Dance "Dunhuang Flying Apsaras" Solo Dance Zhao Lusi
Zhao Lusi performed a dance similar to "Dunhuang Flying Apsaras" at the New Year's Eve party. She was wearing a blue and pink dress, and the golden decorations were shining under the lights. She held classical dance accessories and danced gracefully, complementing the background. She was like the flying goddess in Dunhuang murals. With her unique dance skills and expressiveness, she made classical dance glow on the modern stage. However, there were also some people who had negative comments on her performance, thinking that her dance movements, state, and overall feeling did not match the mysterious and holy qualities of Dunhuang dance. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dance Appreciation of "Flying Apsaras of Dunhuang"
The dance of flying dragons in Dunhuang has a unique artistic charm. In terms of image creation, most of the Flying Apsaras were female. They were light and graceful, and the ribbons danced as if they were flying freely in the sky. The posture and movements of the dancers strive to reproduce the charm of the flying sky in Dunhuang murals. For example, the flying sky of the Sui Dynasty has various postures, or the body is light, the long skirt is fluttering, the ribbon is flying, the movement is changeable, the bending is inclined, the soaring is not limited to one pattern; Some have thin faces, slender figures, slender waist and jade arms, some are beautiful, graceful and affectionate. In terms of the cultural roots of dance, Flying Apsaras originated from ancient Indian myths and legends, and later spread to China, occupying an important position in Chinese Buddhist art. Its birth was closely related to Buddhist culture. Flying Apsaras were responsible for offering sacrifices to heaven and man, and were responsible for tasks such as paying respects to Buddha, offering sacrifices, and flying. In terms of artistic style, her dance vocabulary was rich and varied. There was a unique style of performance in the movements, such as through unique hand gestures, posture twisting, etc. to show the sacredness and agility of flying. In addition, the dance movements of the Flying Apsaras in different periods would also develop and change. For example, the Flying Apsaras of the Sui Dynasty combined the culture of the Western Regions and the local culture of the Central Plains, presenting a unique style that connected the past and the present. In terms of costumes and props, long sleeves or long-sleeved props were often used to simulate the ribbons in the flying murals. They fluttered with the dancers 'movements, enhancing the visual effect of the dance, as if the dancers were really flying in the clouds in the murals. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
The background of the dance of flying apsaras in Dunhuang
The background of the flying dance in Dunhuang is closely related to the murals of the Mogao Grottoes in Dunhuang. The flying murals in the Mogao Grottoes in Dunhuang show the graceful and vivid image of the god of Buddhist music, symbolizing freedom, happiness and long-term happiness. These murals provided a rich source of material for the creation of flying dance. From a historical and cultural point of view, the culture of Dunhuang area flourished during the Sui and Tang Dynasties, and the image of Feitian was also an important embodiment of culture and art at that time. Flying dance creations in different periods were influenced by the social and cultural atmosphere at that time. For example, in the 20th century, China artists began to explore the culture of folk dance. The creation of the flying dance of Dunhuang was also a manifestation of the revival of traditional culture. Dai Ailian, for example, used the form of the Flying Apsaras in the Dunhuang murals as the main material, and drew on the body movements, dance steps, and long silk dance techniques of traditional opera to create the pas de deux dance Flying Apsaras. From the perspective of artistic development, modern creators hoped to revitalize the image of Flying Apsaras in Dunhuang murals in the form of dance, showing the beauty of Chinese classical dance, and constantly exploring in the process of artistic inheritance and innovation. For example, the 2008 CCTV Spring Festival Gala Dunhuang Dance "Flying Apsaras" performed by the Warrior Art Troupe of the Political Department of Guangzhou Military Region, the director used this dance to express the prosperity of China and show the beauty of Chinese classical dance through unique dance movement design. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Dance Original
The original version of Dunhuang Flying Dance was born in 1979, a large-scale national dance drama "Silk Road Flower Rain". This dance drama made the dance in Dunhuang murals come to the audience and attract the attention of the world. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Zhao Lusi Gesture Dance
On October 30th, the production team of "Pearl Curtain Jade Screen" held a troup-chasing event in Hangzhou. Zhao Lusi and all the crew members danced her new song, including Liu Yuning, Xie Keyin, Tang Xiaotian, etc. Zhao Lusi stood between the taller Liu Yuning (official height 189cm) and Tang Xiaotian, creating a large height difference. There were also some interesting interactions due to her height, such as being called a "sandwich biscuit" and "little doll." After comparing her height with Xie Keyin, she cleverly asked the staff to flash high heels to save the scene. After wearing high heels, the scene in the same frame improved. The entire interaction segment of the flip gesture dance was lively and cute, triggering a warm response from the audience. While waiting for the TV series, he could also read the exciting content related to this site!
The background music of Dunhuang Flying Dance
The background music of Dunhuang Flying Dance included Ji Shen's "Thousand Years of Prayer"(Chinese name is Thousand Years of Prayer) and so on. In addition, there were Hanikezi-"A Dream of Dunhuang"(Live), Twelve Women's Music Houses-"Dunhuang", Lin Lin-"Tang Dance of Dunhuang", Nanhai Mu-"Dunhuang"(accompaniment), Qin Yin 'er-"Dunhuang"(Harmony Version)(accompaniment), Lun Sang-"Dunhuang·Banbi Song"(accompaniment), Yu Shuiyuan-"Dunhuang", Yu Yiwu-"Flying Sky", pure music-"Great Desert Dunhuang", Pure Music-Thousand-Hand Guanyin, Women's Crystal Music Workshop-Silk Road New Song, Women's Crystal Music Workshop-Silk Road Flower Rain (Live), Women's 12 Music Workshop-Yangguan Ancient Road, Women's 12 Music Workshop-Beauty Song, Yan Yue-Dunhuang, Moon Gate Music Culture-Dunhuang, Pure Music-Dunhuang Dance, Zhao Cong-Flying Music Dance, Women's 12 Music Workshop-Mogao Grottoes, Xiaoxu's music-"Soul of the Tang Dynasty-Dunhuang", Feng Shunxian-"Rainbow Feathers", Xu Jingqing-"Dance of the Crane Fairy", 12 Women's Music Studios-"Yadan Fairy", Xiaoxu's music-"Eight Dragons-Dunhuang", pure music-"Lone Desert Smoke", etc. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Apsaras
Dunhuang Flying Apsaras originated from Dunhuang culture and were an important artistic image in Dunhuang murals. From the point of view of artistic creation, the dance program "Dunhuang·Flying Sky" was adapted from the original dance drama "Dunhuang" arranged by the Central Ballet Troupe. The director Fei Bo went to Dunhuang to collect wind in 2012 and was touched by the watchmen of Dunhuang, and then drew from the story of Dunhuang. There are generations of watchmen in Dunhuang, such as Chang Shuhong, the first president of the Dunhuang Research Institute, who gave up the opportunity to study in France in the 1940s and came to Dunhuang to protect Dunhuang art; Duan Wenjie, the second president, spent half of his life copying more than 300 Dunhuang works; Fan Jinshi, the third president, took root in the desert, carried out grotto archaeological research and innovative management, and built "Digital Dunhuang". The dedication and perseverance of these Dunhuang people became the source of creation, and their stories were condensed into related works. The dance drama "Dunhuang" was revised by the Central Ballet Troupe for 28 drafts and took 7 years to prepare. The main creative team experienced the life of Dunhuang people for 3 months. The dancers used their limbs to pursue the oriental lines. Its picture modeling was based on the real painting environment and situation design of Dunhuang Mogao Grottoes. For example, the "lotus" shape symbolized the spiritual character of Dunhuang people such as noble and clean. The art of flying in Dunhuang had a deep cultural foundation. It was a part of China traditional culture and reflected the aesthetic concept of ancient China art. The flying goddesses in the murals were beautiful, their clothes fluttering, their movements light and elegant, their clothes gorgeous, and their ribbons were agile. Their images were extraordinary and elegant, conveying the freedom and elegance of the spirit, becoming a wonderful symbol in China culture. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Apsaras
The Dunhuang Flying Fairy Portrait was a type of portrait with a unique charm. As an important town on the Silk Road and a holy land of Buddhist culture, Dunhuang's flying image was the most dazzling existence in Dunhuang murals, especially the murals related to the Tang Dynasty. Today, Dunhuang Flying Sky Portrait is very popular. In the photo shoot, it would involve clothing selection, makeup, and other aspects. For example, men would choose suitable clothes to present a feminine style when shooting Dunhuang Flying Flying Pictures. For example, Wang Churan's portrait of the Dunhuang Goddess. She was wearing a pink elegant long dress, holding a lute, her hair tied up high, and her eyes were red. She was so beautiful that she could not be compared to others. During the shooting process, the photographer would instruct the photographer to pose in various poses. Although some poses might make people feel uncomfortable, they could still produce good results. At the same time, there were many places that could create a realistic flying experience for tourists, providing gorgeous clothing and dazzling accessories, allowing people to instantly transform into fairies in murals. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
The Flying Apsaras of Dunhuang
"Dunhuang Flying Apsaras" was a bright pearl in the treasure house of Chinese culture and art. It originated from India and spread to China with Buddhism. It was vividly displayed and developed in Dunhuang. In terms of artistic style, it combined the essence of Indian culture, Western culture, and Central Plains culture. From the Sixteen Kingdoms to the Northern Wei Dynasty, they were deeply influenced by India and the Western Region, and had a strong Western Region style. From the Western Wei Dynasty to the Sui Dynasty, they gradually integrated the cultural elements of the Central Plains, forming a combination of Chinese and Western styles. At the peak of the Tang Dynasty, the images were more vivid and varied, reflecting the open and tolerant cultural atmosphere and prosperous social scene of the Tang Dynasty. The image of the Flying Heavens either soared above the Buddhist altar or floated between the Buddhist caves. It was like a Buddhist messenger conveying the sacred and beautiful meaning. It had both the solemnity and mystery of Buddhism and the elegance and agility of Taoism, showing the unique beauty of cultural integration. Its shape was light and elegant, and it had a myriad of postures. It wore a colorful robe and held a colorful flag or a magical artifact to fly freely in the air. The painter used rich expression techniques and delicate lines to outline the outline of the posture, making the picture full of movement and vitality. In modern art and culture, it also occupied an important position. Many artists and designers drew inspiration from it to create works, inheriting its artistic essence and giving it a new era of meaning and artistic value. At the same time, it was also an important business card for China culture to go global. In addition, there was also a dance program in the 2019 Central Radio and Television Station Spring Festival Gala named after "Dunhuang Flying Sky". The program was adapted from the original dance drama "Dunhuang" arranged by the Central Ballet Troupe. It was starred by Luna, Qiu Yunting, Wang Jiyu, etc. Fei Bo and Wang Qi were the editors and directors. They integrated the experience of the watchmen of Dunhuang into the play, refracted the artistic achievements of Dunhuang and paid tribute to the artists of Dunhuang. It combined silk road culture with the art of ballet. At that time, the evaluation was mixed. There was also a hotel called "Dunhuang Flying Sky" in Dunhuang, located on Mingshan Road, Dunhuang City, Gansu Province. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Flying Apsaras in Dunhuang
Flying Apsaras in Dunhuang were an important part of the art of Dunhuang. From a cultural perspective, Flying Apsaras were the representative of Buddhist art. In the murals of the Mogao Grottoes in Dunhuang, they had beautiful postures and fluttering clothes. Some held lotus flowers, some played pipa, and some danced as if they were flying freely in the clouds. They vividly displayed the beautiful scene of the Buddhist Kingdom of Heaven. At the same time, they were also a symbol of the cultural confidence of the Chinese nation. They contained the Chinese nation's yearning for a better life and the pursuit of freedom. It was the spiritual code of the Chinese nation. From the perspective of artistic integration, Flying Apsaras was the product of the fusion of Eastern and Western cultures. The opening of the Silk Road brought the culture and art of the Western Regions to ancient China, making the image of Flying Apsaras have a distinct exotic style. From the perspective of modern art presentation, taking the dance program "Dunhuang·Flying Sky" in "2019 Central Radio and Television Station Spring Festival Gala" as an example, this dance was performed by Luna, Qiu Yunting, Wang Jiyu, etc., Fei Bo and Wang Qi were the editors, and adapted from the original dance drama "Dunhuang" arranged by the Central Ballet Troupe, combining Dunhuang culture with Western Ballet art, showing unique artistic charm. Although the first combination received mixed reviews, But it was also an innovative presentation of Dunhuang's flying culture. In addition, Liu Yifei's Dunhuang Flying Sky model was drawn from the murals of Mogao Grottoes in Dunhuang. She deeply understood the culture of Dunhuang by consulting historical materials. She strived to restore history and add modern aesthetic elements to the model. Her clothes integrated the style of the Western Regions, and her performance integrated the passion and unrestrained dance of the Western Regions. Through exquisite acting skills, she performed the Dunhuang Flying Sky vividly, reflecting both classical beauty and exotic customs. It is a very good modern interpretation of Dunhuang Flying Sky culture. In the modern aerospace industry, at the Shenzhou 19 manned flight mission ceremony, the honorary president of the Dunhuang Research Institute, Fan Jinshi, participated as the guardian of the " Flying Apsaras ", reflecting the leap from the fantasy of ancient flying culture to the realization of the dream of modern aerospace flying. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Apsaras
Dunhuang Flying Apsaras were one of the symbols of Dunhuang art. In terms of dance, for example, the dance program "Dunhuang·Flying Sky" in "2019 Central Radio and Television Spring Festival Gala" was adapted from the original dance drama "Dunhuang" arranged by the Central Ballet Troupe. Fei Bo, the director, once went to Dunhuang to collect folk songs and was touched by the watchmen of Dunhuang. These watchmen included Mr. Chang Shuhong, Mr. Duan Wenjie, Mr. Fan Jinshi, etc. They dedicated their youth and energy to protect Dunhuang art. The main creative team of the dance drama had gone through many years of preparation and revision. The dancers experienced the life of the Dunhuang people and used their limbs to show the oriental lines, allowing the audience to see the beauty of historical and cultural heritage. This dance program combined thousands of years of Silk Road culture with the art of Ballet. It was a unique dance that combined traditional China art with Western Ballet. Although the evaluation of the first combination was mixed, it was colorful and reflected the brilliant artistic achievements of Dunhuang. It also paid tribute to the artists of Dunhuang. From the perspective of cultural image, Liu Yifei's Dunhuang Flying Apsaras also brought us a lot of inspiration. Her style was inspired by the flying image in Dunhuang murals. Both her clothing and makeup were full of Dunhuang cultural elements. The clothes were colorful and the patterns were exquisite. The makeup was based on classic elements and had a sense of both classical and modern fashion. Her style not only gave people a visual enjoyment, but also caused a lot of discussions about traditional culture and modern aesthetics. On the one hand, some people think that this is a successful cultural innovation, re-interpretation of Dunhuang culture through modern aesthetics, attracting more people to pay attention to and love traditional culture, and stimulating people's desire to understand and learn deeply; On the other hand, some people worry that this is too commercial and entertaining, which may weaken the seriousness and historical sense of Dunhuang culture, making people ignore the profound meaning behind it. However, it was undeniable that this style was a beautiful collision between classical beauty and exotic customs. Her eyes, movements and expressions all showed unique charm, which made a good demonstration in the integration of cross-cultural art, letting people feel the infinite charm and possibility of art. It was also a good presentation and transmission of Dunhuang Feitian culture image in modern society. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!