Qinyuanchun Ci Pai is based on Su Shi's Ci "Qinyuanchun·Lonely Hall Lamp Green" as the main body, with 114 words in double tone. The first 13 sentences are flat rhyme; The last 12 sentences are flat rhyme. There are also 116 double-tone words and other variants. Its rhythm has the following characteristics and lyrics skills: 1. ** Antithesis Requirement **: There may be many antitheses in the first paragraph. If you can skillfully use antitheses when filling in the lyrics, it can increase the neatness and expressiveness of the words. 2. ** Pingze Law **: Must follow a specific Pingze Law, such as "00Pingze, 0000, 000Pingze". He was flat, flat. O flat, o flat, o flat. 0 flat, 0 flat, 0 flat. O flat, o flat, o flat. He was flat, flat. O flat, o flat, o flat. Oooo, ooo." 3. ** Rhyme **: The first thirteen sentences are in four-level rhyme, and the last twelve sentences are in five-level rhyme. The rhyming words had to be harmonious and match the emotional atmosphere of the word. 4. ** Choice of subject **: This poem belongs to the category of bold and unconstrained, suitable for the category of grand and heroic, magnanimous and graceful, but it can also be used to express aspirations, discuss, banter, narrate, reward, eulogy, and other topics. When filling in the lyrics, the content and emotional expression should be arranged reasonably according to the selected theme.
The rhyme of Qin Yuan Chun Ci Pai is as follows: The middle is flat, the middle is flat, and the middle is flat. The middle tone is flat, the middle tone is flat, the middle tone is flat, and the middle tone is flat. Ping Ze, Ze Zhong Ping Ze, Zhong Ze Ping Ze (rhyme). Ping Ping Zhong Ze Ping Ping (rhyme), Ze Zhong Ze Ping Ping (rhyme). The middle is flat, the middle is flat. The middle tone is flat, the middle tone is flat, the middle tone is flat, and the middle tone is flat. Ping Ze, Ze Zhong Ping Ze, Zhong Ze Ping Ze (rhyme). In addition, there are 114 words in the orthodox double-tone, 13 sentences in the first paragraph with four-level rhyme, and 12 sentences in the second paragraph with five-level rhyme. The fourth sentence of the first film and the third sentence of the second film are led by one word and four sentences of four characters. At the end of the first film and the second film, the word of falling tone should be used.
Qinyuanchun is a double-tone, 114 words. The first 13 sentences are flat rhyme; The last 12 sentences are flat rhyme. The rules were as follows: The middle is flat, the middle is flat, and the middle is flat. The middle is flat, the middle is flat. The middle tone is flat, the middle tone is flat, the middle tone is flat, and the middle tone is flat. Ping Ze, Ze Zhong Ping Ze, Zhong Ze Ping Ze (rhyme). Ping Ping Zhong Ze Ping Ping (rhyme), Ze Zhong Ze Ping Ping (rhyme). The middle is flat, the middle is flat. The middle tone is flat, the middle tone is flat, the middle tone is flat, and the middle tone is flat. Ping Ze, Ze Zhong Ping Ze, Zhong Ze Ping Ze (rhyme). There were six other variations: Variant 1: Double tone, 114 words. The first 13 sentences are flat rhyme; The last 13 sentences are flat rhyme. Variant 2: Double tone, 116 words. The first 13 sentences are flat rhyme; The last 13 sentences are flat rhyme. Variant 3: Double tone, 116 words. The first 13 sentences are flat rhyme; The last 12 sentences are flat rhyme. Variant 4: Double tone, 120 words. The first 13 sentences are flat rhyme; The last 12 sentences are flat rhyme. Variant five: double tone, 115 words. There are twelve sentences before and after each paragraph, with four levels of rhyme. Variant 6: Double tone, 113 words. The first twelve sentences, Siping rhyme; The last eleven sentences, Siping rhyme.
The fixed format of Putian Music was eleven sentences and forty-six words (excluding the words on the back). The basic sentence patterns were: three, three, four, four, three, three, seven, seven, four, four, four. The second, sixth, and seventh sentences were marked with the sound rhyme (the second and seventh sentences were marked with the sound rhyme), and the fourth, eighth, and eleventh sentences were marked with the sound rhyme. There are many other styles and words in this tune. The north and south songs belong to different palace tunes. The north song belongs to the Zhonglu Palace, and the south song belongs to the Zhenggong Palace, which can be sung into the word.
Willow branch Ci card originally has Sui Qu, and Sui Di related. Its formal style is Qiyan style, monotonous twenty-eight words, flat rhyme, format is the same as seven-character quatrains. There are many kinds of Ci styles in this tune. In the Tang Dynasty and the Five Dynasties, the original meaning of singing willow branches was passed down to Kaiyuan. Bai Juyi's new song was no longer the old one.
Hua Qing cited it as a double-tone, forty-five words. They all use flat tones. The first film is 22 words, the second film is 23 words, 4 sentences and 3 rhymes. With Su Shi's "Hua Qing Yin·Sense of the Old" as the representative, this tune only this word, flat tone should follow it. The rhythm is as follows (meaning of the symbol of Ci: Ping, means to fill in the flat sound word; Ze, means to fill in the sound word; Zhong, means to be flat or Ze. The end of the sentence is in bold rhyme): Roman A Comparable Ci of Rhythm: "Hua Qing Yin·Feeling the Old" Ping Ping Ze Ping, Ze Ping, Ze Ze Ping. It's flat, it's flat, it's flat. Usually in October to visit lotus soup, jade stool Qiongliang. The chariots and horses of the five families flowed like water, and the roadside was full of jewels. He was flat, he was flat. It was flat and flat, flat and flat. Cuihua once left to cover the square bed, leaving only the smoke tree gray. Even now, the moon is still clear, still passing through the wall.
The rhythm of the Ci poem "Paragon Heaven" was: O Ze Ping O Ze Ping (rhyme), O Ping O Ze Ping (rhyme). O flat O flat, O flat O flat. Level and Oblique, Oblique and Oblique (rhyme) O Ping O Ze Ping Ping (rhyme). O flat O flat, O flat O flat. The "O" meant that it could be flat or narrow. Strictly speaking, the third and fourth sentences were antithetical, and the fifth and sixth sentences were antithetical. This tone is fifty-five words, the first four sentences have three flat rhymes, and the last five sentences have three flat rhymes.
The rhythm of Mangong Flower Ci is as follows: The original style is 50 words in double tone, with five sentences and three rhymes in front and back. The rhythm is in the middle, flat and narrow. The middle is flat and the middle is flat. The middle is flat, the middle is flat, the middle is flat. The middle is flat and the tone is flat. The middle is flat and the middle is flat. The middle is flat, the middle is flat, the middle is flat. (Ping means to fill in the flat tone; Ze means to fill in the flat tone; Zhong means to fill in the flat tone) There are also variations, double-tone fifty-one words, the first five sentences of three-tone rhyme, the last four sentences of three-tone rhyme. The rhythm is flat and oblique, flat and oblique. The sound is flat and flat. Pronged, pronged. flat in the middle, flat in the middle, flat in the middle. the pitch is flat and flat. Ping Ping Ze Ping Ze, Ping Ze Ping Ze. (Ping means to fill in the flat tone; Ze means to fill in the flat tone; Zhong means to fill in the flat tone)
Begonia Spring Ci Pai had three forms: - The formal style is forty-eight words in double tone, with four sentences and three rhymes in front and back. The example was Qin Guan's Song Dynasty poem, Begonia Spring, Orioles Crying Outside the Window. The rhythm was: (Ping) Ping (Ze) Ping Ze, Ze (Ze)-(Ze) Ping (Ping) Ze. And they were all flat and flat. (Ping) Ping (Ze) Ping. And they were all flat and flat. - There are also forty-eight words with double tones, four sentences in the front and five sentences in the back. - Two-tone forty-six words, before and after each four sentences, three Ze rhyme variation.
The Brahmin order has eighty-six words in double tones, with six sentences in three-tone rhyme and one alliteration, and ten sentences in six-tone rhyme. The first sentence of the first film is the upper three-lower four-sentence structure, the second sentence of the first film and the third and fifth sentences of the second film are the upper three-lower five-sentence structure, and the fourth sentence of the first film is the upper three-lower three-sentence structure. The score was: Eighty-six words: (Ze)(Ping) Ze-Ze Ping Ze ❮ Ping (Ping) Ze ❯ Ze Ping Ze, Ping (Ping) Ze ❮ Ping Ze ❯, Ping (Ping) Ze ❮ Ping Ze ❯,(Ze) Ze Ping Ze ❮ Ping Ze ❯, Ping Ze ❯ Ze Ping Ze ❮ Ping Ze ❯, Ping Ze ❯, Ze-Ping Ze Ping Ze ❮ Ping Ze ❯, Ping Ze, Ping Ze ❯, Ping Ze, Ping Ze, Ping Ze. It should be noted that the words in the bracketed words of the word score can be used as flat tone words or flat tone words, but the marked words are the positive examples; The words before the double vertical sign are all rhymes, and the rhyme must be leaf rhyme; Some words in ancient Ci are different from the pronunciation of the present, so these words must be determined according to the rhyme of the word, and cannot be simply suspected that the ancients used them wrongly.
Moonlight Pear Blossom Ci Pai's rhythm is fifty-five words in two pieces. The whole word has two to four rhymes. The first and second rhymes are one rhyme each, or the same rhyme is alternated, that is, the whole word has two to four rhymes. The sound of the sound can be the upper sound, the sound of the sound can be the lower sound, the sound of the sound can be the lower sound, the sound of the sound can be the upper sound, the sound of the sound can be the lower sound, the sound of the sound can be the upper sound, the sound of the sound can be the lower sound, the sound of the sound can be the upper sound, the sound of the sound can be the lower sound, the sound of the sound can be the lower sound, the sound of the sound can be the sound can be the sound can There are seven sentences in the first part and six sentences in the second part. There are also seven sentences in the front and back of the double-tone fifty-four words, with three-tone rhyme and four-tone rhyme; The first eight sentences of the fifty-three words of double-tone have five-tone rhyme, and the last seven sentences have three-tone rhyme and four-tone rhyme; The first six sentences of the sixty-one words of double-tone have five-tone rhyme, and the last six sentences have four-tone rhyme.