Dance "Dunhuang Flying Apsaras" Solo Dance Zhao Lusi
Zhao Lusi performed a dance similar to "Dunhuang Flying Apsaras" at the New Year's Eve party. She was wearing a blue and pink dress, and the golden decorations were shining under the lights. She held classical dance accessories and danced gracefully, complementing the background. She was like the flying goddess in Dunhuang murals. With her unique dance skills and expressiveness, she made classical dance glow on the modern stage. However, there were also some people who had negative comments on her performance, thinking that her dance movements, state, and overall feeling did not match the mysterious and holy qualities of Dunhuang dance. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
The background of the dance of flying apsaras in Dunhuang
The background of the flying dance in Dunhuang is closely related to the murals of the Mogao Grottoes in Dunhuang. The flying murals in the Mogao Grottoes in Dunhuang show the graceful and vivid image of the god of Buddhist music, symbolizing freedom, happiness and long-term happiness. These murals provided a rich source of material for the creation of flying dance. From a historical and cultural point of view, the culture of Dunhuang area flourished during the Sui and Tang Dynasties, and the image of Feitian was also an important embodiment of culture and art at that time. Flying dance creations in different periods were influenced by the social and cultural atmosphere at that time. For example, in the 20th century, China artists began to explore the culture of folk dance. The creation of the flying dance of Dunhuang was also a manifestation of the revival of traditional culture. Dai Ailian, for example, used the form of the Flying Apsaras in the Dunhuang murals as the main material, and drew on the body movements, dance steps, and long silk dance techniques of traditional opera to create the pas de deux dance Flying Apsaras. From the perspective of artistic development, modern creators hoped to revitalize the image of Flying Apsaras in Dunhuang murals in the form of dance, showing the beauty of Chinese classical dance, and constantly exploring in the process of artistic inheritance and innovation. For example, the 2008 CCTV Spring Festival Gala Dunhuang Dance "Flying Apsaras" performed by the Warrior Art Troupe of the Political Department of Guangzhou Military Region, the director used this dance to express the prosperity of China and show the beauty of Chinese classical dance through unique dance movement design. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dance Appreciation of "Flying Apsaras of Dunhuang"
The dance of flying dragons in Dunhuang has a unique artistic charm. In terms of image creation, most of the Flying Apsaras were female. They were light and graceful, and the ribbons danced as if they were flying freely in the sky. The posture and movements of the dancers strive to reproduce the charm of the flying sky in Dunhuang murals. For example, the flying sky of the Sui Dynasty has various postures, or the body is light, the long skirt is fluttering, the ribbon is flying, the movement is changeable, the bending is inclined, the soaring is not limited to one pattern; Some have thin faces, slender figures, slender waist and jade arms, some are beautiful, graceful and affectionate. In terms of the cultural roots of dance, Flying Apsaras originated from ancient Indian myths and legends, and later spread to China, occupying an important position in Chinese Buddhist art. Its birth was closely related to Buddhist culture. Flying Apsaras were responsible for offering sacrifices to heaven and man, and were responsible for tasks such as paying respects to Buddha, offering sacrifices, and flying. In terms of artistic style, her dance vocabulary was rich and varied. There was a unique style of performance in the movements, such as through unique hand gestures, posture twisting, etc. to show the sacredness and agility of flying. In addition, the dance movements of the Flying Apsaras in different periods would also develop and change. For example, the Flying Apsaras of the Sui Dynasty combined the culture of the Western Regions and the local culture of the Central Plains, presenting a unique style that connected the past and the present. In terms of costumes and props, long sleeves or long-sleeved props were often used to simulate the ribbons in the flying murals. They fluttered with the dancers 'movements, enhancing the visual effect of the dance, as if the dancers were really flying in the clouds in the murals. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Dance Original
The original version of Dunhuang Flying Dance was born in 1979, a large-scale national dance drama "Silk Road Flower Rain". This dance drama made the dance in Dunhuang murals come to the audience and attract the attention of the world. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Zhao Lusi Gesture Dance
On October 30th, the production team of "Pearl Curtain Jade Screen" held a troup-chasing event in Hangzhou. Zhao Lusi and all the crew members danced her new song, including Liu Yuning, Xie Keyin, Tang Xiaotian, etc. Zhao Lusi stood between the taller Liu Yuning (official height 189cm) and Tang Xiaotian, creating a large height difference. There were also some interesting interactions due to her height, such as being called a "sandwich biscuit" and "little doll." After comparing her height with Xie Keyin, she cleverly asked the staff to flash high heels to save the scene. After wearing high heels, the scene in the same frame improved. The entire interaction segment of the flip gesture dance was lively and cute, triggering a warm response from the audience. While waiting for the TV series, he could also read the exciting content related to this site!
The background music of Dunhuang Flying Dance
The background music of Dunhuang Flying Dance included Ji Shen's "Thousand Years of Prayer"(Chinese name is Thousand Years of Prayer) and so on. In addition, there were Hanikezi-"A Dream of Dunhuang"(Live), Twelve Women's Music Houses-"Dunhuang", Lin Lin-"Tang Dance of Dunhuang", Nanhai Mu-"Dunhuang"(accompaniment), Qin Yin 'er-"Dunhuang"(Harmony Version)(accompaniment), Lun Sang-"Dunhuang·Banbi Song"(accompaniment), Yu Shuiyuan-"Dunhuang", Yu Yiwu-"Flying Sky", pure music-"Great Desert Dunhuang", Pure Music-Thousand-Hand Guanyin, Women's Crystal Music Workshop-Silk Road New Song, Women's Crystal Music Workshop-Silk Road Flower Rain (Live), Women's 12 Music Workshop-Yangguan Ancient Road, Women's 12 Music Workshop-Beauty Song, Yan Yue-Dunhuang, Moon Gate Music Culture-Dunhuang, Pure Music-Dunhuang Dance, Zhao Cong-Flying Music Dance, Women's 12 Music Workshop-Mogao Grottoes, Xiaoxu's music-"Soul of the Tang Dynasty-Dunhuang", Feng Shunxian-"Rainbow Feathers", Xu Jingqing-"Dance of the Crane Fairy", 12 Women's Music Studios-"Yadan Fairy", Xiaoxu's music-"Eight Dragons-Dunhuang", pure music-"Lone Desert Smoke", etc. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Apsaras
I don't quite understand the exact meaning of the expression "Dunhuang Flying Apsaras in person". If you want to ask about the real person related to the photos of Dunhuang Flying Apsaras, Liu Yifei has a set of photos of Dunhuang Flying Apsaras that have become popular on the Internet. Her photos are inspired by the images of the flying apsaras in Dunhuang murals. Both her clothing and makeup are full of Dunhuang cultural elements. Her clothing is bright in color and exquisite in pattern. Her makeup draws lessons from the classic elements of Dunhuang murals, which has both classical and modern fashion sense. At the 2024 Lanzhou Marathon, a woman wearing Dunhuang Feitian clothes ran the entire race. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Apsaras 2019
In 2019, there were many achievements related to Dunhuang Feitian. In the 2019 CCTV Spring Festival Gala, there was a dance called "Dunhuang·Flying Sky," led by Luna, Qiu Yunting and Wang Jiyu, performed by the Central Ballet Troupe and the Ballet Department of the Beijing Dance Academy. This dance was adapted from the original dance drama "Dunhuang" arranged by the Central Ballet Troupe. It combined thousands of years of silk road culture with the art of Ballet, condensing the experiences of the guards of Dunhuang into the story of the male and female protagonists in the play. By showing their protection and feelings for the Dunhuang murals, it reflected the brilliant artistic achievements of Dunhuang. It had both a sense of history and artistic freedom. However, because it was the first time that it boldly combined China Dunhuang culture with Western Ballet art, At that time, the evaluation was mixed. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Apsaras
Dunhuang flying clothes had distinctive characteristics. From some examples, for example, the woman who ran the entire marathon in Dunhuang Feitian clothing had a two-pound headdress, fixed with more than a dozen hairpins and several steel nails, as well as accessories such as a close-fitting tube top, elegant streamers, hand-held musical instruments, oil-paper umbrellas, etc. The Fairy's skirt could be set to a width of 3 meters, and the excess parts could be cut open. The skirt would be about 1 meter long, and because the mesh was too transparent, it might need a layout of 3 layers, 2 layers, and 3 layers. In terms of children's dance costumes, there were Dunhuang flying costumes that included tops, pants, streamers, mid-brows, waist chains, jewelry and other components. In some artists 'styles, such as the Dunhuang Flying Apsaras chosen by Angelababy, their costumes could perfectly present the cultural style of the ancient Silk Road, while Liu Yifei wore gorgeous flying costumes as if she had passed through the murals, full of fairy air. All of these showed the unique charm of Dunhuang Flying Apsaras. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!
Dunhuang Flying Apsaras
The Flying Apsaras in Dunhuang
The flying murals in Dunhuang are the artistic treasures of the Mogao Grottoes. The Mogao Grottoes were built in the former Qin Dynasty and had been continuously built through many dynasties. They were huge in scale and contained many caves, murals, and clay sculptures. The image of "Flying Apsaras" in Dunhuang Flying Apsaras Murals had experienced a long process of development and evolution. At first, the image of the flying sky originated from the flying god in Indian Buddhism, but when it appeared in China, it was different from the flying god in Indian Buddhism. During the period from the Sixteen Kingdoms to the Northern Wei Dynasty, the flying gods of Dunhuang were deeply influenced by the flying gods of India and the Western Regions. Their images carried a strong foreign cultural atmosphere. The image of the flying gods of Buddhism in this period was probably a human figure with horns and the ability to ride clouds and fog. After being introduced to Dunhuang, they were created as the image of a gentle and beautiful woman who was dancing in the air and tied with long streamers. From the Western Wei Dynasty to the Sui Dynasty, the Dunhuang Flying Apsaras were in the stage of the exchange and integration of Buddhist Heaven and Man and Taoist Feather Man, and the Western Region Flying Apsaras and the Central Plains Flying Immortals. The Sui Dynasty had the largest number of "Flying Apsaras" and the most diverse types. The dynamic description of flying, the changes in limbs and clothing had been greatly improved. During the Tang Dynasty, the Flying Apsaras culture reached its peak, and the image was basically China. The change of line style became the dominant element, and the craftsmen's skills matured, making the image of the Flying Apsaras of this period almost perfect. Although there were modifications in the Xixia and Yuan dynasties, there were no major innovation. Dunhuang Flying Sky Murals had unique artistic features, including natural and agile lines, which were concentrated on the image of Flying Sky, which could show the flying track of the fluttering clothes and the rhythm of music. It had the shape of a weak willow supporting the wind, expressing the beauty of the shape through delicate texture and pen and ink language. The strokes were agile and colorful, and the ribbon enhanced the sense of movement of Flying Sky. At the same time, Dunhuang Flying Apsaras were not only a display of human beauty, but also a symbol of exuberant vitality. They were the product of the combination of romanticism and creative methods, with extremely high aesthetic and artistic taste. Flying Apsaras had missions such as scattering flowers and playing music in the Buddhist Kingdom. For example, some of them held flowers in one hand and scattered them in the other to create a beautiful atmosphere. There were also some who played the pipa, the waist drum, and the empty throat. "Legend of the Flying Apsaras" is equally exciting. Everyone is welcome to click and read it!