The Top Ten Guqin Names
The top ten ancient China zither were made up of the most famous "Four Famous Zither"-- "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
Top Ten Guqin Songs
The top ten China zither songs included " Clouds of Xiaoxiang River,"" Mountain Flowing Water,"" Guangling San,"" Question and Answer of Fishermen and Woodcutter,"" Wild Goose Falling on the Sand,"" Snow in Spring,"" Eighteen Stripes of Hujia,"" Three Stages of Yangguan,"" Three Strokes of Plum Blossom," and " Drunken Fisherman Singing Late." "Xiao Xiang Shui Yun" was written by Guo Chuwang of the Southern Song Dynasty. When the Jin soldiers invaded, he used the water light and cloud shadow to express his depression and nostalgia, expressing his emotion and patriotic enthusiasm for the incomplete mountains and rivers. "High Mountain and Flowing Water" had been passed down during the Warring States Period. The music score was first found in the "Magical Secret Music" of the Ming Dynasty. The two songs of high mountain and flowing water were originally one song. In the Tang Dynasty, they were divided into two songs. Now they were compiled with the existing "High Mountain" and "Flowing Water". It was passed down together with the story of Boya playing the piano and meeting a bosom friend. "Guangling San" was also known as "Guangling Stop". The music was originally folk music at the end of the Eastern Han Dynasty. It was speculated that Nie Zheng's assassination of the King of Han in the Warring States Period was the theme, expressing the heroic spirit of passion. The score of "Question and Answer of Fisherman and Woodcutter" was first found in "Xingzhuang Taiyin Succession Score", which reflected the yearning of reclusive people for the life of fishermen and woodcutter. The music image was vivid and widely circulated among the musicians. "Wild Goose Falling on the Sand" described the scene of a flock of wild geese circling in the air before landing. It had the meaning of "borrowing the far-reaching ambition of the Great Gu to write the heart of a recluse". " Spring Snow " portrayed the beautiful scenery of early spring when winter passed and spring came, the earth revived, and all things flourished. Hujia Eighteen Patters reflected Cai Wenji's extremely contradictory and painful feelings of missing her hometown and not being able to bear to separate her family. "Three Layers of Yangguan" was a famous art song based on the seven-character quatrain of the Tang Dynasty poet Wang Wei. "Three Strokes of Plum Blossoms" praised the tenacious character of plum blossoms that were not afraid of frost and praised people with noble sentiments. The allusion was about Huan Yi's performance for Wang Hui. "Drunken Fishing Singing Evening" has the meaning of laughing proudly at the clouds and clouds, drunk and beautiful, expressing the taste that cannot be appreciated by dust running and floating.
The names of the 38 guqin styles
The common forms of the zither were the Fuxi style, Zhongni style, Lianzhu style, Sunset style, Moon style, Shennong style, Phoenix style, Chaos style, Zhenghe style, Lingji style, Banana leaf style, Xiangwang zither, Luwang zither, Kun zither, knee zither, sleeve zither, etc. However, there were less than 38 forms mentioned in the reference materials. Sorry, I can't provide the complete names of the 38 forms.
What are the top ten classical songs of the guqin?
The top ten classical guqin songs were "Guangling San","High Mountain Flowing Water","Wild Goose Falling on the Plain Sand","Xiaoxiang Water Cloud","Drunken Fisherman Singing Late","Plum Blossom Three Strokes","Fisherman and Woodcutter Q & A","Spring Snow","Hujia Eighteen Strikes", and "Yangguan Sandie".
The Complete Collection of the Top Ten Classic Guqin Songs
The top ten classical China guqin songs included "Guangling San,""High Mountain Flowing Water,""Ambush on All Sides,""Wild Goose Falling on the Sand,""Sunset Flute and Drum,""Autumn Moon in the Han Palace,""Three Strokes of Plum Blossoms,""Question and Answer of Fishermen and Woodcutter,""Drunken Fish Singing Late,""Xiaoxiang Water Clouds," and so on. "Guangling San" was a passionate zither tune, which contained the allusions of Nie Zheng and Ji Kang."High Mountains and Flowing Water" was based on the story of "Boya playing the zither and meeting a bosom friend" during the Spring and Autumn Period and the Warring States Period."Ambush on All Sides" depicted the historical story of the Han army defeating Xiang Yu with the array of "Ambush on All Sides"."Wild Goose Falling on the Sand" described the scene of a flock of wild geese circling in the air before landing, expressing the mind of a hermit with the ambition of the wild geese."Sunset Flute and Drum" is a famous traditional pipa music set, which may be related to Bai Juyi's "Pipa Song";"Autumn Moon in Han Palace" portrays the sadness and sadness of ancient palace maids;"Three Strokes of Plum Blossom" uses plum blossoms to express emotion, praising a gentleman with lofty moral integrity like plum blossoms. Its allusion is the story of Huan Yi playing for Wang Huizhi;"Questions and Answer to Fishermen and Woodcutter" reflects a kind of open-mindedness about the ancient and modern world;"Drunken Fish Singing Late" has the meaning of laughing at the clouds and clouds, drunk and beautiful. The author of "Xiao Xiang Water Cloud" composed this song because the clouds covered Jiuyi Mountain. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
Appreciation of the Top 10 Guqin Classics
The following is the appreciation of the top ten classical songs of the zither: ** I. Guangling San ** This was an impassioned zither tune, also known as 'Guangling Cessation.' The music was originally folk music that was widely circulated at the end of the Eastern Han Dynasty. It was speculated that it was a large-scale musical ballad with the theme of Nie Zheng's assassination of the King of Han during the Warring States Period. It was majestic, had a unique style, and had a huge structure. It displayed an impassioned heroic spirit and was highly respected by the zither masters. ** 2. High Mountains and Flowing Water ** According to the records of the " Magical Secret Score ", the two songs of Mountain and Flowing Water were originally one song, but they were divided into two songs in the Tang Dynasty. The existing "High Mountain and Flowing Water" song is composed of the existing "High Mountain" and "Flowing Water." This song originated from the story of Boya who was good at playing the zither and Zhong Ziqi who was good at listening during the Spring and Autumn Period and the Warring States Period. It embodied the artistic conception that it was difficult to find a soulmate. ** 3. Ambush from All Sides ** In 202 B.C., after the Battle of Gaixia between Chu and Han, later generations created this pipa martial song. It vividly depicted the fierce battle scene of the Han army defeating Xiang Yu with the "Ten Sides Ambush" formation. ** 4. Wild Geese Falling on the Sand ** The melody was melodious and smooth, describing the scene of the geese circling in the air before landing. In the Ming Dynasty, this song was called "Wild Goose Falling on the Plain Sand." This song borrows the ambition of wild geese to express the mind of hermits. ** 5."Sunset Flute and Drum"** This was a famous traditional pipa song. Some people believed that its idea came from Bai Juyi's Song of the Pipa. The adapted guzheng song,"Spring River Flower Moonlit Night," was widely known. ** 6. Autumn Moon in the Han Palace ** It was originally a pipa piece, but later there were guzheng pieces, silk and bamboo pieces, and other adapted versions. It depicted the sad and sorrowful feelings of the ancient palace maids. The palace walls in the autumn wind were filled with the endless waiting and expectations of the palace maids. ** 7. Three Strokes of Plum Blossoms ** They used the white, fragrant and cold-resistant characteristics of plum blossoms to praise people with noble moral integrity. In the song, the strange melody was repeated three times in different positions, so it was called "San Nong". The allusion was the story of Huan Yi of the Eastern Jin Dynasty playing for the crazy scholar Wang Huizhi. ** 8. Fisherman and Woodcutter Q & A ** There were more than 30 versions in the history books, and some even had lyrics. The music expressed the interest of fishermen and woodsmen enjoying themselves in the green mountains and rivers, reflecting the yearning of reclusive people for the life of fishermen and woodsmen, hoping to get rid of the shackles of the world. ** 9." Spring Snow "** It was composed by Shi Kuang, a musician of the State of Jin, or Liu Juanzi, a musician of the State of Qi, during the Spring and Autumn Period. The two pieces of music in the existing score," Spring " and " White Snow ", were two pieces of music. They represented the beautiful scenery of early spring when winter passed and spring came, the earth revived, and everything flourished. The melody was fresh and smooth, and the rhythm was relaxed and bright. ** 10. Eighteen Stripes of Hujia ** It was written according to the poem of the same name, and the theme was "Wenji's Return to Han". At the end of the Han Dynasty, Cai Wenji wandered in the Southern Xiongnu for twelve years. When she returned to the Han Dynasty, she missed her hometown and could not bear to part with her children. This song expressed her contradictory feelings.
50 Guqin
Here are some guqin songs:"White Snow in Spring,""Return,""Guan Ju,""Fa Tan,""Lu Ming,""Da Ya,""Ai Nai,""Chan Si,""Changqing,""Duanqing,""Chu Ge,""Heavenly Sound,""Sunset Cloud Forest,""Still Water Flowing Deep,""Shuidiao Ge Tou," Seven String of Bamboo Forest,"Bodhi Heart," Rain Strikes Flower Terrace,"Song of Fisherman's Light,""Farewell," Song of Lovesickness,"" Longevity,""& "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
Egret Cup Guqin Culture Festival Guqin 12 Lectures
During the first "Egret Cup" International Guqin Culture and Art Festival in China, the Guqin Culture Forum took the twelve lectures of Guqin as the theme, and invited many authoritative experts in the field of Guqin at home and abroad to come to the scene to jointly explore the innovative path of Guqin culture inheritance and operation in the contemporary context. As one of the activities of the art festival,"Twelve Lectures on Guqin" had nearly 3 million online viewers and nearly 60,000 fans. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Sunset Guqin
The Luoxia-style Guqin was a type of Guqin with a unique appearance and cultural meaning. On both sides of the body of the zither, the clouds were undulating, just like the clouds in the sky. The back of the zither was engraved with the name of the zither, the poems of literati, inscriptions, and seals. Judging from the materials used, there were many kinds of Luoxia Guqin made of Chinese Fir, old spruce, century-old Chinese Fir, old Chinese Alpinia, and other materials. In terms of production techniques, there was a pure raw lacquer antler frost technique. In terms of strings, there were generally seven strings. The strings could be divided into steel strings (nylon-coated steel wire), traditional silk strings (made of mulberry silk), and ice strings (said to be synthetic materials that combined the advantages of steel strings and silk strings and overcome the shortcomings of both). Different strings had their own advantages and disadvantages, and could be selected according to their needs. Its size was 123 centimeters long, 20 centimeters wide, and 108 centimeters long. On the price list, there was a Sunset Style Guqin that was priced at 4550 yuan. Different guqin of the Sunset Style also had different performances in terms of timbre. For example, some of the timbre was loose, deep, and strong, with great tenacity, suitable for all kinds of people. For example, the lute of the "Colorful Phoenix Singing Qi" was painted with red paint and had extremely fine ice cracks. The first and second strings were like a bell, the sixth and seventh strings were like a golden chime, and the four strings and five emblems were like a Jie drum. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
The style of the guqin
The guqin had a variety of styles. According to the shape of the neck and waist, it could be divided into many styles. There are Zhongni, Shennong, Fuxi and other types of zither made by saints. The Zhongni-style head was a common square head. The neck and shoulders of the zither retracted in an inclined downward arc, the waist retracted in a square strip, the neck folded in a square, and the waist folded in a straight line. The whole was simple and generous. The arc was round and square, which was one of the most widely spread shapes. The upper part of the Shennong style bent directly from the shoulder to the head of the zither, and the lower part bent roughly at the foot of the goose, which was relatively simple. The Fuxi style was thick and vigorous. The head was slightly round, the neck was curved, and the waist was two consecutive half-moons. The neck was wide from the shoulders and narrow from the bottom. The waist was a double-arc shape. It was a relatively ancient style and was widely circulated. The literati made guqin styles such as the Sunset Style, Banana Leaf Style, Lianzhu Style, Lingji Style, Phoenix Style, Zhenghe Style, Chaos Style, Lvqi Style, Shikuang Style, etc. The Luoxia-style body was wavy, with symmetrical wavy curves on both sides. The shape was beautiful and unique, full of romantic colors. The banana leaf shape was like a banana leaf, and the head had a petiole. The whole body was not divided into the neck and waist. The zither guard was cut into the petiole style, which was more difficult to make. The beaded neck and waist each had three continuous half-moon-shaped bends, like a string of beads. The shape was rigorous, the structure was reasonable, and the tone was clear and beautiful. There were also different styles such as three beads, four beads, and variant beads. The Lingji Style has two large half-moon curves at the neck and a small half-moon curve at the waist. The Phoenix Style starts directly from the head of the zither or starts from the mountain. There are two curves at the top and two curves at the bottom. The style is simple and smooth. The head, neck, shoulders, waist and other parts of the Zhenghe Style are integrated into one. There is no change in the shape. The Chaos Style is round and round. The shape is simple and round. It takes the meaning of the beginning of the chaos of heaven and earth. The Green Qi Style is named after Sima Xiangru's "Green Qi" zither. Shi Kuang Style (also known as the Moon Style), the body of the zither is in the shape of a round moon at the waist. It has a strange shape and the rhythm is like a chime. The zither made by the emperor included the zither made by King Xiang and the zither made by King Lu. In addition, there were also some styles such as Liezi style and bamboo style. The commonly used styles were Zhongni style, Fuxi style, banana leaf style, sunset style, Zhenghe style, chaos style, green style, Lingji style, Liezi style, bamboo style, etc. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
Guqin Style
There were various styles of guqin. According to the different creators, they could be divided into the styles of saints (such as Zhongni, Shennong, Fuxi, etc.), literati (such as Luanxia, Banana Leaf, Lianzhu, etc.), and emperors (such as King Xiang, King Lu, etc.). The following are some common piano styles and their characteristics: ** 1. Zhongni Style ** - The head of the zither is a square head, the neck and shoulders of the zither are folded inwards into a slanted arc, the waist is folded inwards into a square strip, the neck is folded inwards, and the waist is folded inwards into a straight line. - The overall shape was simple and generous, with a circle and a square arc. It contained the Confucian way of life and was one of the most widely spread and commonly used zither styles. ** 2. Fuxi Style ** - The shape was thick, the head was slightly round, the neck had a curve, and the waist had two consecutive half-moons. - The neck was wide from the shoulder to the bottom and narrow to the head. The waist was a double-arc shape. It was a relatively ancient style. It was widely spread and used like the Zhongni style. ** 3. Chain Pearl Style ** - For the literati to make the piano style, the neck, waist each made three continuous half-moon bending, like a string of beads connected. - It was said that it was created by Li Yi, a scholar of the Sui Dynasty. Its artistic conception was similar to the words "The sun and moon are like a combination of jade, and the five stars are like pearls". Its shape was rigorous, its structure was reasonable, and its tone was clear and beautiful. Later, it evolved into different styles such as three pearls, four pearls, and variant pearls. ** 4. Sunset Style ** - The literati made the zither in a wave-like shape, with symmetrical wavy curves on both sides. - Its name originated from the inspiration of ancient scholars after watching the sunset. Its shape was beautiful and unique, full of romantic colors, giving people unlimited imagination. ** 5. Spark Style ** - It was created by the ancient literati's ingenious idea. The shape was exquisite. There were two half-moon shapes at the neck and a small half-moon shape at the waist. It was also known as the "Thousand Valley Pine Style", which was taken from Li Bai's poem. ** 6. Banana Leaf Style ** - It was a kind of zither made by literati. It was shaped like a banana leaf, and the head of the zither had a petiole. The whole body had no neck and waist. - The zither's protective part was cut into the shape of a leaf stalk. It was named after copying the banana leaves. The lines were twisted like flowing music, showing the romantic taste of literati. ** 7. Shennong Style ** - The upper part of the style was bent from the shoulder to the head, and the lower part was bent from the goose's foot. It was relatively simple and popular. ** Eight, Phoenix Force Style ** - It was either directly bent from the head of the qin or bent from Yue Shan. There were two bends at the top and two bends at the bottom. The style was simple and smooth, belonging to a kind of literati making qin. ** 9. Chaos Style ** - The zither was round and round, and its shape was simple and round. It took the meaning of the beginning of the chaos of heaven and earth. There was no beginning and no end, and it repeated itself. ** X. Perfect Form ** - It belonged to the most simple and clean style. After the Ming and Qing Dynasties, when the shape of the zither tended to be gorgeous and complicated, this style was an exception. - The head, neck, shoulders, waist, and other parts of the zither were integrated into one, and there was no change in the straight line, reflecting the "great skill but clumsy". It was called the "plain zither" and was very popular among zither players. ** 11. Shi Kuang Style (also known as Moon Zither Style)** - Legend has it that it was created by Shi Kuang during the Spring and Autumn Period. The body of the zither is shaped like a round moon at the waist of the neck. It has a strange shape and the rhythm is like a chime.