My first master, Mr. Lu Xun, after reading it
"My First Master" Lu Xun's My First Master displayed a unique cultural style and a profound insight into human nature. From a cultural point of view, the customs of naming monks and worshiping monks as teachers to avoid ghosts reflected the strong superstitious culture of the people at that time. This cultural phenomenon reflected the people's reverence and response to the unknown power. They tried to ensure the safe growth of children through some seemingly absurd means, such as giving children a lowly name, giving children the Buddhist name of a monk, and having a hundred clothes and a cow rope with evil spirits hanging on it. This was a manifestation of traditional folk culture. Although it was mixed with superstitions, it also reflected the spiritual sustenance that the people at the bottom of society sought when they faced the pressure of survival and the expectations of their children's growth. In terms of character description, Lu Xun's description of his first master, Master Long, was vivid and profound. Master Long had a slender body, a face, high cheekbones, and thin eyes. He also had two drooping mustaches. Although he was a monk, he had the characteristics of a secular person. He didn't teach Lu Xun to recite scriptures, nor did he teach Buddhist rules. He was extremely solemn when he performed his rituals, but he usually only cared about trivial matters in the temple. This image broke through the people's rigid impression of traditional monks. He was a figure full of life. Moreover, he had a lover. This phenomenon also subverted the public's conventional understanding of monks. Through Lu Xun's description of him, he showed the complexity and reality of human nature. Monks were also human beings, with the seven emotions and six desires of ordinary people. They were not completely pure. In addition, Lu Xun's narrative style was humorous. When he talked about his childhood experiences and memories of his master, his words were relaxed and humorous. For example, he mentioned the sophistry of the Taoist priest naming his child "monk", and he mocked Third Brother with the words that monks should abide by the rules. Third Brother's response made him realize the need for a monk to have a wife. This kind of humor contained thinking and teasing of traditional concepts. On a deeper level, this article also reflected Lu Xun's examination of traditional concepts. Whether it was folk superstitions or the traditional definition of monks, Lu Xun observed and analyzed them from a unique perspective. He did not criticize them directly. Instead, he described his own experiences and the characters in his memories to let the readers feel the contradictions and absurdity of traditional ideas in real life, and guide the readers to reconsider traditional ideas. In general, My First Master was not only a reminiscing article, but also Lu Xun's in-depth discussion and reflection on folk culture, human nature, and traditional concepts, showing his keen observation and profound thoughts. The novel " Humph, Call Me Senior Brother " is equally exciting. Everyone is welcome to click and read it!
My first master, Mr. Lu Xun
He couldn't remember which old book he read about it. The gist of it was that there was a Daoist who was naturally famous. He had been trying his best to avoid Buddhism all his life, but he called his youngest son "Monk". One day, someone questioned him about this matter. "That's exactly what it means to be cheap!" he replied. That person had nothing to say and retreated. Actually, this Daoist was just sophistry. There was a superstitious element in naming a child as a monk. There were many demons and monsters in China who liked to kill promising people, especially children. They would only let go and feel at ease if they wanted to be cheap. From the standpoint of monks, people like monks would become Buddhas--but not necessarily, --although they were very superior. From the standpoint of scholars, they had no family and could not be officials, but were lowly. The scholar's opinion of ghosts and monsters was naturally the same as the scholar's, so they did not disturb them. This was the same as calling a child a cat or a dog-easy to raise. There was also a way to avoid ghosts, which was to worship a monk as a teacher. This meant that they would give it to the monastery, but they would not put it in the monastery. I was born in the Zhou family as the eldest son."Rare things are precious." My father was afraid that I would have a future, so he didn't raise me well. Before I was a year old, he took me to Changqing Temple and worshipped a monk as his teacher. I don't know if I have to pay my respects or give alms to a master. I only know that I got a Buddhist name called "Chang Geng". Later, I occasionally used it as a pen name. In the novel "In the Restaurant", I gave it to the scoundrel who threatened my niece. There was also a hundred clothes called "Nai Yi". Logically speaking, it should be made of all kinds of rags, but mine was sewn with olive-shaped small pieces of silk. I would not wear it unless it was a festive occasion. There was also an item called the "cow rope", on which there were some small items hanging, such as an almanac, a mirror, a silver sieve, and so on. It was said to be able to ward off evil spirits. This kind of arrangement seemed to have some power. However, the Dharma name was still there, but the two magic treasures had long been lost. A few years ago, when I went back to Peiping, my mother gave me a silver sieve from my infancy. It was the only memento of that time. Upon closer inspection, it turned out that the diameter of the sieve was only about an inch. In the center was a Taiji Diagram. On top was a book, and on the bottom was a scroll of painting. On the left and right were extremely small rulers, scissors, abacus, scales, and so on. It suddenly dawned on me that the evil spirits in China are afraid of things that are firm and decisive. Because of my curiosity and curiosity, I went to Shanghai last year and finally bought two of them. They were almost exactly the same as mine, but the little things on them were a little more or less. It was very strange. After more than half a century, the evil ghost still had the same temperament, and the magic weapon to ward off evil was still the same. However, I also thought that this magic treasure couldn't be used by adults. Instead, it was very dangerous. But it reminds me of my first teacher half a century ago. I still don't know his Dharma name. No matter who it is, they all call him "Master Long". He has a slender body, a slender face, high cheekbones and thin eyes. Monks shouldn't have beards, but he has two drooping mustaches. He was very kind to people, and to me as well. He didn't teach me a single sutra, nor did he teach me any Buddhist rules. As for himself, when he wore a kasaya and became a great monk, or put on a Vairocana hat and put on a flame, he was extremely solemn when he said,"A lonely soul without sacrifice comes to enjoy the taste of nectar." He didn't recite sutras normally because he was the abbot and only cared about the trivial matters in the temple. In fact, naturally, in my opinion, he was just a layman with shaved hair. Therefore, I have another master's wife, who is his wife. Logically speaking, monks shouldn't have wives, but he did. In the middle of my house, there is a memorial tablet with five characters written in gold that must be absolutely respected and obeyed: "Heaven, Earth, Monarch, Father, and Teacher". The novel "Humph, Call Me Senior Brother" is equally exciting. Everyone is welcome to click and read it!
Mr. Lu Xun's famous saying about reading
Those who read without doubt must be taught to doubt, but those who doubt must come to this point without doubt. Lu Xun
Recalling Mr. Lu Xun
Mr. Lu Xun was a great writer and ideologist. He had a profound influence on the history of Chinese literature and modern culture. His works covered novels, essays, essays, poems and many other fields with high literary value and intellectual value. Lu Xun's novels that exposed the darkness of society and criticized the feudal system included Madman's Diary, The True Story of Ah Q, Medicine, and so on. His works used a first-person narrative to reveal social reality and human weaknesses through the protagonist's perspective, which was very realistic. Lu Xun's essays, on the other hand, criticized the malpractices of the times and social phenomena. His representative works included "Canopy Collection" and "Grass Leaves Collection". His works were sharp, humorous, and expressed the author's deep thoughts on society and human nature in a unique language. They were highly thoughtful and artistic. Lu Xun's works not only had high literary value, but also had a profound impact on modern Chinese culture. His works and ideas influenced the formation and development of modern Chinese culture and made great contributions to the progress and development of modern Chinese culture.
Information on Mr. Lu Xun
Lu Xun (September 25, 1881-October 19, 1936), formerly known as Zhou Shuren, was an important ideologist, revolutionary, and democratic fighter in the history of modern Chinese literature. He was hailed as "the greatest China in a hundred years" and had a profound influence on the development of modern Chinese literature and thought. Lu Xun's works covered novels, essays, poems, essays, translation, and many other literary fields. He was famous for his unique style and profound thoughts. His masterpieces included A Madman's Diary, The True Story of Ah Q, New Stories, etc. These works revealed the dark side of Chinese society and the sufferings of the people at that time, expressing his deep concern for the Chinese people and his yearning for advanced strength. Lu Xun was also a strong revolutionary and ideologist. He paid close attention to social reality, advocated values such as democracy, freedom, science, and human rights, and actively participated in various social movements and revolutionary struggles. He had published a lot of remarks on revolution and democracy in newspapers such as New Youth and Morning Post, which became an important milestone in the history of modern Chinese thought. Lu Xun's life was full of ups and downs, but his academic and intellectual achievements still had an important position in the history of Chinese literature. His influence and contribution to the development of Chinese culture and society would forever be engraved in the long river of history.
Recalling Mr. Lu Xun's Reading "~~~~ Quick, quick, quick!
What kind of reading material was "Recalling Mr. Lu Xun's Reading"? Please provide more information so that I can better answer your questions.
Mr. Lu Xun's deeds ~
Mr. Lu Xun (September 25, 1881-October 19, 1936), whose original name was Zhou Shuren, was a famous writer, ideologist, revolutionary and democratic fighter in modern China. He was born in a scholarly family in Shaoxing, Zhejiang Province. He studied in Japan in his early years and received the influence of Western culture. After he returned to China, he actively spread the teachings of Confucianism, participated in the New Culture Movement, and created literary magazines such as "Scream" and "Hesitation", which created a precedent for modern novels. Lu Xun's works deeply reflected the dark side of Chinese society and the painful lives of the people at that time, which had a profound impact on Chinese literature and the world of thought. His thoughts and literary achievements were hailed as one of the founders of modern Chinese literature. He was also known as the "literary master","cultural hero" and "national soul". In addition to literary creation, Lu Xun also actively participated in social and political activities, calling for the awakening of the people and opposing imperialism and feudalism. He once organized revolutionary organizations in Beijing, Shanghai and other places and fought against capitalist ideologists such as Hu Shi. His political activities and ideas also left an important page in modern Chinese history. Lu Xun's life story was widely spread, and his thoughts and spirit would always inspire the Chinese people's struggle and exploration.
An article related to Mr. Lu Xun!
There are many articles related to Mr. Lu Xun. The following are some of the famous articles: - A Madman's Diary - The True Story of Ah Q - Hesitation - New Stories - Canopy Collection - Wild Grass - Scream These articles were all representative works of Lu Xun, which had a profound impact on Chinese literature and the world of thought.
Mr. Lu Xun quickly stopped
Mr. Lu Xun (September 25, 1881-October 19, 1936) was a famous Chinese writer, ideologist, revolutionary, and fighter for democracy. He was hailed as one of the founders of modern Chinese literature, and had a profound impact on the development of Chinese literature, ideology, and culture. Lu Xun's representative works include "The Madman's Diary","The True Story of Ah Q","New Stories", etc. These works are regarded as the classics of modern Chinese literature. They reveal the dark side of Chinese society at that time and criticize the feudal system and bureaucratic-capitalist system at that time. Mr. Lu Xun was also a person who valued education. He advocated "education to save the nation" and advocated that education was a means to change society. He founded many schools and educational institutions, such as Peking University and Xiamen University, and made important contributions to the development of China's education. Mr. Lu Xun had made great contributions in the field of ideology and culture. He put forward many important ideas and theories, such as the "New Culture Movement" and the "Vernacular Movement", which had a profound impact on the development of modern Chinese culture. At the same time, he was also an active social actician who participated in the struggle against imperialism and feudalism many times and made important contributions to China's democratic and revolutionary cause.
What was Mr. Lu Xun called?
Mr. Lu Xun's novel
Lu Xun's novel, A Madman's Diary, was one of the most important works in the history of modern Chinese literature and also a classic of modern Chinese literature. The novel narrates the protagonist Fang Hongjian's various thoughts and emotional pains and contradictions during his study in Japan from a first-person perspective. Through the protagonist's madness and self-torture, the novel shows his inner conflict and mental state, revealing the hypocrisy and depravity of Chinese society at that time. The plot of the novel is compact, the characters are vivid, the language is humorous, and it has a profound meaning and unique artistic charm. It has a profound influence on the development of modern Chinese literature and thought.