The courtyard's shadow wall, auspicious size
Under normal circumstances, the height of the screen wall should be more than 1.8 meters, and its length should be able to block the doors and windows. In addition, it was more appropriate for size width to height ratio of the screen wall to be 16:9 or 4:3. It was determined according to the visual ratio that was more comfortable for humans. The width should be close to the door. It could not be too wide or too narrow. If it was too narrow, it would seem stingy. " Palace Wall Flower Shadow: The Legendary Life of the Mute Embroidery Girl " was equally exciting. Everyone was welcome to click and read it!
The auspicious size of the altar table
There were some different theories about the auspicious size of the altar table. According to document 1 and document 2, the best height between the platform and the ground was 1688mm, and the height did not exceed the door. The Guanyin tablet was higher than the God of Wealth tablet, with a height of 2218mm from the ground, which could exceed the height of the door. However, document 3 mentioned that there was no conclusion at the moment, and the size of the offering table was determined according to the size of the Buddha statue. In document 4, it was mentioned that the width of the ready-made Divine Stages was mostly 2 feet 2, 2 feet 9, 3 feet 5, 4 feet 2, and the length was more uniform. In document 5, it was mentioned that the height of an offering table should be about 1.2 meters, the width should be about 0.5 meters, and the length should be about 1.8 meters. However, it also depended on personal preference and spatial layout. In summary, there was no clear standard for the auspicious size of the altar table. It could be determined according to personal preference, the size of the Buddha statue, and the spatial layout.
Ten Auspicious Flowers in the Courtyard
The ten auspicious flowers in the courtyard included rich bamboo, osmanthus tree, jujube tree, orange tree, longevity flower, pomegranate, begonia, plum blossom, gardenia, and peony. These flowers and trees all had auspicious meanings. For example, the rich bamboo symbolized wealth and peace, the osmanthus tree symbolized the help of nobles and the arrival of nobility, the jujube tree symbolized the prosperity of the family and the prosperity of the population, and the orange tree symbolized good luck and the accumulation of wealth. Other flowers and trees such as longevity flowers, pomegranate, begonia, plum blossoms, gardenia, and peonies also had auspicious meanings. These flowers and trees could be planted in the courtyard to bring good luck and beautiful scenery to the home.
Screen wall, screen wall, courtyard
The screen wall, also known as the screen wall, was an important component of the courtyard house. Siheyuan's screen wall could be divided into the screen wall inside the courtyard and the screen wall outside the courtyard (in ancient times, the screen wall outside the courtyard was called the screen wall). Most of the screen walls outside the courtyard were brick screen walls. The style and materials were not as rich as those of the Gong residence and temples. Although it could not make the courtyard private, it could shield the owner from the dirty and messy environment opposite the door. There were many forms of shadow walls in the courtyard. If the courtyard door was in the southeast corner, when entering the gate facing the east wing room, the brick shadow wall with the wall seat, wall body and wall top built close to the wall was called independent shadow wall; the wall with the help of the wall body was called Sitting Mountain Shadow Wall. The independent screen wall may be a hard-core screen wall, such as a crabapple box in the center, with five bats surrounding the "Fu" character. The four corners of the wall were "fork corners" and the wall seats were built into the shadow walls of the Sumeru Seat. The Sitting Mountain Shadow Wall might only have one wall center, with a regular brick frame, large square bricks with slanted surfaces, and flower brick carvings at the corners. The central crabapple box had peonies, cranes, mountain rocks, etc.(Peonies symbolized wealth, cranes symbolized longevity, and mountain rocks symbolized eternity). There was also a soft-hearted Sitting Mountain Shadow Wall with only one wall cap. The center of the wall was painted with white ash and auspicious characters such as "Fu" and "Auspicious" were written. This was more common in small Siheyuan. Judging from the historical development of the courtyard, its shadow wall started from the Yuan Dynasty. At first, each family set up a small wall at the door of their house for the president to paste the punishment form for violating the rules. Later, it gradually developed practical functions such as blocking and setting boundaries, and was preserved as an accessory of the building. Siheyuan could be roughly divided into three types according to the size: big Sihe, middle Sihe, and small Sihe. The form and exquisiteness of the screen wall in different Siheyuan of different sizes may be different. The brick carvings on the screen wall were mostly auspicious eulogies, such as crane and deer in spring, pine and crane in spring, lotus and peony, pine, bamboo and plum in winter, happiness, wealth and longevity, etc. The screen wall at the entrance of the courtyard played the role of the clouds and the moon, and it also had a certain connection with the feng shui culture of the courtyard. "Palace Wall Flower Shadow: The Legendary Life of the Mute Embroidery Girl" was equally exciting. Everyone was welcome to click and read it!
Modern courtyard wall
The modern courtyard wall was the embodiment of traditional China architectural elements in modern courtyards. In terms of functionality, it still retained some of its traditional functions. On the one hand, it blocked the view and protected privacy. It separated the inner space of the courtyard from the outside world and prevented outsiders from seeing the situation in the courtyard directly. On the other hand, while the concept of Feng Shui culture still had a certain influence, it was believed to be able to adjust the airflow and block the so-called "evil spirit" to meet the requirements of some people for courtyard Feng Shui. In terms of architectural features, the wall could be made of a variety of materials. For example, stone (like granite) stone carving walls were more common. The structure might be a stand-alone double-sided building with front and back sides and double-sided decorations. From a decorative point of view, the decorative patterns on the wall of the modern courtyard were rich and varied. Common patterns symbolized good luck, such as the five blessings, welcoming pine, rising sun, etc. These patterns not only contained beautiful meanings, but also added to the cultural atmosphere and artistic sense of the courtyard. The reflection wall could also be processed with various techniques, such as engraving deep embossed, hollowed-out carvings, brick carvings, gold carvings, old carvings, colored paintings, etc., to meet different aesthetic needs. In terms of type, it could be divided into three types: inside the door, outside the door, and on both sides of the door. There was a certain distance between the wall inside the door and the main door. Together with the gatehouse, they formed an entrance node to guide the space conversion. There was also a certain distance between the wall outside the door and the main door. In front of a large-scale building complex, it could increase the momentum of the building complex. In front of a small-scale residential building, it could also meet the needs of feng shui. The wall on the side of the door was located on one side or both sides of the main door. In terms of cost, the cost of different materials, craftsmanship, and scale of the screen wall varied greatly. Some of them might require a higher cost (as mentioned before, the customer was told by the feng shui master that the screen wall needed 300,000 yuan). If you choose the right source factory to purchase materials or customize, you can reduce the cost while ensuring the quality. "Palace Wall Flower Shadow: The Legendary Life of the Mute Embroidery Girl" was equally exciting. Everyone was welcome to click and read it!
Auspicious colors fill the courtyard with red couplets
The Full House Couplet of Auspicious Colors was a common couplet for moving into a new house. The first part of this couplet was "Auspicious colors fill the courtyard", and the second part was "Full house red". This couplet implied that the new residence was full of luck and happiness, indicating the prosperity and prosperity of the family. This couplet could be used in the celebration of moving into a new house, or it could be used to decorate the door couplet or horizontal script of the new house.
Hokkaido Green Plant Courtyard Wall
The Hokkaido boxwood was a plant that was very suitable for making green courtyard walls. It was an evergreen plant that was cold and heat-resistant. It had good drought resistance and did not have high requirements for soil. It was very adaptable and was mostly planted north of the Yangtze River basin. It liked light and was more resistant to shade. It grew fast, had good resistance, and could absorb harmful gases. It was often used as a fence in gardens to block and protect. It could grow up to about six meters. When building the Hokkaido boxwood garden wall, the height of the plants could be designed according to actual needs. Generally, 1.6 to 1.8 meters was suitable, and the width should be at least 30 centimeters. The denser the plants, the better the effect. At the same time, for safety and beauty, a thin layer of wire mesh could be added to the fence. The novel " Winter in Hokkaido " is equally exciting. Everyone is welcome to click and read it!
The size of the background wall of Fuchun Mountain Residence
There was a painting called " Residence in Fuchun Mountain " that was suitable for the wall of 2 - 3 meters, and its size was 170*60CM. There was also a painting called " Residence in Fuchun Mountain " that was used for the decoration of the living room and hung on the wall of the Chinese sofa, and its size was 240*90CM. There was also a painting called " Residence in Fuchun Mountain " that was used for the study room. The smallest size was 31.5* 100 cm, and the largest size was 60*200cm. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Similar to the novel recommendation of the red wall courtyard
" Little Red Wall Yard " is a popular novel. If you like this type of story, I can recommend a few similar novels to you. " The Story of the Redwall Courtyard " was a recommendation. It told the story of an intern, and in it, the relationship between a doctor and his friend developed. In addition, Inside and Outside the Red Wall was a similar story. It was a story about a wealthy family in the city, involving sadomasochistic love, love fights, business fights, official fights, and so on. I hope these recommendations will satisfy your reading needs.
Why does the size of the shadow change?
The size of the shadow changed because of the position and angle of the light source. When the light source is far away from the object, the shadow produced is larger; when the light source is closer to the object, the shadow produced is smaller. In addition, the angle of the light source would also affect the size of the shadow. For example, when the light source shines on an object vertically, the shadow will become smaller; when the light source shines on the object at an oblique angle, the shadow will become larger or smaller. Therefore, the size of the shadow depended on the position, angle, and distance of the object from the light source.
Red wall and bamboo shadow
The red walls and bamboo shadows were a part of Chengdu's Temple of Marquis Wu. The red walls here were built around Liu Bei's mausoleum, winding and forming a three to four meter wide walkway between the two red walls. There were large bamboos towering along the walkway, much higher than the red wall. On sunny days, the sun shone through the bamboo forest and shone on the red wall. The bamboo shadows swayed, looking beautiful and pure. On rainy days, the bamboo leaves dripping with rain and the dark red wall were also the ideal background for photos. The combination of red and green was full of charm. The red walls and bamboo shadows formed a winding passage. The sunlight formed mottled shadows through the bamboo forest. The green bamboo swayed, and the red walls stood quietly. The movement was appropriate, just like a time tunnel. This place was an online tourist attraction that tourists competed to take photos of. It often appeared in the works of photographers and the circle of tourists 'friends. It was also the scene in Chengdu's tourism promotional videos. The Temple of Marquis Wu was the only temple in China where the monarch and his subjects were worshiped together. It was also one of the first batch of key cultural relics to be protected in the country. It was even quieter when there were fewer people inside. In addition, there were also creative products designed with red walls and bamboo shadows as the background. " Palace Wall Flower Shadow: The Legendary Life of the Mute Embroidery Girl " was equally exciting. Everyone was welcome to click and read it!