The first two sentences of " The Four Wonders of the West Lake at Night " depicted a picture of the West Lake on a moonlit night. The wild cattail grass was boundless, the lake was vast, the lotus flowers bloomed at night, and the breeze carried the fragrance of the wind and dew. This place displayed the vastness and tranquility of West Lake at night. The lotus flowers in the lake emitted a fragrance, creating an intoxicating atmosphere. In the last two sentences," gradually seeing the lights and leaving the distant temple " depicted the poet seeing the distant temple gradually lighting up when he was boating." Gradually " and " out " reflected that the boat was moving. " Waiting for the moon to be dark to see the lake's light " was the poet's wish to wait until the moon had set and the sky had turned dark to appreciate the lake's light. This phenomenon was full of reason and interest. In the seemingly simple expression of anticipation for the scenery, it revealed a philosophical realm. The whole poem was closely related to the word "night". It not only described the scenery of West Lake on a moonlit night, but also involved the scenery of West Lake at night. In the description of the night scenery of West Lake, it reflected the poet's love for natural beauty and positive attitude towards life. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
"Five Wonders of the West Lake at Night, the Fourth" Song·Su Shi Wild rice and cattail grass are boundless, water is boundless, lotus flowers bloom at night, the wind and dew are fragrant. Gradually see the lamp light out of the distant temple, wait until the moon dark to see the lake light. This poem depicted the scenery of West Lake at night. The first two sentences outlined the vastness of West Lake. There were wild cattails, vast lakes, and lotus flowers blooming at night, emitting the fragrance of wind and dew. The last two sentences were about the lights of the temple in the distance gradually brightening on the way, and the poet wanted to wait until the moon was dark to better enjoy the lake. The whole poem closely follows the word "night", showing the different scenery of West Lake on a moonlit night and at night, reflecting the poet's love for the night view of West Lake, his love for the natural beauty and his positive attitude towards life. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Su Shi's "Huanxi Sand·You Qi Shui Qingquan Temple" is a poem full of reason and interest. The first half of the poem depicted the beautiful scenery of Qingquan Temple." The orchid buds at the foot of the mountain are short and soaked in the stream, the sandy road among the pines is clean and muddy, and the chirping of the cuckoo in the evening rain." It described the cuteness of the orchid buds, the freshness of the sandy road after the rain, and the tranquility under the contrast of the birds. The second half of the poem contained profound philosophical thoughts about life." Who says that life is endless? The flowing water before the gate can still flow westward! Don't sing the yellow rooster with your white hair."The poet used the stream flowing westward in front of the door as a metaphor to express that although life will experience the passage of time, it can still maintain a positive and aggressive spirit, and there is no need to sigh about time in old age.
Huanxi Sand was a poem written by Su Shi. This poem mainly described the beautiful scenery and philosophy of life in different situations. We can see that Su Shi created many poems of Huanxi Sand, including "Huanxi Sand·Rustling Clothes and Turban Falling Date Flower","Huanxi Sand·Visiting Qingquan Temple in Qishui","Huanxi Sand·Dragon Boat Festival" and so on. These works all showed Su Shi's exquisite description ability and profound thinking. The characteristics of Huanxi Sand were fresh and simple, vivid and true. It expressed the author's feelings and thoughts through the description of natural scenery and life philosophy. Su Shi was a writer in the Northern Song Dynasty. His works were widely praised and he was known as a literary master.
Su Shi (1037 - 1101), also known as Zizhan and Dongli, was a writer, painter, politician and famous poet in the Northern Song Dynasty. His poems were bold, unrestrained, and full of emotion. His representative works included "Ode to the Red Cliff" and "Shuidiao Letou". His poetry style was unique, and he often used metaphor, symbolism, contrast and other techniques to express profound philosophy and feelings. Su Shi also had outstanding achievements in literature, calligraphy, painting, and other aspects. His paintings were known as one of the "Four Scholars of Su School" and were famous for their landscape paintings. His calligraphy style was unique and he was good at official script. He was known as a calligraphy master who was "after Wen Su and before Yan Lu". Su Shi was an outstanding writer and artist. His works had a profound influence on Chinese literature and culture.
Su Shi (1037 - 1101) was a famous writer, calligrapher, and painter in the Northern Song Dynasty. His representative works included "Ode to the Red Cliff" and "Water Melody·When Will the Bright Moon Appear".
Su Shi was a famous writer, calligrapher, and painter in Chinese history. His poems were bold, unrestrained, fresh, and natural. He was known as one of the "Four Scholars of Su School". Below is a poem written by Su Shi: Red Cliff Memories The waves of the Great River East washed away all the heroes of the ages. The people on the west side of the old camp said that it was the Red Cliff of Zhou Lang of the Three Kingdoms. Rocks pierced through the sky and waves crashed against the shore, rolling up thousands of piles of snow. How many heroes were there in a time when the landscape was as picturesque as a painting? Thinking back to the time when Gong Jin married Xiao Qiao, she was handsome and handsome. With feathered fans and turbans, they laugh and laugh, and their oars turn into ashes.
Su Shi was a writer, calligrapher, painter, and politician in the Northern Song Dynasty. His representative works included "Ode to the Red Cliff" and "Water Melody·When Will the Bright Moon Appear".
The poem in Su Shi's Begonia was: " The east wind curled up and suffused the light, and the fragrant fog covered the moon in the air. I'm afraid the flowers will fall asleep in the middle of the night, so I burn high candles to illuminate my red makeup."
Su Shi's poems included "When will the bright moon appear?" in "Shuidiao Ge Tou","When will the bright moon appear? I ask the blue sky with wine" and "Three or two peach blossoms outside the bamboo, the duck in the spring river is warm and prophetic". In addition, Su Shi also had many other classic poems, such as "The water glows and the sun shines well, and the mountains are also strange in the rain" in "Drinking on the Lake, Drinking Dongpo at Night, Waking up and Getting Drunk","The boat will pass away from here, and the river and sea will send the rest of my life". Su Shi's poems were full of bold and unconstrained, fresh style, showing his outstanding literary talent.
Su Shi was a writer, calligrapher, painter, politician, and poet of the Song Dynasty. His poems covered a wide range of life philosophy, natural scenery, historical events, political struggles, and other aspects. He was known as one of the "Four Scholars of Sumen". His representative works include Shuidiao Getou, When Will the Bright Moon Appear, Ode to Red Cliff, Niannujiao, Reminiscence of Red Cliff, etc. Among them,"Shuidiao Getou·When Will the Bright Moon Appear" was one of Su Shi's most famous poems and was hailed as one of the representative works of the "bold and unconstrained school". This poem expressed the poet's praise and emotion for beautiful things with the theme of admiring the moon. The poem 'When will the bright moon have wine to ask the blue sky' was even more widely circulated and became a classic. Su Shi's poetry style was vigorous, bold and unconstrained, the language was smooth and bright, and it had a strong artistic appeal and expressiveness, which was deeply respected and loved by later generations.