Si Shi Ming Qin

Answer 1

Stradivari violin. The upper part of the body is narrow, the lower part is wide, and the middle part is slightly deeper. The outline and lines are beautiful. The piano board was wide and flat, with a slight curvature. The thickness in the middle gradually thinned to the surroundings, and the edge near the side board was the thinnest. Because the thickness of the board was moderate, it was easy to vibrate. Its pronunciation was strong and powerful, its sound was loud and clear, its tone was beautiful, and its transmission effect was excellent. It was often described with words such as mellow, implicit, rich, and pure.

Stradivari was an extraordinary artist, and his name became synonymous with supreme quality. His interpretation and design of violin geometry were respected as a concept model by violin makers for 250 years. He made about 1100 musical instruments in his life, and about 650 of them have been passed down to this day. But now there were thousands of violins made by other violinists who imitated the Stradivari model and labeled it as "Stradivari", and not all of them were fine. Genuine labels were often inscribed in Latino, and imitations after 1891 might have the country of manufacture written in English at the bottom of the label. Two and a half centuries after his death, the value of the Schmidts 'instruments had not decreased, but instead increased. In addition to its elegance and precision, its sense of power was also the key to its victory.

There was a Stradivari violin made in 1704 that was once sold by the Romani in a violin shop. The luthier initially mistook it as a common sales gimmick and did not pay attention to it. Later, he discovered that it was an important achievement that marked the beginning of Stradivari's golden age. In addition, there were 185 Schmidts.

In terms of performance style adaptation, the Schmidts were most suitable for internal performances that did not rely on their appearance and timbre. They could fully reflect the noble and magnificent style and profound artistic conception of the works and performers. Joachim, George, Kuberick, Sarasati, as well as Herman, Menuhin, Milstein, Morini, David. Masters such as Oysterlach liked to play with the zither.

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