Because the inscription on the broken monument of Xingfu Temple was slightly scattered, and only the lower half was left, it could not be read through, so there was no complete original text and interpretation available for inquiry at present. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
The original text of the Mount Yi stele was divided into two parts, namely the "First Emperor's Edict" and the "Second Emperor's Edict". [Qin Shihuang's Engraving] The emperor established the country in the past and became king in the future. The crusade against rebellion, prestige shook the four poles, martial arts righteousness straight side. Rong Chen received the imperial edict, after a short period of time, destroyed the six violent forces. Twenty-six years later, the emperor recommended him with a high title, and his filial piety was obvious. After offering Taicheng, he gave him a gift and personally visited the distant places. Climbing Mount Yi, all the ministers who followed him missed him. Remembering the troubled times, we should divide the land and build the country to open up the struggle for justice. War broke out every day, and blood was shed in the wild, starting from the ancient times. There are tens of thousands of people in the world, including the Five Emperors, who cannot be banned. Today's emperor, unified the world, no longer war. Disasters are eliminated, the people are stable, and the benefits are long-term. The ministers recited the strategy and carved this music stone to show their talents. The emperor said,"The stone inscriptions are all the work of the First Emperor. Now he has inherited his title, but the stone inscriptions on the gold stone are not called the First Emperor. It is because of a long time ago." If an heir does it, it is not called a successful virtue." The Prime Minister, Chen Si, Chen Quji, and the Imperial Censor, Chen De, risked their lives and said,"Please engrave the imperial edict in gold and stone, so that it will be clear. I'll risk my life to ask." The emperor ordered: Yes. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
There were many inscriptions in Longxing Temple, among which the more famous one was Longzang Temple Stele. The Stele of Longzang Temple was carved in the sixth year of Emperor Kaihuang of Sui Dynasty (586 years). It was a very valuable inscription in Longxing Temple. It was established by Wang Xiaoxian, the governor of Hengzhou, who was ordered by the emperor to encourage more than 10,000 common people in Hengzhou to build Longzang Temple. Not only did this monument have historical value, but it also had extremely high calligraphy value. The inscription mainly recorded the construction of the temple, such as the process of the Hengzhou governor persuading the construction of Longzang Temple, the scale of the temple at that time, the architectural landscape and the surrounding environment, etc. It was an important historical material for studying the history of Longxing Temple. In terms of calligraphy, his handwriting was "neat, dense, thin, and strong, the first in the Sui Dynasty". His strokes were deep and powerful, with a combination of hardness and softness. The composition was rigorous and elegant, and the square was neat. It was already a mature image of regular script. It inherited the remnant wind of the Northern and Southern Dynasties and opened the first calligraphy of the early Tang Dynasty. It nourished a group of calligraphers such as Ouyang Xun, Yu Shinan, and Chu Suiliang. It was praised by Kang Youwei as "this integrated monument of the Six Dynasties, not only the first in the Sui Dynasty". There is also a "Holy Lord's Life Longevity Zhuyan Stele" in the temple, carved in the fourth year of Yuan Yanyou (1317), now standing in Zhengding Longxing Temple behind the wheel. In addition, there are five imperial steles of the Qing Dynasty in the temple, including one imperial stele of Kangxi, three imperial steles of Qianlong and one imperial stele of Jiaqing. Among them, the imperial stele of Longxing Temple in the fifty-second year of Kangxi and the rebuilding of Zhengding Longxing Great Buddha Temple in the forty-fifth year of Qianlong are located in the pavilions covered with yellow glazed tiles on the east and west sides of the moon platform of Great Compassion Pavilion. The other two imperial steles of Qianlong (engraved with six poems in total) and one imperial stele of Jiaqing are imperial poetry steles, which are respectively located in the side hall of Great Compassion Pavilion-Cishi Pavilion. Behind the Wheel Collection Pavilion and south of the Ci Pavilion. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
The original text of Yan Zhenqing's "Multi-Pagoda Stele" was as follows: Chao Yi Lang, sentenced to Shangshu, Wu Department Yuanwailang, Lang Yan Zhenqing's letter. Chaosan doctor, inspection minister, all official doctor, Donghai Xu Hao title. Yue County,"Miao Fa Lotus Flower," is the secret treasure of all Buddhas. The pagoda with many treasures is the manifestation of the scriptures. Creation depends on ten strengths, and grand construction depends on four aspects. There is a Zen master named Chu Jin, surnamed Cheng, Guangping people. His grandfather and father believed in Buddhism and celebrated the return of the Fa Yin. His mother, Gao, was not pregnant for a long time. At night, she dreamed of Buddhas and woke up pregnant. This is the sign of a dragon and an elephant, but there is no sign of a bear. The moon is bright and bright. He is not a child, nor a child. Please note that the above is the original text of Yan Zhenqing's "Pagoda Stele".
Qu Yuan Jiu Ge was one of the ancient Chinese literary works, Jiu Ge. It mainly told the love story of a man named Qu Yuan. The following is the original text and explanation: Original text: "Nine Songs" said: The son's wife cried when she entered the door, regardless of others. Explanation: This poem described the situation of a wife named Qu Yuan who cried sadly after her husband passed away, but did not consider others. The 'wife' in this poem referred to Qu Yuan's wife.'Crying' meant that she was sad and crying.'Ignoring others when entering the door' meant that she was unwilling to communicate with others. This kind of lonely sadness was often used in literary works to express the emotional fragility and loneliness of women.
The inscriptions similar to the stele of Longzang Temple include Gao Zhan's Epitaph, which is similar in style to the stele of Longzang Temple taken by Chu Suiliang; there is also the Stele of Temple Hall, which is very similar to the stele of Longzang Temple, but it is difficult to know the degree of similarity between the two without seeing the old version. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
There are several good copies of Longzang Temple Stele handed down from generation to generation: First, Qing Huangyun, Tang Handi, Shen Shuyong and others handed over the rubbings of Yuan and Ming Dynasties, which are now stored in Shanghai Library; Second, Wang Yirong and Wang Daxie handed over the rubbings of the early Ming Dynasty. Unfortunately, half a page and twenty-eight words were missing. Zhang Yansheng added Jiadao's edition to complete the whole edition. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
The stele of Longzang Temple mainly recorded the process of the governor of Hengzhou, Duke of E, Wang Xiaoxian, persuading more than 10,000 commoners in Hengzhou to build Longzang Temple under the emperor's order. At the same time, it also introduced the scale, architectural landscape and surrounding environment of the temple at that time. The inscription is written in regular script. There are 30 lines on the front of the tablet, each line is about 50 words, a total of 1446 words. There are titles and the names of Hengzhou counties on the back and left of the tablet, divided into 5 sections and 30 lines, with different words per line. The original author of the stele and the author of the book did not sign their names. Ouyang Xiu believed that the author was Zhang Gongli, who signed at the end of the stele, but the author of the book could not be verified. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
The original text of "Canhua": Flowers bloom and fall without regret, fate comes and goes like water. Flowers wither for flowers bloom, flowers fly for flowers sorrow. Flower sorrow is flower tears, flower tears are flower fragments. Flowers danced, flowers shed tears, flowers cried, petals flew. For whom the flowers bloom and wither, and for whom the flowers wither and grieve. Explanation: The opening line of the poem," Flowers bloom and fall without regret, fate comes and goes like water." It meant that flowers would not regret whether they bloom or fall, and fate between people came and went like water. These two lines seemed broad-minded, but in fact, they revealed helplessness and sorrow. They could also be seen as the main theme of the poem. The next six sentences described the life of the flower in detail, from the withering of the flower, the flying of the flower, the sadness of the flower, the tears of the flower, the dancing of the flower, the crying of the flower, and the flying of the petals. It summarized the process from the bud of the flower to the withering and breaking of the flower, which also symbolized Li Qingzhao's own life. In the end, it was 'Who do the flowers bloom and wither for? Who do the flowers wither for?'. The flowers in nature bloom and wither, and the people who love flowers lament. However, Li Qingzhao's lonely and miserable life was filled with deep sadness. The entire poem was a self-metaphor, using the remaining flowers to summarize his sad life. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Regular script originated from the end of the Eastern Han Dynasty and had gone through a long period of evolution in the Northern and Southern Dynasties. In the regular script of the Northern Wei Dynasty, the inscriptions and epitaphs were of great significance in the evolution of the font during the 30-year period from 500 to 530 A.D., with obvious artistic features. The Longzang Temple Stele was published in the sixth year of the Sui Dynasty (586 AD), only 50 years after the end of the Northern Wei Dynasty's heyday. In the stele of Longzang Temple, there were obvious traces of the structure of the Northern Wei steles (including the epitaph) and the use of pen in the front, front, back and sides of the stele. For example, the writing style of the big characters on the stele of Longzang Temple was similar to that of Zhang Menglong Stele, which was engraved in 522 (the third year of Zhengguang of Northern Wei Dynasty). When writing, all the strokes were pressed down. "Longzang Temple Stele" was written very neatly in squares. This kind of neat writing, structure, and style could be found in the vast number of Northern Wei epitaphs. As for the inscriptions on the back and sides of the stele, they were not placed in the grid, so they were written relatively casually. Moreover, the angle of the horizontal drawing to the upper right corner was very obvious. This method of writing was similar to the horizontal drawing in many Northern Wei inscriptions. The Longzang Temple Stele played an important role in the development and evolution of the Wei Stele and the Tang Kai. Together with Ding Daohu's Qifa Temple Stele, they formed the forerunner of the Tang Kai. From the calligraphy style of Longzang Temple Stele, the regular script of Ouyang Xun and Yu Shinan in the early Tang Dynasty inherited and used for reference to varying degrees. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
Mo Youzhi (1811 - 1871) was a famous scholar in the late Qing Dynasty. Mo Youzhi mentioned in his postscript in the year of Tongzhi (1869) that true calligraphy flourished in the early Tang Dynasty. The early Tang Dynasty was proficient in the calligraphy of the Northern Dynasty, and the Stele of Longzang Temple was almost indistinguishable among Chu Suiliang's works, which showed the origin of his calligraphy style. The rubbings of "Zhang Gongli's Unfinished Version" and "Longzang Temple Stele" collected by Shanghai Library during the Yuan and Ming Dynasties were signed by Mo Youzhi, and this was the earliest one handed down from generation to generation, with the most preserved words and the most exquisite rubbings. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!