Those sentences of the Song of Everlasting Regret express the infatuation of the imperial concubine
In the Song of Everlasting Regret,"I look at the king with affection, and the sound and appearance of parting are both vague." In Zhaoyang Hall, love is cut off, and the sun and moon in Penglai Palace are long. Looking back down at the world, I saw no dust in Chang 'an. I only took the old things to express my deep feelings, and put them together with the golden hairpin to send them away. The hairpin is left with a fan, and the hairpin is broken with gold and divided into mother-of-pearl. But the heart of enlightenment is as strong as gold, and heaven and earth will meet. Parting diligent re-sent words, words have vowed to know both hearts. On the seventh day of the seventh lunar month, in the middle of the night when no one is whispering in the Longevity Palace." These sentences showed the deep love of the imperial concubine for Tang Xuanzong. Although the Imperial Concubine was in the Penglai Immortal Realm, she was separated from Emperor Xuanzong of the Tang Dynasty. She thanked the emperor affectionately. Although the love was broken, she still could not forget the old feelings. She expressed her deep feelings by sending old things (the golden hairpin) and recalled the vows of love. These all reflected the Imperial Concubine's infatuation. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret Song of Everlasting Regret Pinyin
Song of Everlasting Regret was written in Pinyin as cháng hèn g. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Understanding the Good Words and Sentences in the Song of Everlasting Regret
There were many good words and sentences in the Song of Everlasting Sorrow. The following are some of the words and their understanding: ** 1." Looking back and smiling, a hundred charms are born, and the six palaces have no color."** 1. ** literal understanding ** - "Looking back" meant looking back. Noble Consort Yang turned her head and smiled, giving birth to all kinds of charming gestures. "Liugong Fandai" referred to the many concubines in the harem."Colourless" meant that they were overshadowed by Noble Consort Yang's beauty. 2. ** Deep meaning ** - These two sentences exaggerated Yang Guifei's stunning beauty through comparison. With the six palaces as a foil, Yang Guifei's unique position in the eyes of Emperor Xuanzong of the Tang Dynasty was highlighted, laying the foreshadowing for Emperor Xuanzong's special favor for her and the series of stories that were triggered by it. ** 2."In the cold spring, I will bathe in the Huaqing Pool, and the hot spring will wash away the coagulated fat."** 1. ** literal understanding ** - In the chilly spring, Emperor Xuanzong of the Tang Dynasty gave Yang Guifei a bath in Huaqing Pool. The hot spring of Huaqing Pool was smooth and moist, washing Yang Guifei's creamy skin. The word " coagulated " described the smooth and delicate skin, like solidified oil. 2. ** Deep meaning ** - These two sentences depicted the love Emperor Xuanzong of the Tang Dynasty had for Yang Guifei. He even took care of the details of life such as bathing. At the same time, the location of Huaqing Pool also had a special significance. It was one of the places where Emperor Xuanzong and Yang Guifei enjoyed themselves, reflecting their luxurious palace life. ** 3." There are 3,000 beauties in the harem, and 3,000 dotes are on one person."** 1. ** literal understanding ** - There were many concubines in the harem, numbering as many as 3,000, but all of Emperor Xuanzong's love was concentrated on Concubine Yang. 2. ** Deep meaning ** - Using the comparison of numbers, he emphasized the loyalty of Emperor Xuanzong to Yang Guifei. This kind of devotion was relatively rare among feudal emperors, and it also hinted at the political and social impact that this kind of devotion might bring, such as " sisters and brothers are all in the land, poor glory is born in the family." Therefore, the hearts of all parents in the world, not to give birth to a man, but to give birth to a woman. The Yang family was extremely powerful because of Yang Guifei's favor. ** 4." The palace looks sad when it sees the moon, and the sound of the bell in the night rain breaks my heart." 1. ** literal understanding ** - In the palace where Emperor Xuanzong of the Tang Dynasty took refuge, the moon was a sad color when he saw it. At night, when he heard the sound of the rain bell, his heart was as sad as a broken liver. 2. ** Deep meaning ** - These two sentences vividly depicted the grief of Emperor Xuanzong of the Tang Dynasty after the death of Yang Guifei. The two images of " moon " and " bell " were endowed with sad emotional colors. The moon was no longer the ordinary moon, and the bell was no longer the ordinary sound. Instead, it was the medium that triggered Emperor Xuanzong's longing and grief for Yang Guifei, reflecting his deep attachment and the pain after losing his lover. "In heaven I wish to be lovebirds, on earth I wish to be twigs." There will be an end to eternity, and this hatred will last forever." 1. ** literal understanding ** - In the sky, they hoped to become birds flying together, and on the ground, they hoped to become connected branches. However, there would be an end to the world, but this regret and regret would never stop. "Lovebirds" and "connected branches" were beautiful things that symbolized love. 2. ** Deep meaning ** - These few lines were the ending of the Song of Everlasting Sorrow. The first two lines expressed the good wishes of Emperor Xuanzong and Yang Guifei for love. Even if they went through life and death, they hoped to be together forever. The last two sentences emphasized the regret of not being able to fulfill this love through comparison. " There will be an end to eternity " in Lao Tzu. It used the saying " eternity " in Lao Tzu to set off the " endless regret ", which made Li Yang's love tragedy more profound and made the readers feel endless melancholy and regret. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret, the meaning of Everlasting Regret
In Bai Juyi's Song of Everlasting Regret,"Everlasting Regret" had many meanings. From the perspective of love, the regret and long-term longing caused by the love tragedy between Emperor Ming of Tang and Yang Guifei was part of the "eternal regret". They once had a beautiful love, but because of the An Lushan Rebellion and many other factors, Yang Guifei died. Emperor Ming of Tang still had deep thoughts of her after her death." As time goes by, this hatred will never end." This kind of loss of love and endless longing was " eternal hatred." From a historical point of view, Emperor Ming of the Tang Dynasty misled the country because of his emphasis on women, which led to chaos in the world. He himself also declined from a prosperous emperor. This kind of decline in politics and history and the regret of losing his past glory were also the meaning of "eternal regret". In Wang Anyi's novel Song of Everlasting Sorrow," hate " was reflected in the protagonist Wang Qiyao's ups and downs in the changing times. She experienced setbacks in love and ups and downs in life. She had regrets and resentment for the impermanence of fate in her heart. This kind of emotion produced by the interweaving of personal fate and the background of the times could also be regarded as a kind of " eternal hate." The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Why is the song of everlasting regret everlasting regret?
The understanding of 'everlasting regret' in 'Song of Everlasting Sorrow' was reflected in different versions of the song. In Bai Juyi's long narrative poem, Song of Everlasting Regret,"Everlasting Regret" was mainly reflected in the endless remorse and regret caused by the love tragedy between Emperor Ming of Tang Dynasty and Yang Guifei. Emperor Ming of the Tang Dynasty favored Yang Guifei and neglected the government, causing chaos in the world. Yang Guifei died on Mawei Slope. After that, Emperor Ming of the Tang Dynasty missed Yang Guifei very much." As time goes by, this hatred will never end." This hatred stemmed from their love being ruthlessly destroyed by politics, war, and other factors. The former love and beautiful memories formed a strong contrast with the separation of life and death in reality, resulting in a long-term, irreconcilable hatred and regret. In Wang Anyi's novel, Song of Everlasting Sorrow," hate " was more reflected in the fate of the protagonist, Wang Qiyao. Wang Qiyao walked out of the alley and experienced her relationship with Director Li, who was separated by Yin and Yang after the plane crash, and then her emotional entanglement with Uncle Mao Mao, who escaped responsibility after she became pregnant. She had painstakingly raised her daughter and suffered setbacks in the ups and downs of fate. Her expectations for life were constantly misaligned with reality. This kind of unwillingness and regret towards the impermanence of fate could also be understood as a kind of "eternal hatred". The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret, meaning of Everlasting Regret
The "everlasting regret" in the Song of Everlasting Sorrow contained Emperor Tang's endless longing and regret for Yang Yuhuan. From the development of their love story, Tang Minghuang's love for Yang Yuhuan was complicated. There was a big age gap between them, and Yang Yuhuan was originally the concubine of King Shou, Li Mao, who was later brought into the palace by Emperor Ming of Tang Dynasty. Because Emperor Ming of the Tang Dynasty doted on her and rewarded her indiscriminately, it led to the corruption of the government and the Anshi Rebellion. During the Mawei Slope rebellion, Emperor Ming of Tang abandoned Yang Guifei to protect the country. After that, he lost his political power and was granted the title of Retired Emperor with limited personal freedom. He had gradually fallen from a king who had achieved the achievements of Kaiyuan to a state where he had lost his country and family, and his movements were restricted. The word "hate" here was not just love, but also mixed with the emotions of "regret" and "regret". "Everlasting Regret" reflected the love tragedy between the two of them, and Bai Juyi wrote "Song of Everlasting Regret" to warn the future monarch through this regret of Emperor Ming of the Tang Dynasty not to have similar love tragedies happen again. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
The Song of Everlasting Regret is a sentence describing Emperor Xuanzong of the Tang Dynasty missing the imperial concubine.
In the Song of Everlasting Sorrow, the sentences describing Emperor Xuanzong's longing for Concubine Yang were: " Up to the sky and down to the Yellow Spring, both are nowhere to be seen ", depicting the despair and pain of Emperor Xuanzong's search for Concubine Yang everywhere in the sky and on the ground, which deeply expressed his longing for Concubine Yang. There was also the sentence: " In heaven, I would like to be a pair of lovebirds, on earth, I would like to be a pair of branches ", which could also reflect Emperor Xuanzong's deep affection for Concubine Yang and his longing for Concubine Yang. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
The Rhetoric Techniques Used in the Famous Sentences in the Song of Everlasting Regret
The famous line in Song of Everlasting Sorrow used many rhetorical devices: - " Looking back with a smile, all the concubines in the Six Palaces are colorless." Using exaggerated rhetoric, by describing the coquettishness of Yang Guifei looking back with a smile, the concubines in the Six Palaces were overshadowed, and Yang Guifei's beauty was extremely highlighted. - "The mandarin duck tiles are cold and frosty, and the jade quilt is cold. Who will share it with you?" The rhetorical device was used to express the loneliness of the frosted mandarin duck tiles and the cold jadeite quilt. - " Her face is lonely and her tears are dry. A pear flower in spring brings rain." She used a metaphor to describe Yang Guifei's lonely and sad face with tears as a pear flower in spring, vividly depicting her poignant and beautiful image. - " In heaven, we are willing to be lovebirds, and on earth, we are willing to be connected branches." The rhetoric technique of antithesis was used. The sentences were neat, expressing the beautiful wishes of Emperor Xuanzong and Yang Guifei for love. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
How many sentences are there in the original text of the Song of Everlasting Regret?
Song of Everlasting Sorrow had a total of 60 lines. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Is there a song for the song of everlasting regret?
Yes. For example, Qin Mo and Qian Xian's ancient style original music team created an ancient style original song called " Song of Everlasting Sorrow," Ke Jierui sang an ancient and China style song called " Song of Everlasting Sorrow," and Bai Juyi's " Song of Everlasting Sorrow " was used as a blueprint for the oratorio. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret
Song of Everlasting Regret was a long narrative poem written by Bai Juyi in the Tang Dynasty. It described the love story between Emperor Xuanzong of the Tang Dynasty and Yang Yuhuan. There are a total of 59 poems, including the preface, chapter 1, chapter 2, chapter 3, chapter 4, chapter 5, chapter 6, chapter 7, chapter 8, chapter 9, chapter 10, chapter 11, chapter 12, chapter 13, chapter 14, chapter 15, chapter 16, chapter 17, chapter 18, chapter 19, chapter 20, chapter 21, chapter 22, chapter 23, chapter 24, chapter 25, chapter 26, chapter 27, chapter 28. Chapter 29, Chapter 30, Chapter 31, Chapter 32, Chapter 33, Chapter 34, Chapter 35, Chapter 36, Chapter 37, Chapter 38, Chapter 39, Chapter 40, Chapter 41, Chapter 42, Chapter 43, Chapter 44, Chapter 45, Chapter 46, Chapter 47, Chapter 48, Chapter 49, Chapter 50, Chapter 51, Chapter 52, Chapter 53 Chapter 54, Chapter 55, Chapter 56, Chapter 57, Chapter 58, Chapter 59, Chapter 60, Chapter 61, Chapter 62, Chapter 63, Chapter 64, Chapter 65, Chapter 66, Chapter 67, Chapter 68, Chapter 69, Chapter 70, Chapter 71, Chapter 72, Chapter 73, Chapter 74, Chapter 75, Chapter 76, Chapter 77, Chapter 78 Chapter 79, Chapter 80, Chapter 81, Chapter 82, Chapter 83, Chapter 84, Chapter 85, Chapter 86, Chapter 87, Chapter 88, Chapter 89, Chapter 90, Chapter 91, Chapter 92, Chapter 93, Chapter 94, Chapter 95, Chapter 96, Chapter 97, Chapter 100, Chapter 100 Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100, Chapter 100