the poem."Bingchen Mid-Autumn Festival, drinking happily until dawn, drunk, writing this poem, and pregnant with Ziyou" was the title, and the following "When will the bright moon appear, ask the blue sky with wine..." was the main text. The origins of the names of Ci poems were as follows: first, the names of ancient music; second, they were taken from Yuefu; third, they were created by poets (at that time, some poets could write Ci and compose music, so they could create their own Ci poems); fourth, they came from the Western Regions or other ethnic minorities; fifth, they picked words from Ci poems to piece together the names of Ci poems. ** 3. Rhythm of Ci ** 1. ** Relationship with music ** - Ci was closely related to music, so it had a strict style and rhythm. Each name of a Ci tablet strictly stipulated the number of sentences in a poem, the number of words in each sentence, and the tone of each word. Usually, the first word made with the name of the Ci tile was used as the freeze-frame. This made lyrics more musical than poetry. 2. ** Ping Ze Yun ** - According to the rhyme books of the Sui Dynasty and Song Dynasty, such as Qieyun, there were four tones in Middle Chinese: flat, up, go, and enter. In addition to the flat tone, up, go, and enter were the tones. In modern Mandarin, the entering tone had disappeared. Among the four tones of Mandarin, the first and second tones were flat (Yin Ping and Yang Ping), and the third and fourth tones were flat. Different Ci cards would determine the rhythm of the entire Ci. For example, the rhyme of "When will the bright moon appear? Ask the blue sky about the wine" was "flat and narrow, flat and narrow." Moreover, different Ci cards were suitable for expressing different emotions. If one wanted to express their lofty aspirations, one could use impassioned tunes such as "Red River,""Nian Nujiao,""Spring in the Qin Garden," and so on. If one wanted to write sentimental feelings, one could use gentle tunes such as "Butterfly Love Flower,""Linjiang Immortal," and "Red Lips." 3. ** An example of the format of Ci Pai ** - For example,"Ru Meng Ling"(monotonous thirty-three words, five rhymes, one alliteration rhyme, go up to pass), the format of the Ci card is (flat) flat (Ze) Ze flat,(Ze) Ze flat (Ze) Ze flat. (Ze) Ze Ping (Ze) Ping. It's flat. (Ze) Ze Ping (Ze) Ping. - "Crow Cry at Night"(36 words in double tones, with three flat rhymes in the first half and two flat rhymes in the second half). The format of the Ci card is (Ze) Ze (Ze) Pingze,(Ze) Ze (Ze) Pingze. And they were all flat and flat. [1][2][3][4][5][6][7][8] - "Long Lovesickness"(a total of forty-five words, a rhyme to the end), the style of the poem is flat and oblique, oblique and flat and oblique. It was flat, flat, flat.
The Character Introduction of This Song Ci Is Not That Song Ci
The characters included the male lead, Song Ci, the white-clothed youth, Ying Ruyu, the tyrant in the birch tree, Song Ci, the female lead, Song Huannian, the male supporting character, Tang Sinian, and the female supporting character, Xu Mu. "This Song Ci Is Not That Song Ci" Author: "I heard that it's 79. It's a romantic youth/youth campus novel. It's finished and you can enjoy it without worry." User recommendation: [Self-deluded school bully male protagonist VS weak and well-behaved rich family daughter] Song Ci had a well-known title in No. 3 High School: "Ruyu Bully" because Song Ci was good-looking and could bear the elegant demeanor of a stranger like Ruyu. He was recognized as a bully in No. 3 High School. Until one day, Song Ci fainted and had a fever. He was saved at Song Huannian's door. From then on, he caught a glimpse of Song Ci and pestered him to marry him. Song Huannian had an essay, and the first sentence of the essay was,"I like Song Ci, so much so that Song Ci automatically ignored the words 'anthology' and was happy for a long time." "You like me?" Song Ci asked. Song Huannian said,"This 'Song Ci' is not that Song Ci. I like 'Song Ci Collection' not you!" After they got together, Song Huannian asked him,"Do you want a pink or green dinosaur for the rubber band?" "Pink!" Song Ci replied without hesitation. "Green?" Song Huannian sneered."I don't have a choice!" On the day of the wedding, Song Ci got the pink rubber band as he wished. The little green dinosaur had been hanging around his neck for ten years. He loved Song Huannian to death. childhood sweethearts/school cookies/from school uniforms to wedding dresses. I hope you will like this book.
What are the names of the Ci poems in the Song Dynasty? Can you introduce the rules of the main Ci names? Thank you.
What are the names of Ci poems in Song Ci? Can you introduce the rules of the main Ci names? There were hundreds of commonly used Ci names in Song Ci, some of which included: 1. Silent Night Thoughts: Start with the word "Si". 2. Shuidiao Getou: Start with the words "song", flat, flat. 3. Huanxi Sand: Start with the word "sand". 4. Xijiang Moon: Start with the word "moon". 5. Magpie Bridge Immortal: The first sentence of the word "immortal" is flat, flat. 6. Butterfly in Love with Flowers: Start with the word "flower". 7 Fu got the ancient original grass farewell: with the "grass" words to start the flat, flat. In addition to the above commonly used Ci names, there are many other commonly used Ci names, each of which has a different pattern of tones. For example,"Ru Meng Ling","Sheng Sheng Man","Pu Sa Man","Qing Yu An", etc., all had different tones. Another thing to note is that the pattern of each Ci name has its own specific meaning and is not absolute. Therefore, the creation of Song Ci needed to be handled flexibly according to the specific situation.
20 Song Ci
I'm not a fan of online novels. I'm just a big fan of novels. I can't provide you with 20 Song Ci. I can only answer your questions. If you need information about the Song Ci, I can try my best to answer.
300 Song Ci
300 Song Ci was the most popular anthology of Song Ci, compiled by Zhu Xiaozang, one of the four great poets of the late Qing Dynasty, in 1924. The anthology contains 300 poems written by 88 poets of the Song Dynasty. The theme of this anthology is blending, and it pursues the physique and spirit of the lyrics. Among them were classical works by literary masters such as Su Shi, Li Qingzhao, Xin Qiji, Liu Yong, and Lu You. The 300 Songs of the Song Dynasty was regarded as the highest aesthetic model and set the aesthetic standards of the Song Dynasty. It was not only loved by the public, but also recognized by the academic community. The purpose of this anthology was to let the readers appreciate the essence of the Song Dynasty's Ci works and appreciate the talent and emotional expression of the outstanding Ci writers.
300 Song Ci
The following are some of the selected works in 300 Song Ci: Yan Jidao's "Partridges in the Sky·Drunken Patting Spring Clothes and Cherishing the Old Fragrance", Liu Yong's "Butterfly Love Flowers·Standing against the Dangerous Building Wind", Yan Shu's "Qingpingle·Red Paper Small Print", Su Shi's "Huanxi Sand·Fine Rain and Inclining Wind as Dawn Cold", Li Qingzhao's "A Cut of Plum·Red Lotus Root Fragrance Remnant Jade Mat Autumn" and so on. These works showed the unique charm of Song Ci from different angles. They were representative in the use of Ci, content expression, artistic characteristics, and so on.
The Longest Ci Plaque of Song Ci
The longest poem in the Song Dynasty was the "Preface to Oriole's Cry". This tune was passed down as the longest poem. It was first seen in Wu Wenying's "Mengchuangci Collection" and Zhao Wenli's "Yangchun Baixue" recorded by Xu Ding. The original author was Gao Sisun, but Wu Wenying was the most famous. "Preface to Oriole's Cry" was originally named "Fengle Building", also known as "Fengle Building". It can be found in "Dream Window B Manuscript". It has not been recorded in any palace tune.
Song Ci Song Daquan
The following are some songs adapted from Song Ci: - "Full Moon in the West Building": Composed by Su Yue in 1994, sung by An Wen. The lyrics were selected from Li Qingzhao's "A Cut of Plum, Red Lotus Root Fragrance Remnant Jade Bamboo in Autumn". - "The Phoenix with a Head": Yang Bingzhong composed the music for Lu You's "The Phoenix with a Head·Red Crisp Hands" and Cao Ying sang it. - " Wishing We Last Forever " was composed by Liang Hongzhi. There were two versions of the song performed by Teresa Teng in 1983 and Faye Wong in 1995. The lyrics originated from Su Shi's " Shuidiao Ge Tou." - "How Much Sorrow": Tan Jian often composed the music for Li Yu's "Yu Meiren," sung by Teresa Teng. - " Yu Linling ": There was a version that Yao Thirteen composed and performed based on Liu Yong's " Yu Linling," which was included in the 2015 album " Spaceship, Astronauts." There was also a congratulatory song composed and performed by Mu Han and Xiyin Society.
The song sung by Song Ci
" Song Ci " was a song sung by Ye Xuanqing. Xu Jiansheng wrote the lyrics and Cui Wenhao composed it. In addition, many of the Song Ci were sung to music, such as Su Shi's Shuidiao Getou: When Will the Bright Moon Appear? In modern times, many singers or singers had re-arranged and sung classic Song Ci, and these songs had played a positive role in spreading the culture of Song Ci.
Grades, orders, Ci, cards, rules and regulations
Pin Ling Ci Pai is based on Cao Group's "Pin Ling·Suddenly Lonely" as the main body, with fifty-two words in double tone, four sentences in front of the rhyme, and four sentences in the back of the rhyme. The rules are as follows: The first part of the poem is: (Ze) flat,(Ze) flat. The last paragraph: (Ping) Ze (Ze) Ping Ze (Or:(Ze) Ping Ze (Or:(Ze) Ping Ze),(Ze) Ping Ze (Ping) Ze,(Ze) Ping Ze (Ping) Ze,(Ze) Ping Ze (Ping Ze),(Ze) Ping Ze (Ping Ze),(Ze) Ping Ze (Ping Ze). In addition, there were 11 variations such as 51 words in double tones, five sentences in the first paragraph with three rhymes, and four sentences in the second paragraph with two rhymes. For example: - The sixty-fifth word: (Ze) Ze Ping Ze ❮ (Ze)(Ze) Ze-Ping Ze ❮ (Ze) Ping Ze ❯,(Ze) Ping (Ping) Ze,(Ze) Ping (Ping) Ze ❮ (Ping) Ze ❯ (Ping) Ze ❯ (Or:(Ze) Ze Ping Ze ❯,(Ze) Ping (Ping) Ze ❮ (Ze) Ping (Ping) Ze-'(Ze)(Ze) Ze-Ping (Ping) Ze-'(Ze) Ping (Ping) Ze,'(Ze) Ping (Ping) Ze,'(Ze) Ping (Ping) Ze-'(Ping) Ze-'(Or: 'Ze) Ping (Ping) Ze'(Or: 'Ze) Ping (Ping) Ze-'(The last two sentences of the upper and lower slices (upper six and lower four), can also be divided into upper four and lower six sentences, namely,' Ze Ping '(Ping) Ze,' Ping (Ping) Ze '(Ping) Ze or' Ze (Ping) Ze Ping,' Ze (Ping) Ze (Ping) Ze.' - Sixty-six words: The last two sentences of the C-style (sixty-five-word format) were changed to (Ze) Ze Ping Ping,(Ze) Ze- (Ze) Ping Ping. - Sixty-four words: C-style (sixty-five-word format) The fourth sentence of the first film (Ze) Ping (Ping) Ze changed to Ze Ping Ze, and the beginning sentence of the second film did not rhyme. - Sixty-six words: The third to fifth sentences of the C-style (sixty-five-word format) were changed to:(Ping) Ping (Ze) Ze Ping,(Ping) Ze (Ze) Ping Ze. The second sentence of the next film was changed to (Ze)(Ze) Ze- (Ze) Ping Ze.