Historical stage play, Song of Everlasting Sorrow
Song of Everlasting Sorrow had many artistic forms, including historical stage plays. For example, the play "Song of Everlasting Regret" was based on Bai Juyi's "Song of Everlasting Regret." Through the five scenes of "Mawei Journey","Thinking of the Country","Yuyang Drum","Pear Blossom Tears" and "Song of Everlasting Regret", it showed the love tragedy between Emperor Xuanzong of Tang Dynasty and Yang Guifei and the changes of the national fate during the An Shi Rebellion. It also reflected on history and personal feelings with Bai Juyi's creation of "Song of Everlasting Regret" as the main line. This play was produced by Tianjin Baoyi Art Troupe. The performance form was pure drama. It was performed at the opera hall of Yangzhou Canal Grand Theater at 19:30 on November 10,2024. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Sorrow Stage Play
There were many versions of the Song of Everlasting Sorrow stage play. Among them, the Shanghai dialect stage play adapted from Wang Anyi's Mao Dun Literature Prize-winning novel was produced by the Shanghai Dramatic Arts Center. This version condensed the 270,000-word original work into a three-and-a-half-hour performance, vividly showing the ups and downs of Wang Qiyao's life, from the alley daughter to the Miss Shanghai, interweaving the changes of Shanghai from the 1940s to the 1990s. In 2023, he started a new script, a new cast, and performed in Shanghainese for the first time. He won the 2024 "One Drama Award" for the annual drama award, and was nominated for "Best Reproduction","Best Actress","Best Supporting Actor" and "Best Producer" in the 8th Chinese Drama Festival. In terms of dance design, the wavy roof above the stage and the multimedia-projected tiger window were very characteristic of Shanghai Shikumen. The mottled walls, together with the lights, multimedias and music, set off the sad background of the characters. The three turntables on the stage symbolized the passage of time. The walnut-wood European-style furniture and other props were full of age. The costumes were also tailor-made for the actors to show the Shanghai people's clothing characteristics for decades. In addition, the first round of the stage play "Song of Everlasting Sorrow" produced by the Shanghai Dramatic Arts Center caused a sensation in 2003. In the past 20 years, it had been constantly trying to adjust and seek breakthroughs in the script, stage beauty, music, costumes and other aspects. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Sorrow Stage Play
Song of Everlasting Sorrow was a stage play with the love story of Li Longji and Yang Yuhuan as the theme. It was deeply touching after watching it. Judging from the performance scene, the stage layout was exquisite. For example, in the live performance of Huaqing Palace in Lintong, natural landscapes such as Mount Li and Huaqing Pool were integrated with the stage buildings to create an atmosphere of traveling back to the prosperous Tang Dynasty. When the bridge on the stage slowly rose, Yang Yuhuan appeared on a lotus leaf boat, and then the magnificent palace appeared. There were also special effects such as flashing lights and dancing fountains, which made the audience feel as if they were in that era. From the perspective of the plot, it profoundly showed the interweaving of love, politics, and fate. The love between Li Longji and Yang Yuhuan began in the heyday. They were inseparable because of their common artistic hobbies. The emperor neglected the government for the sake of the beauty, which caused turmoil in the government. The An Lushan Rebellion became the turning point of this love tragedy. In the chaos of war, Yang Yuhuan was ordered to die. This scene was full of helplessness and sorrow. Even when Li Longji was old, his longing for Yang Guifei never stopped. This kind of love that was separated by yin and yang but unforgettable was moving. From the performance of the actors, their dance was beautiful and their expressions were in place. The actor who played Yang Yuhuan vividly portrayed Yang Guifei's beauty, elegance, happiness and helplessness in love, and the actor who played Li Longji also perfectly demonstrated an emperor's struggle between love and power. In terms of artistic value, the stage play of Song of Everlasting Sorrow vividly presented this historical story to the audience through a combination of dance, music, narration, and other forms. Whether it was the arrangement of classical music and dance or the narration of poetry, the whole work was filled with a strong cultural heritage. It became a classic work that showed the prosperity of the Tang Dynasty and the tragedy of love. Watching the stage play " Song of Everlasting Sorrow " was not just about appreciating the performance, but also a deep understanding of history, love, and fate. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
The play "Song of Everlasting Sorrow" will begin
It is known that the performance time of the national style aesthetic stage play "Song of Everlasting Sorrow" in Suzhou Station is November 23, Suzhou Yongle International Film City (Wuyue Plaza); the Tang Dynasty national style epic drama "Song of Everlasting Sorrow" in Shanghai Station is 30% off, but the performance time is not specified; no other information about the upcoming location and time of "Song of Everlasting Sorrow" was found. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
The Historical Position and Impact of Song of Everlasting Sorrow
Song of Everlasting Sorrow had an important historical position and far-reaching influence. In terms of literature and art, Song of Everlasting Sorrow was the representative work of narrative poems in the Tang Dynasty. In the Tang Dynasty, it became a classic work at that time, which played a positive role in promoting literary creation at that time. It also had a far-reaching impact on many literary works of later generations. The poet skillfully fused historical figures and legends to create a moving story that had influenced readers for thousands of years. In terms of cultural content, it described the love story between Emperor Xuanzong of the Tang Dynasty and Yang Guifei, as well as the ups and downs of the Tang Dynasty. It expressed the author's deep love for the country, and deeply pondered the joys and sorrows of the human world, the short-lived and impermanent life. In terms of social culture, it reflected the cultural ecology of the Tang Dynasty. The Tang Dynasty attached great importance to poetry and the social atmosphere was open and inclusive. The wide spread of Song of Everlasting Sorrow also reflected this cultural characteristic. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
The Historical Status and the Character of Song of Everlasting Sorrow
Song of Everlasting Sorrow had a very high historical status. It was the greatest long love narrative poem in ancient times. It was Bai Juyi's work of apotheosis, making him famous all over the world. It was recited by people of different classes. In Japan, his fame even surpassed that of Li Bai and Du Fu. From the characteristics of the work: - ** In terms of length **: It is rather long, with more than 1200 words. It shows the love story of Emperor Ming of the Tang Dynasty and Yang Guifei, as well as the social style and cultural background of the Tang Dynasty. - ** Language **: The language is beautiful and smooth. It uses a lot of rhetorical techniques and images, such as metaphor, personification, exaggeration, etc. It is very infectious. - ** In terms of structure **(Take the oratorio as an example): Very concise, compact, and without superfluous words. The characters, scenes, and time are highly concentrated. The plot could be divided into three parts. The first part described the loving scene between Emperor Ming of Tang Dynasty and Concubine Yang. The second part showed the contradiction and conflict between Concubine Yang and Concubine Yang during the Rebellion of An Lushan and Shi Lushan. The third part described Emperor Ming of Tang Dynasty's longing for Concubine Yang. In the editing of the plot, only the love tragedy was left as the main line. It followed the principle of "establishing the main brain" and "reducing the clue", avoiding red tape, and using time as the order, the charm ran through from beginning to end. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
song of everlasting sorrow
Song of Everlasting Sorrow was a long narrative poem written by Bai Juyi, a poet of the Tang Dynasty. It described the love life of Emperor Xuanzong and Yang Guifei, the effect of love, and the story of the An Lushan Rebellion. This poem was romantic, wonderful, and positive. It showed the deep love between Emperor Xuanzong of the Tang Dynasty and Yang Guifei, as well as the outbreak of their famine and An Lushan Rebellion.
song of everlasting sorrow
Song of Everlasting Regret was a long narrative poem by Bai Juyi, a poet of the Tang Dynasty. It described the love tragedy between Emperor Xuanzong of the Tang Dynasty and Yang Guifei. The poem used the summer scenery and emotions as the theme to express Bai Juyi's longing and sadness for the king. There were many beautiful sentences in the poem, among which," Looking back and smiling, a hundred beauties are born, and the six palaces are colorless " was considered to be the best. Song of Everlasting Sorrow sang the love tragedy of Emperor Xuanzong of the Tang Dynasty and Yang Guifei in a roundabout and sentimental manner, showing Bai Juyi's superb talent and profound emotions. This poem was considered one of Bai Juyi's famous works and had a far-reaching influence.
Song of Everlasting Sorrow
Song of Everlasting Sorrow was based on the historical story of Emperor Ming of Tang Dynasty and Concubine Yang. The Tang Dynasty was the golden age of culture and art and the development of poetry. When Emperor Li Longji of the Tang Dynasty was in power, the country was prosperous and culture and art developed vigorously. Yang Guifei was beautiful and talented, which made Emperor Ming of the Tang Dynasty fall in love with her. However, she was regarded as a femme fatale and met with misfortune. When Bai Juyi wrote this poem, he was already a successful poet and official. He was good at expressing emotions and describing life. His poems were praised. He might have started to write the Song of Everlasting Sorrow a few years after Yang Guifei's death. The process of creation might have been long and his motives were complicated. On the one hand, it was for the needs of literary creation, and on the other hand, it might have been out of nostalgia and emotion for Emperor Ming of Tang and Yang Guifei. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Sorrow (1943)
In 1943, there was a movie called The Eternal Nymph. It was a drama, romance, and musical film that lasted 112 minutes. Cat's Eye's overall rating was 6.8, and it had a rating of 6.7 on IGDb. It had been nominated for the Best Actress Award once. The main cast included Charles Boyer (as Lewis Dodd), Joan Fanden (as Tessa Sanger), Brenda Marshall (as Toni Sanger), and many other actors. It was directed by Edmund Gelding, but there was no more detailed storyline. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Sorrow
Song of Everlasting Regret was a long narrative poem written by Bai Juyi in the Tang Dynasty. * * I. Analysis of the original text ** 1. * * Opening Part ** - "The Emperor of Han was so obsessed with women that he could topple the country. The Yang family had a daughter who had just grown up and was raised in a boudoir. No one knew her. A natural beauty is hard to give up, and once she is chosen to be beside the king." It depicted that Emperor Xuanzong of the Tang Dynasty loved beauty and had always been looking for beautiful women. The daughter of the Yang family (Yang Guifei) was born beautiful and was chosen to enter the palace. "Emperor of Han" actually referred to Emperor Ming of Tang Dynasty. The poet wrote it like this to avoid taboo. - "Looking back, a smile gives birth to a hundred charms, and the six palaces have no color. In the cold spring, he was given a bath in Huaqing Pool, and the hot spring water flowed smoothly to wash the coagulated fat. When the servant lifted her up, she was powerless. This is the time to receive a new favor." Through the description of Yang Guifei's beauty and beauty, she turned around and smiled, making the other women in the harem pale in comparison. Moreover, she was doted on by Emperor Xuanzong of Tang Dynasty and was given a bath in Huaqing Pool, showing her state when she was first favored. - "Cloud hair, flower face, golden steps shake, hibiscus tent warm spring night. Spring nights are short and the sun rises high. From then on, kings don't go to court early. There is no leisure time to entertain guests, spring from spring outing night to night. There are three thousand beauties in the harem, and three thousand dotes on one person." He further described Yang Guifei's beauty and decoration, as well as her situation after she was favored. Emperor Xuanzong of the Tang Dynasty no longer went to court early because he was addicted to her love and gathered thousands of favors on her. - "The golden house is dressed up as a delicate servant at night, and the banquet in the jade tower is drunk and spring. Sisters and brothers are listed in the land, and the poor glory is born in the door. So that the hearts of all parents in the world will not give birth to a man but to a woman." It was written that Yang Guifei's family received high positions and high salaries because of her favor. Even the parents of the world changed their minds and hoped that their daughters could bring honor to their ancestors like Yang Guifei. - "From the high place of the Li Palace, one can see the blue clouds, and the wind of celestial music is heard everywhere. Slow singing, wild dancing, silk and bamboo, all day long the king can't see enough." It depicted the palace on Mount Li towering into the clouds, the celestial music in the palace fluttering, and the beautiful singing and dancing of Yang Guifei. Emperor Xuanzong of the Tang Dynasty did not feel bored watching it all day long. 2. * * An Lushan Rebellion ** - "Fisherman's Sun and drum move the earth, breaking the song of Rainbow Feathers. Smoke and dust rose from the nine watchtowers, and thousands of chariots and horses marched southwest. Cuihua swayed and stopped, more than a hundred miles west of the capital gate. If the six armies do not move, they will die in front of their horses." The An Lushan Rebellion broke out, and An Lushan's rebels broke the peace of the palace. Emperor Xuanzong of the Tang Dynasty fled with Yang Guifei and others. When the army reached Mawei Slope, there was a mutiny and Yang Guifei was ordered to die. - "The mother-of-pearl has fallen to the ground and no one has collected it. The emperor covered his face and could not save him. When he returned, he saw blood and tears flowing in harmony." After Yang Guifei's death, her jewelry was scattered all over the ground. Emperor Xuanzong of the Tang Dynasty wanted to save her but could not do anything. He could only cover his face and cry bitterly, exchanging blood and tears. 3. * * The Missing Part of Xuanzong ** - "The yellow dust is scattered in the wind, and the cloud stacks are winding up the Sword Pavilion. At the foot of Mount Emei, few people walked. The flags were dim and the sun was thin. The water of the Shu River is green and green, and the mountains are green. The Lord is in love day and night. The moon in the palace is sad, and the bell in the night rain is heartbroken." It described the desolate scene of Emperor Xuanzong of the Tang Dynasty on his way to Shu. He missed Yang Guifei very much. When he saw the mountains and rivers of Shu, he would be moved by the scenery. When he heard the bell of the palace, he would be heartbroken. - "The world is spinning and the dragon is returning. In the mud at the foot of Mawei Slope, I can't see where Yuyan died. The monarch and his subjects looked at each other and wet their clothes. They looked east at the capital gate and believed that the horse would return." After the rebellion was quelled, Emperor Xuanzong of the Tang Dynasty returned to Chang 'an. When he passed by Mawei Slope, he was still nostalgic. On the way back to the palace, he was also lost. - "Return to the pool garden is still the same, too liquid hibiscus Weiyang willow. Hibiscus like face, willow like eyebrows, how can this not shed tears? Peach and plum blossoms bloom in the spring breeze, and the leaves of the parasol tree fall in the autumn rain. There are many autumn grasses in the south of the West Palace, and the fallen leaves on the steps are red and not swept away. The disciples of the pear garden have new white hair, and the green E of the supervisor of the pepper house is old. In the evening hall fireflies fly and think quietly, and the lonely lamp is lit up, but I can't sleep. Bells and drums have been playing for a long time, and the stars are shining in the sky. Mandarin duck tile cold frost heavy, jade quilt cold who to share. Life and death have been separated for many years, and the soul has never entered the dream." When he returned to the palace and saw the scene in the palace garden, he would think of Noble Consort Yang. The change of the four seasons could evoke his thoughts. At night, he was lonely and could not sleep. He lamented that he was separated from Noble Consort Yang in life and death. Even his soul did not enter his dreams. 4. * * Taoist priest searching part ** - "Linqiong Taoist Hongduke can use his sincerity to summon souls. In order to move the king's wandering thoughts, he taught the alchemist to look for it diligently. Empty the sky, control the qi, run like lightning, ascend to the sky, enter the earth, search everywhere. Up in the blue sky and down in the Yellow Springs, I can't see you in either place." Emperor Xuanzong of the Tang Dynasty found a Taoist priest to search for Yang Guifei's soul because he missed her too much. The Taoist priest searched everywhere. - "I suddenly heard that there was an immortal mountain on the sea. The pavilion is exquisite and beautiful, and there are many fairies in it. Among them, there was a man named Taizhen, with snow-white skin and beautiful appearance. Jin Que West Chamber knocked on the jade door, turned to teach Xiaoyu to report double success. I heard that the emperor of the Han Dynasty sent an envoy. I dreamed in Jiuhua account that my soul was frightened. Pulling up his clothes and pushing his pillow, he stood up and paced back and forth, and the pearl chaff and silver screen spread out. His hair was half-clouded, and he had just gone to bed. The crown of his flower was not neat. The wind blew the fairy's sleeves and fluttered them, just like the dance of colorful clothes. Her face was pale and lonely, and her tears dried up. A pear flower in spring brought rain. I look at the king with affection, and the sound and appearance of parting are vague. In Zhaoyang Hall, love is cut off, and the sun and moon in Penglai Palace are long. Looking back down at the world, I saw no dust in Chang 'an. I only took the old things to express my deep feelings, and put them together with the golden hairpin to send them away. The hairpin is left with a fan, and the hairpin is broken with gold and divided into mother-of-pearl. But the heart of enlightenment is as strong as gold, and heaven and earth will meet. Parting diligent re-sent words, words have vowed to know both hearts. On the seventh day of the seventh month, in the Temple of Immortals, when no one was whispering in the middle of the night. In heaven, I wish to be a pair of lovebirds, on earth, I wish to be a pair of branches. There will be an end to this forever, and this hatred will never end." The Taoist priest finally found Yang Guifei in the sea fairy mountain. She asked the Taoist priest to bring back the old thing that was used to make love with Emperor Xuanzong of Tang Dynasty to express her longing and love. The two had sworn an oath in the Longevity Palace. Finally, the poet lamented that even if there was an end to heaven and earth, the regret and longing between them would never end. * * II. Translated Version ** Emperor Ming of the Tang Dynasty loved beauty and wanted to find a peerless beauty day and night. He ruled the country for many years, but he couldn't find a satisfactory one. Yang Xuanying had a daughter who had just grown up and was very beautiful. She was born beautiful and could not be abandoned for a long time. One day, she would be chosen to be the emperor's concubine. When she looked back and smiled, she was charming in all kinds of poses, and all the concubines in the six palaces were overshadowed. In the chilly spring, the Emperor gave her a bath in the Huaqing Pool, which was moist and cleansed her cream-like muscles. The maid helped her up, like a lotus out of the water, weak and graceful. When she first received the emperor's grace, she was so delicate. Her hair was like clouds, her face was like flowers, and she wore a golden buyao on her head. In the hibiscus tent, she spent a warm spring night with the emperor. Love deep spring night hate too short, sleep until the sun rises; The king loved his children deeply and never went to court early again. Accept your joy to accompany you to drink, accompany you all day long without leisure time; Spring from spring outing night dedicated to guard, both body and shadow are not separated. There were 3,000 concubines in the harem, all of whom looked like goddesses. 3,000 beauties were not moved, but the emperor only doted on her. In the golden house, Ah Jiao's makeup is finished, and every night she is always there. In the jade tower, after the banquet, drunkenness is accompanied by love. The sisters were granted the title of madam and the brothers were granted the title of gongqing, and the fief was rewarded. The Yang family's door was glorious, making people envy and yearn for it. It caused all the parents in the world to change their wishes. Everyone looked down on having a boy and only wanted to have a little daughter. Huaqing Palace at the northern foot of Mount Li, where the jade palace and Qionglou tower are towering into the clouds, where the breeze blows and the fairy music is heard in all directions. Light songs and slow dances are often in sync, and the melodies of orchestras are vivid. The king watched all day long, and his desire was endless. Suddenly the drums of Yuyang sounded, shaking the sky and shaking the palace. The dancing geisha were frightened and stopped playing the song of Nishang Feather. The nine towers and palaces were filled with flames and smoke. Thousands of troops protected the king and fled southwest. The Cuihua Dragon Flag waved all the way, and the team walked and stopped. They traveled a hundred miles west of the capital and arrived at Mawei Pavilion, a post station. The six armies of the Dragon Martial Army and the Yulin Royal Guards had no choice but to leave, and the beauty who had been wronged finally lost her life in front of the horse. The ornaments on the imperial concubine's head were scattered all over the ground, and no one asked about them. The jade hair of the imperial concubine was green and golden, and the precious headdress was one by one. The king's love could not save him, so he covered his face and cried like a tearful man. Looking back at this tragic situation, blood and tears mixed with tears. The autumn wind swept away the fallen leaves, the dust had disappeared, and the team climbed the boardwalk. The road at the foot of Emei Mountain is dangerous and narrow. The road to Shu is difficult and few people can walk. The flags are dark and dull. The sun is faint and close to dusk. The vast Shu River is green, and the towering Shushan Mountain is green. The Holy Lord misses the Imperial Concubine sadly, and loves the old feelings day and night. When I see the moonlight in the palace, I am always sad and resentful. In the rain at night, I hear the sound of bells, and the music is sad. The world spun and the war was over. The king drove back to the capital. When he arrived at Mawei, he hesitated and could not bear to leave the heartbroken man. Under the luxuriant hillside of Mawei Mountain, desolate yellow soil. Finally, the Taoist priest found Yang Guifei, who expressed her longing and love for Emperor Xuanzong of the Tang Dynasty. They had vowed to be lovebirds in heaven and to be connected branches on earth, but even if there was an end to heaven and earth, the regret and longing between them would never end. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!