Guqin 1=bb
1 = bb means bb tone (Gong = no shooting, no shooting average). There is a big difference between the non-shooting Jun and the positive tone in the scattered press pan. For example, the non-shooting Jun five-string five-string five-emblem and three-string four-emblem overtones are so, but the positive tone is not, so you can use the overtones to distinguish the tone by tightening the five-string zither. In the process of learning the guqin, one would learn the main tune at first. As one learned deeper, one would encounter problems with the tune. The tune of the guqin was more complicated. There were a total of 35 tunes, and nine of them were commonly used. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
50 Guqin
Here are some guqin songs:"White Snow in Spring,""Return,""Guan Ju,""Fa Tan,""Lu Ming,""Da Ya,""Ai Nai,""Chan Si,""Changqing,""Duanqing,""Chu Ge,""Heavenly Sound,""Sunset Cloud Forest,""Still Water Flowing Deep,""Shuidiao Ge Tou," Seven String of Bamboo Forest,"Bodhi Heart," Rain Strikes Flower Terrace,"Song of Fisherman's Light,""Farewell," Song of Lovesickness,"" Longevity,""& "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
Small Guqin, Fuxi Knee-type Guqin
The Fuxi style knee zither was a type of small zither. It was smaller than the normal size zither and was convenient to carry. It was relatively light to carry when participating in activities such as zither concerts. When playing the zither, one could sit cross-legged on the ground and play the zither on one's knees without any pressure. The materials used were pine wood, old cedar wood, etc. The strings were of different types such as steel strings, and the production process was pure raw lacquer hand-made. In terms of shape, it was said that it was created by Fuxi. Among the existing ancient zither objects that had been publicly available, the number of Fuxi-style zither was limited, and the number varied from dynasty to dynasty. For example, the Fuxi Guqin of the Song Dynasty collected by the Henan Museum was well-preserved and well-preserved. The Fuxi Guqin also reflected the inheritance and development of the traditional Guqin culture in modern times. It was used for many purposes such as performance. Moreover, it was sold by different merchants in the market. Some provided services such as free delivery and cash on delivery. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
Egret Cup Guqin Culture Festival Guqin 12 Lectures
During the first "Egret Cup" International Guqin Culture and Art Festival in China, the Guqin Culture Forum took the twelve lectures of Guqin as the theme, and invited many authoritative experts in the field of Guqin at home and abroad to come to the scene to jointly explore the innovative path of Guqin culture inheritance and operation in the contemporary context. As one of the activities of the art festival,"Twelve Lectures on Guqin" had nearly 3 million online viewers and nearly 60,000 fans. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Ancient 4 Guqin
The four ancient China zither were Duke Huan of Qi's "Hao Zhong", King Zhuang of Chu's "Roundabout the Beam", Sima Xiangru's "Green Silk" and Cai Yong's "Jiao Wei". "Hao Zhong" was a famous zither of the Zhou Dynasty. It was once played by the ancient zither master Bo Ya and later belonged to Duke Huan of Qi. The sound was loud, like a bell and a horn. "Rounding the beam" belonged to King Zhuang of Chu, and the lingering sound originated from the allusion of Han E's song "The lingering sound lingered around the beam for three days". After King Zhuang of Chu got the zither, he played the zither all day long. Later, he was persuaded by Princess Fan Ji, and the zither was smashed and stopped playing. "Green Silk" was a zither played by Sima Xiangru. It was said that it was black in color and had green vine-like patterns. "Jiao Wei" was personally made by Cai Yong. Cai Yong rescued a piece of Wutong wood from a fire and made this qin. It got its name because of the scorch marks on the end of the qin. It was famous for its tone and making method.
The four guqin are
The four ancient China zither were Duke Huan of Qi's "Hao Zhong", King Zhuang of Chu's "Roundabout the Beam", Sima Xiangru's "Green Silk" and Cai Yong's "Jiao Wei". The "Hao Zhong" was a famous zither of the Zhou Dynasty. Its sound was so loud that it was like the sound of a bell and the sound of a horn. It was deafening. The ancient outstanding zither player Bo Ya once played it and later belonged to Duke Huan of Qi. "Round-the-Beam" belonged to King Zhuang of Chu, and the lingering sound was continuous. The name of the qin was "Round-the-Beam", which showed the characteristics of its tone. The legend originated from the story of a Korean geisha, Han E, who sang for three days while begging for food. This qin was a gift from Hua Yuan to King Zhuang of Chu. However, King Zhuang of Chu was too obsessed with this qin and abandoned his state affairs. In the end, he ordered people to smash the qin. The " Green Charm " was a zither played by Sima Xiangru in the Han Dynasty. It was entirely black and faintly suffused with green, like green vines winding around ancient trees, hence its name. The King of Liang once gave Sima Xiangru the "Green Charm" zither in return. Jiao Wei was a zither made by Cai Yong of the Eastern Han Dynasty. When Cai Yong was "fleeing for his life in Jianghai and going far to Wuhui", he rescued a piece of unburnt sycamore wood from a fire and made this qin with an unusual sound. Because the tail of the qin still had scorch marks, it was named "Scorched Tail". It was famous for its pleasant tone and unique method of making it.
Wujie Guqin
" Unrestrained " was a national music song sung by Xiao Zhan and Wang Yibo. It was also the theme song of the TV series " Chen Qing Ling." The arrangement of the song used the combination of guqin and flute sounds. There was a guqin and zither combination version, composed by the famous musician Mr. Lin Hai. The melody was beautiful and full of rich national flavor. In addition, there was also a simplified version.
The Origin of Guqin
As for the origin of the zither, it was difficult to verify it precisely because of the long time. There were many legends related to ancient clan leaders, such as " Fuxi made a zither to cultivate his rationality "," Shennong cut a paulownia tree as a zither and used a rope as a string "," Yao made a five-stringed zither to make the world harmonious "," Shun made a five-stringed zither to sing the south wind ", and so on. There were also scholars who speculated that the Guqin was produced during the Yu Shun period based on the cultivation of silk and production. This was because China had already begun to raise silkworms during the Yu Shun period, and silk was an important material foundation for making stringed instruments. In addition, in the 1860s, two bronze age guqin objects were unearthed at the Erlitou site in Henan Province. According to this, people speculated that the guqin had a history of more than 3,000 years. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
What is a guqin?
The guqin was one of the oldest plucked instruments in China. It was called the "guqin" since the 1920s, which was different from the piano. There are many legends about its creator, although not necessarily true, but it shows that it has a long history. Guqin had many other names, such as "qin","yao qin","jade qin","green silk","silk","seven-stringed qin", etc. It was ranked first among the four traditional arts of China culture,"qin, chess, calligraphy, painting", and was known as the "father of national music". There were many legends about its origin in history, but it was difficult to verify. In the 1960s, a bronze age zither was unearthed at the Erlitou site in Henan Province. It was estimated that it had a history of more than 3,000 years. At first, there were five strings, but since the Han Dynasty, it was customized to have seven strings. The guqin was elegantly shaped. According to the shape of the neck and waist, it could be divided into Fuxi style, Zhongni style, Lianzhu style, Luoxiu style, and many other styles. Among them, Zhongni style was more common. It was mainly composed of two parts, the body and the string system. It had a wide range, low volume, deep tone, and a long aftertaste. The sound of the zither was called the "ancient sound" or the "sound of heaven and earth". There were three basic ways of taking the sound, namely scattered sound, overtone, and pressed sound. The playing technique was complicated and the expression was rich. It mostly appeared in the form of solo art, but also in the form of zither song (singing and playing) or zither and flute ensembles. It incorporated the essence of Confucianism, Buddhism, and Taoism, reflecting the philosophy of "the unity of heaven and man." The story of Yu Boya and Zhong Ziqi's "high mountains and flowing water" was related to it. The piano platform was regarded as a symbol of friendship. With the development, according to the different performance styles, the origins of the teachers and the different scores, there were many Qin schools such as Jinling School, Yushan School, Mei 'an School, Guangling School, Zhejiang School, Zhucheng School, Lingnan School, etc.
Guqin Style
There were various styles of guqin. According to the different creators, they could be divided into the styles of saints (such as Zhongni, Shennong, Fuxi, etc.), literati (such as Luanxia, Banana Leaf, Lianzhu, etc.), and emperors (such as King Xiang, King Lu, etc.). The following are some common piano styles and their characteristics: ** 1. Zhongni Style ** - The head of the zither is a square head, the neck and shoulders of the zither are folded inwards into a slanted arc, the waist is folded inwards into a square strip, the neck is folded inwards, and the waist is folded inwards into a straight line. - The overall shape was simple and generous, with a circle and a square arc. It contained the Confucian way of life and was one of the most widely spread and commonly used zither styles. ** 2. Fuxi Style ** - The shape was thick, the head was slightly round, the neck had a curve, and the waist had two consecutive half-moons. - The neck was wide from the shoulder to the bottom and narrow to the head. The waist was a double-arc shape. It was a relatively ancient style. It was widely spread and used like the Zhongni style. ** 3. Chain Pearl Style ** - For the literati to make the piano style, the neck, waist each made three continuous half-moon bending, like a string of beads connected. - It was said that it was created by Li Yi, a scholar of the Sui Dynasty. Its artistic conception was similar to the words "The sun and moon are like a combination of jade, and the five stars are like pearls". Its shape was rigorous, its structure was reasonable, and its tone was clear and beautiful. Later, it evolved into different styles such as three pearls, four pearls, and variant pearls. ** 4. Sunset Style ** - The literati made the zither in a wave-like shape, with symmetrical wavy curves on both sides. - Its name originated from the inspiration of ancient scholars after watching the sunset. Its shape was beautiful and unique, full of romantic colors, giving people unlimited imagination. ** 5. Spark Style ** - It was created by the ancient literati's ingenious idea. The shape was exquisite. There were two half-moon shapes at the neck and a small half-moon shape at the waist. It was also known as the "Thousand Valley Pine Style", which was taken from Li Bai's poem. ** 6. Banana Leaf Style ** - It was a kind of zither made by literati. It was shaped like a banana leaf, and the head of the zither had a petiole. The whole body had no neck and waist. - The zither's protective part was cut into the shape of a leaf stalk. It was named after copying the banana leaves. The lines were twisted like flowing music, showing the romantic taste of literati. ** 7. Shennong Style ** - The upper part of the style was bent from the shoulder to the head, and the lower part was bent from the goose's foot. It was relatively simple and popular. ** Eight, Phoenix Force Style ** - It was either directly bent from the head of the qin or bent from Yue Shan. There were two bends at the top and two bends at the bottom. The style was simple and smooth, belonging to a kind of literati making qin. ** 9. Chaos Style ** - The zither was round and round, and its shape was simple and round. It took the meaning of the beginning of the chaos of heaven and earth. There was no beginning and no end, and it repeated itself. ** X. Perfect Form ** - It belonged to the most simple and clean style. After the Ming and Qing Dynasties, when the shape of the zither tended to be gorgeous and complicated, this style was an exception. - The head, neck, shoulders, waist, and other parts of the zither were integrated into one, and there was no change in the straight line, reflecting the "great skill but clumsy". It was called the "plain zither" and was very popular among zither players. ** 11. Shi Kuang Style (also known as Moon Zither Style)** - Legend has it that it was created by Shi Kuang during the Spring and Autumn Period. The body of the zither is shaped like a round moon at the waist of the neck. It has a strange shape and the rhythm is like a chime.
The style of the guqin
The guqin had a variety of styles. According to the shape of the neck and waist, it could be divided into many styles. There are Zhongni, Shennong, Fuxi and other types of zither made by saints. The Zhongni-style head was a common square head. The neck and shoulders of the zither retracted in an inclined downward arc, the waist retracted in a square strip, the neck folded in a square, and the waist folded in a straight line. The whole was simple and generous. The arc was round and square, which was one of the most widely spread shapes. The upper part of the Shennong style bent directly from the shoulder to the head of the zither, and the lower part bent roughly at the foot of the goose, which was relatively simple. The Fuxi style was thick and vigorous. The head was slightly round, the neck was curved, and the waist was two consecutive half-moons. The neck was wide from the shoulders and narrow from the bottom. The waist was a double-arc shape. It was a relatively ancient style and was widely circulated. The literati made guqin styles such as the Sunset Style, Banana Leaf Style, Lianzhu Style, Lingji Style, Phoenix Style, Zhenghe Style, Chaos Style, Lvqi Style, Shikuang Style, etc. The Luoxia-style body was wavy, with symmetrical wavy curves on both sides. The shape was beautiful and unique, full of romantic colors. The banana leaf shape was like a banana leaf, and the head had a petiole. The whole body was not divided into the neck and waist. The zither guard was cut into the petiole style, which was more difficult to make. The beaded neck and waist each had three continuous half-moon-shaped bends, like a string of beads. The shape was rigorous, the structure was reasonable, and the tone was clear and beautiful. There were also different styles such as three beads, four beads, and variant beads. The Lingji Style has two large half-moon curves at the neck and a small half-moon curve at the waist. The Phoenix Style starts directly from the head of the zither or starts from the mountain. There are two curves at the top and two curves at the bottom. The style is simple and smooth. The head, neck, shoulders, waist and other parts of the Zhenghe Style are integrated into one. There is no change in the shape. The Chaos Style is round and round. The shape is simple and round. It takes the meaning of the beginning of the chaos of heaven and earth. The Green Qi Style is named after Sima Xiangru's "Green Qi" zither. Shi Kuang Style (also known as the Moon Style), the body of the zither is in the shape of a round moon at the waist. It has a strange shape and the rhythm is like a chime. The zither made by the emperor included the zither made by King Xiang and the zither made by King Lu. In addition, there were also some styles such as Liezi style and bamboo style. The commonly used styles were Zhongni style, Fuxi style, banana leaf style, sunset style, Zhenghe style, chaos style, green style, Lingji style, Liezi style, bamboo style, etc. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!