Wild geese, fish, copper lamps, Shanxi Museum
The Yanyu copper lamp was an important cultural relic of the Shanxi Museum. The Yanyu bronze lamp was a first-class cultural relic of the Western Han Dynasty. One of them was unearthed in Wuxing Village, Xiangfen County, Shanxi Province in 1986. It was shaped like a wild goose standing upright, turning its head to hold a fish. The wild goose neck and the lamp body were connected by the mother-child mouth, and the fish body was connected to the wild goose neck and abdominal cavity. The circular lamp plate is attached to the handle and can rotate freely. The foot of the plate is connected with the straight mouth of the goose's back. The fish belly and the lamp plate correspond to a circular cover. Two arc-shaped screens are inserted between the cover and the lamp plate, which can be opened and closed in a staggered manner. It can not only block the wind but also adjust the brightness of the light. When the light is lit, the smoke is guided into the goose belly through the fish belly and goose neck to prevent the air from being polluted by oil smoke. The screen plate, fish scales and goose wings are painted. It was 53.8 cm tall, 31.3 cm long, and 10.5 cm in diameter. Another piece was unearthed in 1985 in Zhaoshiba Village, Shuo County, Shanxi Province. It was 53 centimeters high and was made of four parts: a fish in the mouth of a wild goose, a body of a wild goose, a lamp plate, and a lamp shade. The goose's neck was long and slender, and it turned its head to pick up a fish. The wild goose's body was fat, and wings were cast on both sides of its body. Its short tail was upturned, and its feet stood side by side. The lamp plate has a handle and is located on the back of the wild goose. The lampshade was made of two curved plates. The lamp plate and lampshade could be turned to adjust the wind and light. The fish body, goose neck and goose body were hollow and connected, which could contain smoke and dust. Each part could be disassembled for cleaning. In 1983, a similar bronze lantern was unearthed from the Western Han Dynasty tomb in Shuo County, Shanxi Province. In 1986, a pagoda in Shenmu County, Shaanxi Province was also unearthed. The Yanyu copper lamp was not only exquisitely crafted, but also had a unique design concept, which showed the wisdom and creativity of the ancient China people. It also had far-reaching historical significance because of its environmental protection and practicality. It was a model of the combination of ancient science and technology and culture, which helped to understand the lifestyle, aesthetic concept, and scientific and technological development level of the Han Dynasty. It was also an important part of the traditional culture of the Chinese nation. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
How many copper lamps with painted geese and fish were unearthed?
It is known that the copper lamps with colored geese and fish were unearthed from the Western Han Dynasty tomb in Shuo County, Shanxi Province in 1983 and the Western Han Dynasty tomb in Dianta Village, Shenmu County, Shaanxi Province in 1985. There were two unearthed in total. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Shanxi Museum Painted Wild Goose and Fish Bronze Lamp
The copper lamp painted with wild geese and fish was a first-class cultural relic of the Western Han Dynasty. It was unearthed in Wuxing Village, Xiangfen County, Shanxi Province in 1986. The tomb owner was a noble in the late Western Han Dynasty. The lamp body is shaped like a goose holding a fish, with a height of 53.8 cm, a length of 31.3 cm, and a diameter of 10.5 cm. The overall shape of the lamp was simple and elegant. The goose stood upright and looked back to hold the fish. The goose had a crown on its forehead, round eyes, a slender neck, a wide and fat body, wings cast on both sides of its body, a short tail upturned, two feet standing side by side, and webbed palms. The fish was short and fat. The goose neck and the lamp body are connected by a mother-child mouth, and the fish body is connected with the goose neck and the abdominal cavity. The round lamp plate of the lamp is attached to the handle, which can rotate freely. The foot under the plate is matched with the straight mouth of the wild goose's back. The fish's abdomen and the lamp plate corresponded to a circular cover, and two arc-shaped screens were inserted between the cover and the lamp plate, which could be opened and closed in a staggered manner, which could not only block the wind but also adjust the brightness of the light. When the lights were lit, the smoke was guided into the belly of the goose through the fish belly and the goose neck. Moreover, the ancients would put water in the goose's belly before lighting it. After being diluted by water, it could reduce or eliminate the pollution to the indoor air, which had an environmental protection effect. The four parts of the lamp (goose head and neck, goose body, lamp plate, and lamp cover) were assembled together. They could be disassembled freely and were easy to clean. Its screen board, fish scales and wild goose wings are painted, the wild goose crown is painted with red color, the wild goose body is painted with green color, on the wild goose fish and lampshade with ink line, red color respectively to draw feather, scale and Kui dragon pattern, very exquisite. This cultural relic not only displayed the wisdom and creativity of the ancient China people with its exquisite craftsmanship and unique design concept, but also had far-reaching historical significance because of its environmental protection and practicality. It was a model of the combination of ancient science and technology and culture, and also an important part of the traditional Chinese culture. It helped to understand the lifestyle, aesthetic concept, and scientific and technological development level of the people of the Han Dynasty. It is now collected in the Shanxi Museum and displayed in the Shaanxi Museum. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
The relationship between the copper lamp painted with wild geese and fish in the Western Han Dynasty and chemistry
There were many relationships between the Western Han Dynasty painted goose and fish copper lamp and chemistry. From the material point of view, it was made of bronze. Bronze was a mixture of metals such as copper-tin alloy. Its manufacturing process involved chemical changes such as smelting metal. Through specific chemical reactions, copper ore and other raw materials were smelted into bronze. From a functional point of view, the lamp burned oil or wax to produce oil smoke, which involved the combustion reaction of organic matter and was a chemical change. The goose's stomach could be filled with clear water, and the smoke from the lamp was guided into the goose's stomach through the goose's neck and dissolved in water. This process involved the dissolving phenomenon in chemistry. Some water-dissolved substances produced by combustion, such as partial incomplete combustion products, would be dissolved in water, thereby reducing oil smoke pollution and purifying the air. This ingenious design reflected the ancients 'use of chemical phenomena in practice. Although there was no theoretical system of modern chemistry at that time, it reflected the ancients' initial understanding and application of material transformation and chemical related phenomena to a certain extent. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Shaanxi Museum, Wild Goose Fish Bronze Lamp
The bronze lantern with wild geese and fish, also known as the painted lantern with wild geese and fish, was a cultural relic of the Western Han Dynasty. It was unearthed in August 1985 in Dianta Village, Shenmu County (now Shenmu City), Shaanxi Province. It is now stored in the Shaanxi Provincial History Museum and is a national first-class cultural relic. It was 53.5cm high, 34cm long, 17cm wide, and weighed 4.978kg. It was cast in bronze and adopted the artistic shape of a goose holding a fish. It was composed of the head of the goose holding the fish, the body of the goose, the lampshade, and the lamp plate. It was mainly painted with red and white paint. The lamp plate was round and could be adjusted and rotated freely. There was a flat curved lamp handle on one side. The lampshade was two curved boards that could be opened and closed left and right. In this way, the angle and brightness of the light could be adjusted, and it could also block the wind. The neck and abdomen of the goose in the copper lamp are connected to the fish body of the fish held by the goose. It is designed to be hollow. The belly of the goose can hold clear water. The smoke of the lamp is directly guided into the belly of the goose through the neck of the goose and dissolved in the water, which can reduce oil smoke pollution and purify the air. In ancient times, wild geese were regarded as auspicious birds. They had the quality of loyalty and were used as betrothal gifts and wedding gifts. Fish represented wealth and reproduction. The combination of wild geese and fish was a beautiful symbol of love and marriage. In addition, copper lamps of similar shapes were unearthed in Dianta Village, Shenmu County, Shaanxi Province, and the tomb of Marquis Haiying of the Western Han Dynasty in Nanchang. Some people named them goose fish lamps. The shape was basically the same as that of goose fish lamps. They were all made of goose head and neck, goose body, lamp and lampshade. The wild goose had a crown on its forehead, a slender neck, a wide and fat body, wings cast on both sides of its body, two feet standing side by side, large and flat webs, and a stable shape. Its neck is connected to the hollow, which is the passage for guiding smoke. On the goose body is a lamp plate, and on one side is a handle that can rotate the lamp plate. The lamp cover is an arc-shaped screen plate. The upper part is inserted into the fish belly, and the lower part is inserted into the straight wall ring edge of the lamp plate, which can be opened and closed left and right. The Shaanxi Museum of History had caused controversy because of the similarities between the creative products of the Yanyu bronze lamp and the image of the Yanyu lamp created by netizens. The museum said that the creative products launched by the museum were designed based on the collection of the Yanyu bronze lamp cultural relics. There was no plagiarism. Instead, it was possible that the museum's cultural relics were borrowed or imitated by others. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
The wild geese return,
The wild goose returning was a common literary image that was often used to describe the joy and emotion of the protagonist returning to his hometown after a period of separation and wandering. Among them, the phrase " wild goose returns " itself is also a figurative description. Through the image of " wild goose ", readers can feel a kind of freedom, lightness and open-minded emotion, as if the return of wild goose means the freedom and liberation of the protagonist. In terms of sentence appreciation, the sentence " The wild goose returns " has vivid and vivid characteristics in language expression. At the same time, it uses many figurative and personification rhetorical devices to make readers feel the emotions and state of the protagonist more deeply. For example,"wild goose" could be compared to a returning person, and "return" could be compared to the feeling of finding a home again. These rhetorical devices made the sentence more infectious and expressive.
Shanxi mural art museum
Shanxi Jinzhi Source Mound Art Museum was the largest non-state-owned museum in Shanxi Province and the only mural art themed museum in the country. The museum's theme was "The Painting on the Wall: The Origin of Ancient China Murals", which displayed the origin and context of ancient China murals. The museum's exhibition mainly focused on the existing ancient murals in Shanxi. Through various forms such as high-simulation replicas, replicas, and physical demonstration, it presented the artistic features of murals in different periods, regions, and cultural backgrounds. In addition to the function of viewing and displaying, the museum also had the function of studying the theme of murals, the function of restoring and protecting cultural relics, and the function of studying mural culture. The museum offered courses such as copying murals and colored sculptures, spreading and framing techniques, viewing murals and lectures, and established a cultural relic restoration center and a database of Shanxi murals, colored sculptures, and ancient architecture resources. The opening of the museum will play a positive role in the protection and research of Shanxi murals and the inheritance of Sanjin culture.
Sunset clouds and wild geese
In Wang Bo's poem," Sunset clouds and lone ducks fly together, autumn water is the same color as the sky ", the " ducks " were wild ducks. There was once a view that the " sunset clouds " here did not refer to the sunset, but an insect called moths. However, there was no direct connection between "falling geese" and "sunset". In classical literature," wild geese falling " was an allusion to Wang Zhaojun, one of the four beauties of ancient China. Legend had it that when Zhaojun left the fortress, she played a farewell song. The wild geese flying south heard the melodious sound of the zither and saw the beautiful woman riding on the horse. They forgot to flap their wings and fell to the ground. The two were different concepts and had unique meanings in their own context. "Luo Mingxia Love Letter" is equally exciting. Everyone is welcome to click and read it!
Shanxi Taiyuan Northern Qi Murals Museum
Taiyuan, Shanxi Province's Northern Qi Murals Museum was located in Wangjiafeng Village, Yingze District, Taiyuan City. The museum was built based on the original site of Xu Xianxiu's tomb in Northern Qi. It was the first special museum built on the original site of the mural tomb. The museum covered a total area of 20,000 square meters, with a designed building area of 5355 square meters, including the exhibition hall of 3830 square meters and the mural protection research center of 1525 square meters. The exhibition hall of the museum was divided into three exhibition spaces. With the Northern Qi murals as the core, the contents and characteristics of the murals during the Northern Qi period were displayed. The museum was officially opened on December 20, 2023. The audience could roam the tomb through VR technology, admire the murals, and interact with the murals on the projection wall. The construction and opening of the museum was of great significance to the preservation and display of the murals of Northern Qi.
Is 'The Wild Geese' based on a true story?
Yes, it is. 'The Wild Geese' is inspired by real events and characters to some extent.
Song, wild geese fly south
" The Wild Goose Flying South " was a song sung by Wang Xin. Wang Xin was a female singer from the mainland. She was born in Jingzhou City, Hubei Province, and was 168cm tall. She had made some achievements in her music career and had participated in the China Voice competition and won the championship. Her unique voice and affectionate performance made the song "The Wild Goose Flying South" even more touching. This song described the scene of wild geese leaving the north and flying south, causing people to miss their hometown and yearn for the distance. In addition to being a singer, Wang Xin also played the role of a music producer. She also participated in the music composition of movies and TV series and received good reviews. In general," The Wild Goose Flying South " was a song full of sadness and homesickness. It was given more emotion by Wang Xin with her unique voice and affectionate performance.